Enemy Images in American History PDF Download

Author: Ragnhild Fiebig-von Hase
Publisher: Berghahn Books
ISBN: 1789203996
Category : History
Languages : en
Pages : 400

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Author: Ragnhild Fiebig-von Hase
Publisher: Berghahn Books
ISBN: 9781571810311
Category : History
Languages : en
Pages : 404

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Author: Linn Normand
Publisher: Springer
ISBN: 113754581X
Category : Political Science
Languages : en
Pages : 271

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This book investigates demonization in international politics, particularly in the Middle East. It argues that while demonization’s origins are religious, its continued presence is fundamentally political. Drawing upon examples from historical and modern conflicts, this work addresses two key questions: Why do leaders demonize enemies when waging war? And what are the lasting impacts on peacemaking? In providing answers to these inquiries, the author applies historical insight to twenty-first century conflict. Specific attention is given to Israel and Palestine as the author argues that war-time demonization in policy, media, and art is a psychological and relational barrier during peace talks.

Author: Ariane Knüsel
Publisher: Routledge
ISBN: 1317133609
Category : History
Languages : en
Pages : 336

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Framing China sheds new light on Western relations with and perceptions of China in the first half of the twentieth century. In this ground-breaking book, Ariane Knüsel examines how China was portrayed in political debates and the media in Britain, the USA and Switzerland between 1900 and 1950. By focusing on the political, economic, cultural and social context that led to the construction of the particular images of China in each country, the author demonstrates that national interests, anxieties and issues influenced the way China was framed and resulted in different portrayals of China in each country. The author’s meticulous analysis of a vast amount of newspaper and magazine articles, commentaries, editorials, cartoons and newsreels that have previously not been studied before also focuses on the transnational circulation of images of China. While previous publications have dealt with the occurrence of the Yellow Peril and Red Menace in particular countries, Framing China reveals that these images were interpreted differently in every nation because they both reflected and contributed to the discursive construction of nationhood in each country and were influenced by domestic issues, cultural values, pre-existing stereotypes, pressure groups and geopolitical aspirations.

Author: Hans-Henning Kortüm
Publisher: Walter de Gruyter
ISBN: 3050049952
Category : History
Languages : en
Pages : 274

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Eine von der Deutschen Forschungsgemeinschaft getragene Forschergruppe an der Universität Regensburg untersucht seit einigen Jahren im Rahmen einer Neuen Militärgeschichte "Formen und Funktionen des Krieges im Mittelalter". Im März 2004 wurde auf einer international und interdisziplinär ausgerichteten Fachtagung, organisiert von Mitgliedern der Regensburger Forschergruppe zusammen mit dem Hamburger Institut für Sozialforschung, versucht, traditionelle Epochengrenzen, wie sie zwischen Mittelalter und Neuzeit nach wie vor bestehen, zu überwinden. Die Tagungsbeiträge werden in diesem Band veröffentlicht.

Author: Robert Moses Peaslee
Publisher: Univ. Press of Mississippi
ISBN: 1496826507
Category : Literary Criticism
Languages : en
Pages : 432

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Contributions by Jerold J. Abrams, José Alaniz, John Carey, Maurice Charney, Peter Coogan, Joe Cruz, Phillip Lamarr Cunningham, Stefan Danter, Adam Davidson-Harden, Randy Duncan, Richard Hall, Richard Heldenfels, Alberto Hermida, Víctor Hernández-Santaolalla, A. G. Holdier, Tiffany Hong, Stephen Graham Jones, Siegfried Kracauer, Naja Later, Ryan Litsey, Tara Lomax, Tony Magistrale, Matthew McEniry, Cait Mongrain, Grant Morrison, Robert Moses Peaslee, David D. Perlmutter, W. D. Phillips, Jared Poon, Duncan Prettyman, Vladimir Propp, Noriko T. Reider, Robin S. Rosenberg, Hannah Ryan, Lennart Soberon, J. Richard Stevens, Lars Stoltzfus-Brown, John N. Thompson, Dan Vena, and Robert G. Weiner The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are “super” going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. While The Supervillain Reader focuses on the latter, it moves beyond comics to show how the vital concept of the supervillain is part of our larger consciousness. Editors Robert Moses Peaslee and Robert G. Weiner collect pieces that explore how the villain is a complex part of narratives regardless of the original source. The Joker, Lex Luthor, Harley Quinn, Darth Vader, and Magneto must be compelling, stimulating, and proactive, whereas the superhero (or protagonist) is most often reactive. Indeed, whether in comics, films, novels, religious tomes, or video games, the eternal struggle between villain and hero keeps us coming back to these stories over and over again.

Author: Christina M. Knopf
Publisher: McFarland
ISBN: 0786498358
Category : History
Languages : en
Pages : 253

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For military cartoonists the absurdity of war inspires a laugh-or-cry response and provides an endless source of un-funny amusement. Cartoons by hundreds of artists-at-arms from more than a dozen countries and spanning two centuries are included in this study--the first to consider such a broad range of military comics. War and military life are examined through the inside jokes of the men and women who served. The author analyzes themes of culture, hierarchy, enemies and allies, geography, sexuality, combat, and civilian relations and describes how comics function within a community. A number of artists included were known for their work with Disney, Marvel Comics, the New Yorker and Madison Avenue but many lesser known artists are recognized.

Author: Pierre Van Hecke
Publisher: Peeters Publishers
ISBN: 9789042916401
Category : Language Arts & Disciplines
Languages : en
Pages : 338

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The Hebrew Bible abounds in metaphors and other figurative speech. The present volume collects fifteen essays on this fascinating aspect of biblical language, written by specialists in the field. Attention is paid both to the recent methodological developments in the study of metaphor and to the importance of metaphor studies for the interpretation of biblical texts.

Author: Zuzanna Bogumił
Publisher: Berghahn Books
ISBN: 1782382186
Category : Art
Languages : en
Pages : 190

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Eastern European museums represent traumatic events of World War II, such as the Siege of Leningrad, the Warsaw Uprisings, and the Bombardment of Dresden, in ways that depict the enemy in particular ways. This image results from the interweaving of historical representations, cultural stereotypes and beliefs, political discourses, and the dynamics of exhibition narratives. This book presents a useful methodology for examining museum images and provides a critical analysis of the role historical museums play in the contemporary world. As the catastrophes of World War II still exert an enormous influence on the national identities of Russians, Poles, and Germans, museum exhibits can thus play an important role in this process.

Author: Sonja Schillings
Publisher: Dartmouth College Press
ISBN: 1512600172
Category : Literary Criticism
Languages : en
Pages : 304

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Hostis humani generis, meaning "enemy of humankind," is the legal basis by which Western societies have defined such criminals as pirates, torturers, or terrorists as beyond the pale of civilization. Sonja Schillings argues that the legal fiction designating certain persons or classes of persons as enemies of all humankind does more than characterize them as inherently hostile: it supplies a narrative basis for legitimating violence in the name of the state. The book draws attention to a century-old narrative pattern that not only underlies the legal category of enemies of the people, but more generally informs interpretations of imperial expansion, protest against structural oppression, and the transformation of institutions as "legitimate" interventions on behalf of civilized society. Schillings traces the Anglo-American interpretive history of the concept, which she sees as crucial to understanding US history, in particular with regard to the frontier, race relations, and the war on terror.