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The Oxford Handbook of Contemporary British and Irish Poetry

The Oxford Handbook of Contemporary British and Irish Poetry PDF Author: Peter Robinson
Publisher: Oxford University Press
ISBN: 0199596808
Category : History
Languages : en
Pages : 782

Book Description
This Handbook offers an authoritative and up-to-date collection of original essays bringing together ground breaking research into the development of contemporary poetry in Britain and Ireland.

The Oxford Handbook of Contemporary British and Irish Poetry

The Oxford Handbook of Contemporary British and Irish Poetry PDF Author: Peter Robinson
Publisher: Oxford University Press
ISBN: 0199596808
Category : History
Languages : en
Pages : 782

Book Description
This Handbook offers an authoritative and up-to-date collection of original essays bringing together ground breaking research into the development of contemporary poetry in Britain and Ireland.

The Oxford Handbook of Contemporary British and Irish Poetry

The Oxford Handbook of Contemporary British and Irish Poetry PDF Author: Oxford handbooks online
Publisher:
ISBN: 9780191751318
Category : English poetry
Languages : en
Pages : 761

Book Description
This book offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers.

The Oxford Handbook of Modern Irish Poetry

The Oxford Handbook of Modern Irish Poetry PDF Author: Fran Brearton
Publisher: OUP Oxford
ISBN: 0191636746
Category : Literary Criticism
Languages : en
Pages : 743

Book Description
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.

A Companion to Contemporary British and Irish Poetry, 1960 - 2015

A Companion to Contemporary British and Irish Poetry, 1960 - 2015 PDF Author: Wolfgang Gortschacher
Publisher: John Wiley & Sons
ISBN: 1118843207
Category : Literary Criticism
Languages : en
Pages : 656

Book Description
A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.

Post-Romantic Aesthetics in Contemporary British and Irish Poetry

Post-Romantic Aesthetics in Contemporary British and Irish Poetry PDF Author: Stefanie John
Publisher: Routledge
ISBN: 1000397750
Category : Literary Criticism
Languages : en
Pages : 248

Book Description
This book demonstrates the legacies of Romanticism which animate the poetry and poetics of Eavan Boland, Gillian Clarke, John Burnside, and Kathleen Jamie. It argues that the English Romantic tradition serves as a source of inspiration and critical contention for these Irish, Welsh, and Scottish poets, and it relates this engagement to wider concerns with gender, nation, and nature which have shaped contemporary poetry in Britain and Ireland. Covering a substantial number of works from the 1980s to the 2010s, the book discusses how Boland and Clarke, as women poets from the Republic of Ireland and Wales, react to a male-dominated and Anglocentric lyric tradition and thus rework notions of the Romantic. It examines how Burnside and Jamie challenge, adopt, and revise Romantic aesthetics of nature and environment. The book is the first in-depth study to read Boland, Clarke, Burnside, and Jamie as post-Romantics. By disentangling the aesthetic and critical conceptions of Romanticism which inform their inheritance, it develops an innovative approach to the understanding of contemporary poetry and literary influence.

Contemporary British and Irish Poetry

Contemporary British and Irish Poetry PDF Author: Sarah Broom
Publisher: Bloomsbury Publishing
ISBN: 1137113677
Category : Literary Criticism
Languages : en
Pages : 288

Book Description
Sarah Broom provides an engaging, challenging and lively introduction to contemporary British and Irish poetry. The book covers work by poets from a wide range of ethnic and regional backgrounds and covers a broad range of poetic styles, including mainstream names like Seamus Heaney and Carol Ann Duffy alongside more marginal and experimental poets like Tom Raworth and Geraldine Monk. Contemporary British and Irish Poetry tackles the most compelling and contentious issues facing poetry today.

The Oxford Handbook of British Poetry, 1660-1800

The Oxford Handbook of British Poetry, 1660-1800 PDF Author: Jack Lynch
Publisher: Oxford University Press
ISBN: 0191019690
Category : Literary Criticism
Languages : en
Pages : 750

Book Description
In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity—serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they've never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.

The Cambridge Companion to Irish Poets

The Cambridge Companion to Irish Poets PDF Author: Gerald Dawe
Publisher: Cambridge University Press
ISBN: 1108420354
Category : Literary Criticism
Languages : en
Pages : 473

Book Description
A fresh, accessible and authoritative study that conveys the richness and diversity of Irish poets, their lives and times.

The Cambridge Introduction to British Poetry, 1945–2010

The Cambridge Introduction to British Poetry, 1945–2010 PDF Author: Eric Falci
Publisher: Cambridge University Press
ISBN: 1316425177
Category : Literary Criticism
Languages : en
Pages :

Book Description
The Cambridge Introduction to British Poetry, 1945–2010 provides a broad overview of an important body of poetry from England, Scotland, Wales, and Northern Ireland from the postwar period through to the twenty-first century. It offers a comprehensive view of the historical context surrounding the poetry and provides in-depth readings of many of the period's central poets. British poetry after 1945 has been given much less attention than both earlier British and American poetry, as well as postwar American poetry. There are very few single-author studies that present the entirety of the period's poetry. This book is unique for the comprehensive richness with which it presents the historical and literary-historical scene, as well as for its close-up focus on a wide range of major poets and poems.

Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-First Century

Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-First Century PDF Author: Natalie Pollard
Publisher: Oxford University Press, USA
ISBN: 0198852606
Category : Literary Criticism
Languages : en
Pages : 331

Book Description
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.