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Author: Alison Bedford Publisher: McFarland ISBN: 1476677808 Category : Literary Criticism Languages : en Pages : 206
Book Description
Just over 200 years ago on a stormy night, a young woman conceived of what would become one of the most iconic images of science gone wrong, the story of Victor Frankenstein and his Creature. For a long period, Mary Shelley languished in the shadow of her luminary husband, Percy Bysshe Shelley, but was rescued from obscurity by the feminist scholars of the 1970s and 1980s. This book offers a new perspective on Shelley and on science fiction, arguing that she both established a new discursive space for moral thinking and laid the groundwork for the genre of science fiction. Adopting a contextual biographical approach and undertaking a close reading of the 1818 and 1831 editions of the text give readers insight into how this story synthesizes many of the concerns about new science prevalent in Shelley's time. Using Michel Foucault's concept of discourse, the present work argues that Shelley should be not only credited with the foundation of a genre but recognized as a figure who created a new cultural space for readers to explore their fears and negotiate the moral landscape of new science.
Author: Alison Bedford Publisher: McFarland ISBN: 1476677808 Category : Literary Criticism Languages : en Pages : 206
Book Description
Just over 200 years ago on a stormy night, a young woman conceived of what would become one of the most iconic images of science gone wrong, the story of Victor Frankenstein and his Creature. For a long period, Mary Shelley languished in the shadow of her luminary husband, Percy Bysshe Shelley, but was rescued from obscurity by the feminist scholars of the 1970s and 1980s. This book offers a new perspective on Shelley and on science fiction, arguing that she both established a new discursive space for moral thinking and laid the groundwork for the genre of science fiction. Adopting a contextual biographical approach and undertaking a close reading of the 1818 and 1831 editions of the text give readers insight into how this story synthesizes many of the concerns about new science prevalent in Shelley's time. Using Michel Foucault's concept of discourse, the present work argues that Shelley should be not only credited with the foundation of a genre but recognized as a figure who created a new cultural space for readers to explore their fears and negotiate the moral landscape of new science.
Author: Robert D. Romanyshyn Publisher: Routledge ISBN: 0429647816 Category : Psychology Languages : en Pages : 220
Book Description
In Victor Frankenstein, the Monster and the Shadows of Technology: The Frankenstein Prophecies, Romanyshyn asks eight questions that uncover how Mary Shelley’s classic work Frankenstein haunts our world. Providing a uniquely interdisciplinary assessment, Romanyshyn combines Jungian theory, literary criticism and mythology to explore answers to the query at the heart of this book: who is the monster? In the first six questions, Romanyshyn explores how Victor’s story and the Monster’s tale linger today as the dark side of Frankenstein’s quest to create a new species that would bless him as its creator. Victor and the Monster are present in the guises of climate crises, the genocides of our "god wars," the swelling worldwide population of refugees, the loss of place in digital space, the Western obsession with eternal youth and the eclipse of the biological body in genetic and computer technologies that are redefining what it means to be human. In the book’s final two questions, Romanyshyn uncovers some seeds of hope in Mary Shelley’s work and explores how the Monster’s tale reframes her story as a love story. This important book will be essential reading for academics and students of Jungian and post-Jungian theory, literature, philosophy and psychology, psychotherapists in practice and in training, and for all who are concerned with the political, social and cultural crises we face today.
Author: Justin Edwards Publisher: Routledge ISBN: 1134105983 Category : Literary Criticism Languages : en Pages : 168
Book Description
Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film. The book: presents a history of the literary grotesque from Classical writing to the present examines theoretical debates around the term in their historical and cultural contexts introduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberg analyses key terms such as disharmony, deformed and distorted bodies, misfits and freaks explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.
Author: Lisa Yaszek Publisher: Taylor & Francis ISBN: 1000826287 Category : Social Science Languages : en Pages : 568
Book Description
The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-based politics with the increasing visibility of imagined futures for all; and show how SF stories about new kinds of gender relations inspire new models of artistic, technoscientific, and political practice. Their chapters are grouped into five conversations—about the history of gender and genre, theoretical frameworks, subjectivities, medias and transmedialities, and transtemporalities—that are central to discussions of gender and SF in the current moment. A range of both emerging and established names in media, literature, and cultural studies engage with a huge diversity of topics including eco-criticism, animal studies, cyborg and posthumanist theory, masculinity, critical race studies, Indigenous futurisms, Black girlhood, and gaming. This is an essential resource for students and scholars studying gender, sexuality, and/or science fiction.
Author: Various Publisher: Read Books Ltd ISBN: 1473347270 Category : Fiction Languages : en Pages : 711
Book Description
Five Classic Horror Stories is a collection of the most chilling and influential horror stories ever written, including tales by Mary Wollstonecraft Shelley and Robert Louis Stevenson. These five ghastly tales are sure to make your hair stand on end. Read Victor Frankenstein’s story as the young scientist pillages graveyards for body parts to fulfil his macabre desire to create life. Discover Dr Jekyll’s wicked monster, Mr Hyde, who evolves from a horrific experiment destroying the balance between good and evil. Meet a strange young woman who appears to be unafraid of anything. Reveal quietly monstrous incidents and curious circumstances in Transylvania. Immerse yourself in a Parisian opera house where a malevolent phantom haunts the stage. The contents of this volume include: - Frankenstein or The Modern Prometheus (1818) by Mary Wollstonecraft Shelley - The Strange Case of Dr. Jekyll & Mr. Hyde (1886) by Robert Louis Stevenson - The Were-Wolf (1896) by Clemence Housman - Dracula (1897) by Bram Stoker - The Phantom of the Opera (1909) by Gaston Leroux Featuring psychological thrillers, supernatural interventions, and classic gothic horror, this volume is a gripping read and highly recommended for lovers of horror fiction but not for the faint of heart. Fantasy and Horror Classics is proud to be publishing this fantastic collection.
Author: Robert I. Lublin Publisher: Bloomsbury Publishing ISBN: 1350351571 Category : Literary Criticism Languages : en Pages : 249
Book Description
An exploration of the treatment of Mary Shelley's Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel's myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley's novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns. Bringing together popular interventions that riff off Shelley's major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan's recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden's The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh's Mary Shelley's Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley's original.
Author: C. Dean Andersson Publisher: Crossroad Press ISBN: Category : Fiction Languages : en Pages :
Book Description
I am Frankenstein. I awaken Nightmares. My truth is Terror made Flesh. Two hundred years ago, Mary Shelley told part of my story. Now hear the rest! I am the Creature of Frankenstein. The Horror of my story is more terrifying than his. I know how it feels to be stripped of flesh. So, I did to Frankenstein what he did to me, cursed him with Immortality! I am Katiasa. I traveled back in time to help Frankenstein create Life from Death. It was fun, mostly, until his Creature made me a monster, too. I am Tzigane. I am not a monster. I am a Witch, a Vampire, the Mate of Dracula. Frankenstein and his Creature? Katiasa? Three interesting monsters. I spent time with them. Why? Spend time with them yourself. Read their book! I am C. Dean Andersson. Warning: I AM FRANKENSTEIN’s editor wanted the book destroyed. Trouble is, Monsters don't stay dead. They come back. Sometimes, they even try to tell jokes. And now, I AM FRANKENSTEIN has returned. Take its hand. It has things to show you. Have a nice scream.
Author: Jane Goodall Publisher: Routledge ISBN: 1351935836 Category : Literary Criticism Languages : en Pages : 240
Book Description
Though Mary Shelley's Frankenstein has inspired a vast body of criticism, there are no book-length studies that contextualise this widely taught novel in contemporary scientific and literary debates. The essays in this volume by leading writers in their fields provide new historical scholarship into areas of science and pseudo-science that generated fierce controversy in Mary Shelley's time: anatomy, electricity, medicine, teratology, Mesmerism, quackery and proto-evolutionary biology. The collection embraces a multifaceted view of the exciting cultural climate in Britain and Europe from 1780 to 1830. While Frankenstein is all too often read as a cautionary tale of the inherent dangers of uncontrolled scientific experimentation, the essays here take the reader back to a period when experimenters and radical thinkers viewed science as the harbinger of social innovation that would counter the virulent conservative backlash following the French Revolution. The collection will be an invaluable resource for students and scholars specialising in Romanticism, cultural history, philosophy and the history of science.
Author: Elizabeth Young Publisher: NYU Press ISBN: 0814745377 Category : Social Science Languages : en Pages : 336
Book Description
For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.
Author: A. V. A. Canetti Publisher: GRIN Verlag ISBN: 3668594295 Category : Literary Criticism Languages : en Pages : 19
Book Description
Seminar paper from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Cologne, course: Figures of Frankenstein | Mary Shelley's Novel and its Afterlife, language: English, abstract: Since its publication in 1818, Mary Shelley’s magnum opus "Frankenstein or The Modern Prometheus" has given rise to a wide range of readings and interpretations. A vast majority of these focus on the genre of the Gothic horror novel and the age of Romanticism, the evolution of modern science, or the correlation between creator and creation. Other renditions are preoccupied with more concise subject matters such as the underlying feminist structure, or the relevance of Milton’s "Paradise Lost", which is frequently alluded to in the original text by Shelley. This paper serves as partial fulfilment for the completion of the seminar "Figures of Frankenstein – Mary Shelley’s novel and its afterlife", and is designed to explore the failure of education in the upbringing of Frankenstein’s monster, determining to which extent these shortcomings in education relate to the lack of female nurture. The second chapter will establish the foundation for the exploration of the subject of education in Frankenstein by setting a framework of Romanticism and the Gothic novel as an originating genre of literature. Gender roles and emerging dominions in Romantic European societies will be surveyed in the subsequent chapter, thus providing a focused analysis of the absence of female attendance. The third chapter will contain research on educational responsibilities in the 19th century and provide an in-depth analysis of educational failure taking place in Frankenstein, both by male and female teachers. Herein, the central literary source is the novel by Mary Shelley in the original text of 1818, edited by Marilyn Butler (Oxford World’s Classics).
Author: Alison Bedford
Author: Alison Bedford
Author: Robert D. Romanyshyn
Author: Justin Edwards
Author: Lisa Yaszek
Author: Various
Author: Robert I. Lublin
Author: C. Dean Andersson
Author: Jane Goodall
Author: Elizabeth Young
Author: A. V. A. Canetti