Kandinsky in Münich 1896-1914 PDF Download

Author: Carl E. Schorske
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

View

Book Description

Author: Armin Zweite
Publisher:
ISBN:
Category :
Languages : de
Pages : 0

View

Book Description

Author: Carl E. Schorske
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

View

Book Description

Author: Susan Hirschfeld
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

View

Book Description

Author: Wassily Kandinsky
Publisher:
ISBN:
Category : Art
Languages : de
Pages : 464

View

Book Description
Catalogus Städtische Galerie im Lenbachhaus in München van 18 augustus tot 17 oktober 1982.

Author: Armin Zweite
Publisher:
ISBN:
Category : Munich (Germany)
Languages : de
Pages : 450

View

Book Description

Author: Wassily Kandinsky
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 320

View

Book Description
Merging the time-tested formats of the museum solo show and the historic location-centered exhibition, Kandinsky in Munich was the first of a series of in-depth curatorial examinations. Focusing exclusively on the artist's early career in that city, the exhibition and catalogue features over 250 images of both Kandinsky's work and that of his friends, teachers, and colleagues while in Munich. Also included are essays by Peter Jelavich and Peg Weiss, a selected bibliography of works written on and by the artist; a chronology of the artist's life, and a documents section that lists relevant archival materials.

Author: Sandra Mühlbach
Publisher: GRIN Verlag
ISBN: 3656478651
Category : Art
Languages : de
Pages : 16

View

Book Description
Studienarbeit aus dem Jahr 2013 im Fachbereich Kunst - Sonstiges, Note: 1,0, Leuphana Universität Lüneburg, Veranstaltung: Europäische Reflexionen: Russland und Deutschland. Zur Geschichte der russisch-deutschen Beziehungen in Wissenschaft, Politik und Kultur, Sprache: Deutsch, Abstract: Wassily Kandinsky gilt als einer der bekanntesten Vertreter abstrakter Kunst; er entwickelte eine einzigartige Farb- und Formenlehre. Seine Werke inspirierten und bereicherten die europäische und internationale Kunstszene. Während seines, fast zwei Jahrzehnte wärenden Aufenthaltes in Deutschland freundet er sich mit dem Komponisten Arnold Schönberg an. Beide unterhalten einen regen Briefwechsel, in dem sie sich über ihr gegenseitiges Kunstverständnis austauschen und einander beratend zur Seite stehen. Kandinsky durchläuft in dieser Zeit eine maßgebliche Entwicklung: sein expressiver Malstil wird zunehmend abstrakt. Seine Kunst löst sich vom Gegeständlichen. Schönberg beschreitet seinerseits mit atonale Kompositionen neue Wege. Beide Künstler sind in unterschiedlichen Metiers heimisch und ergänzen sich dennoch. Prägte einer das Kunstverständnis des anderen oder sind die parallelen Entwicklungen als autonom zu betrachten?

Author: Shearer West
Publisher: Manchester University Press
ISBN: 9780719052798
Category : Art
Languages : en
Pages : 264

View

Book Description
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.

Author: Walter L. Adamson
Publisher: University of California Press
ISBN: 0520261534
Category : Art
Languages : en
Pages : 448

View

Book Description
This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.