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Author: Christiane Sourvinou-Inwood Publisher: Lexington Books ISBN: 9780739104002 Category : Drama Languages : en Pages : 580
Book Description
Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways-- rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.
Author: Mark Alznauer Publisher: State University of New York Press ISBN: 1438483384 Category : Philosophy Languages : en Pages : 361
Book Description
No philosopher has treated the subject of tragedy and comedy in as original and searching a manner as G. W. F. Hegel. His concern with these genres runs throughout both his early and late works and extends from aesthetic issues to questions in the history of society and religion. Hegel on Tragedy and Comedy is the first book to explore the full extent of Hegel's interest in tragedy and comedy. The contributors analyze his treatment of both ancient and modern drama, including major essays on Sophocles, Aristophanes, Shakespeare, Goethe, and the German comedic tradition, and examine the relation of these genres to political, religious, and philosophical issues. In addition, the volume includes several essays on the role tragedy and comedy play in Hegel's philosophy of history. This book will not only be valuable to those who wish for a general overview of Hegel's treatment of tragedy and comedy but also to those who want to understand how his treatment of these genres is connected to the rest of his thought.
Author: David Cheetham Publisher: Ashgate Publishing, Ltd. ISBN: 0754663590 Category : Social Science Languages : en Pages : 241
Book Description
Exploring the different points of view and 'tones of voice' adopted in theology for the meeting of religions, this book presents a contemporary philosophical and theological engagement with key issues of how different faiths might meet, of comparative philosophy of religion, the use of aesthetics, inter-religious ethics and issues relating to the self. Providing a critical evaluation of contemporary liberal, post-liberal and conservative voices, this book highlights the use of the creative imagination and explores new ideas for the meeting of religions.
Author: Conrad Hyers Publisher: Routledge ISBN: 1351473522 Category : Philosophy Languages : en Pages : 253
Book Description
To understand comedy is to understand humanity, for the comic sense is central to what it means to be human. Nearly all the major issues with which human beings have exercised themselves are touched upon in some manner by the comic spirit. Yet education in the art of comedy and in comic appreciation is given little attention in most societies. The Spirituality of Comedy explores the wisdom of comedy and the comic answer to tragedy (in both popular and classical senses of the term). Tragedy is seen as a fundamental problem of human existence, while comedy is its counterweight and resolution.Conrad Hyers has taken a fresh look at comedy from the standpoint of comparative mythology and religion, and thus comedy's spiritual significance. In his unique study of the comic tradition, Hyers explains the difficulty in pinning down themes, structures, plots, or characters that are common to all comedy. Instead he argues that there is an essence of comedy in the area of pattern. He draws upon the rich historical ensemble of types of comic figures: the humorist, comedian, comic hero, rogue, trickster, clown, fool, underdog, and simpleton. He shows how each type incarnates a comic heroism in its own unique manner, offering a profound wisdom and philosophy of life.The approach of this book is broadly interdisciplinary, with materials and interpretations introduced from the various fields of the humanities, social sciences, and natural sciences as they illuminate both the tragic and comic sensibilities. The methodological thread that draws this all together is an analysis of the major types of comic figures in terms of the myths and legends associated with them, the rituals they produce and enact, and the symbolism of the comic figures themselves. Written in a very readable literary style, The Spirituality of Comedy will appeal to psychologists, social scientists, clergy, philosophers, and students of literature.
Author: Robert A. Kantra Publisher: Penn State University Press ISBN: Category : Arts and religion Languages : en Pages : 264
Book Description
Religion and satire can be incompatible, even opposed, but they can also join to produce great art. So argues this wide-ranging book, which seeks to identify the essence of religious satire, beginning with the art of such Renaissance figures as Erasmus and Dürer and concluding with such modern writers as Beckett, Eliot, and Waugh. Modern painters and sculptors, though not often concerned with religious satire, may employ its themes--as indeed may practitioners of the "new science" flourishing since Newton. The theme of religious satire, in Kantra's words, is "man's encroachment on the divine--his effort to play God, in whole or in part--whether under the banner of religion or of humanity." Heroic art has the same subject but a different attitude: it celebrates man's pretensions to divinity, whereas religious satire mocks them--sometimes harshly, sometimes gently. "If heroic art is ennobling, satiric art is humbling." Comedy sometimes may be found in satiric works, tragedy never, and tragicomedy always. The book starts with a brief examination of medieval religious satire: the rough shepherds in mystery plays, the lusty clerics in Chaucer, the roof bosses of Gluttony, Lying, and the Devil swallowing Judas Iscariot in Southwark Cathedral. The Renaissance was a golden era for the genre. Dürer engraved Saint Jerome (who wrote satirical letters), his halo off center, in what Kenneth Clark calls "a typically Erasmian room" with the lion and the little dog in the foreground, "sharing a conspicuously self-satisfied contentment." Yet Dürer, according to Erwin Panofsky, "failed when confronted with the small, quiet, supremely ironic face of Erasmus of Rotterdam." But what artist could capture the author of The Praise Folly, who saw self-styled sapient humans as "a swarm of flies and gnatss . . . laying traps for one another?" Kantra contends that the English--Elizabethans, Metaphysicals, Augustans, Victorians, and moderns --have always mixed satire with comedy and tragedy. Donne wrote in Satyre III that "our Mistresse faire religion," can look like "neare twin" to a strumpet. Satire, Milton said, "was born out of a Tragedy, so ought to resemble his parentage." Consider his Satan and his fallen legions. Chesterton and Belloc lampooned "essentially modern men" who reject magic and religion. Today religious satire is more alive than ever--among both churched writers such as Eliot, Waugh, or Dorothy Sayers, and the unchurched such as Shaw, Joyce, and Beckett --in works that pull down the vanity of modern man's once-proud claim to have conquered nature.
Author: Conrad Hyers Publisher: Wipf and Stock Publishers ISBN: 1592443958 Category : Religion Languages : en Pages : 192
Book Description
Is comedy an inconsequential part of life, useful primarily for relaxation and escape? Conrad Hyers asserts that comedy is central to all aspects of existence. In The Comic Vision and the Christian Faith Hyers offers the first detailed study of the special significance of comic and religious themes to show that the comic tradition enriches and informs as well as entertains. Maintaining that comedy constitutes its own mythology, Hyers examines the great array of comic figures - tricksters, clowns, jesters, fools, humorists, comedians, and the like - and shows their historical significance in giving meaning to the major issues with which humankind has been concerned. Finally, Hyers shows us that when we appreciate the importance of the comic vision, we gain a keener, fresher, and more meaningful outlook.
Author: Francisco Barrenechea Publisher: Cambridge University Press ISBN: 1108126154 Category : History Languages : en Pages :
Book Description
This book opens up a new perspective on Aristophanic drama and its relationship to Greek religion. It focuses on the comedy Wealth, whose fantasy of universal enrichment is structured upon a rich and largely unexplored framework of traditional stories of Greek religious experiences, such as oracles, miracle cures, and the introduction of new gods. The book examines the form and function of these stories, and explores how the playwright adapts them for his own comic purposes, grounding his comic fantasy on stories of philanthropic divinities who dependably respond to the needs of their worshippers. The collaboration of these deities, who act in tandem with their worshippers, achieves the comic fantasy. Francisco Barrenechea also addresses the larger question of how comedy participated in the religion of its time by imagining and dramatizing beliefs, and reveals the salutary bond that can exist between humor and religion in general.
Author: John Morreall
Author: John Morreall
Author: Christiane Sourvinou-Inwood
Author: Mark Alznauer
Author: David Cheetham
Author: Conrad Hyers
Author: Mark William Roche
Author: Robert A. Kantra
Author: 
Author: Conrad Hyers
Author: Francisco Barrenechea