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Author: Jonathan D. Kramer Publisher: Bloomsbury Publishing USA ISBN: 1501306049 Category : Music Languages : en Pages : 400
Book Description
Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Author: David Bennett Publisher: ISBN: Category : Music Languages : en Pages : 200
Book Description
Demonstrates how theories of postmodernism as 'incredulity toward grand narrative' speak to musical history and aesthetics. This book illustrates how music has figured centrally in poststructuralist theory and can itself open up fresh perspectives for reassessing that theory.
Author: Stuart Sim Publisher: Routledge ISBN: 113454569X Category : Literary Criticism Languages : en Pages : 412
Book Description
The Routledge Companion to Postmodernism combines a series of fourteen in-depth background chapters with a body of A-Z entries to create an authoritative yet readable guide to the complex world of postmodernism.
Author: Nick Kaye Publisher: Palgrave Macmillan ISBN: 9780312120238 Category : Literary Criticism Languages : en Pages : 180
Book Description
This text is aimed at undergraduates on Drama / Theatre Studies, English and Cultural Studies degrees and at specialist drama bookshops. This book explores ways in which ideas and practices emerging in art, architecture and music have been taken up and developed in recent performance. Setting the notion of a postmodern style against a broader concept of the postmodern work, the study considers various forms of performance art, dance and theatre which define themselves in opposition to self-consciously modernist modes of work. In doing so, the book seeks to describe a position underlying a range of forms which opposes notions of the self-contained, autonomous art-work and may be understood in relation to concepts of the postmodern defined in criticism, philosophy and cultural theory. It aims to offer a broad-ranging understanding of postmodernism in art, architecture, music and performance, before engaging in a detailed consideration of postmodernism and the performance arts. It is a useful guide and reference book to modernism / post-modernism especially for Theatre Studies / Drama degrees.
Author: Neil Nehring Publisher: SAGE ISBN: 0761908366 Category : Education Languages : en Pages : 237
Book Description
As a rebuttal to academic postmodernism and its exploitation by the mass media, Popular Music, Gender, and Postmodernism emphasizes that emotion and reason are mutually interdependent. Though mistakes can occur in the conscious choice of an object at which to direct one's feelings, the preverbal appraisal of social situations that generates emotions is always perfectly rational. Nehring surveys work in literary criticism, psychology, and especially feminist philosophy that argues on this basis for the political significance of anger even prior to its full articulation. The emotional performance in popular music, he concludes, cannot be discounted on the grounds, for example, that lyrics such as Cobain's are difficult to understand.
Author: Douglas E. Litowitz Publisher: ISBN: Category : Philosophy Languages : en Pages : 248
Book Description
The author presents a two-tiered analysis that views postmodern legal thought as both a collective intellectual movement, and as the work of particular theorists, notably Friedrich Nietzsche, Michel Foucault, Jacques Derrida, Francois Lyotard, and Richard Rorty. He concludes that even though postmodern thought does not give rise to a normative theory of right that can be used as a framework for deciding cases, it can focus attention on genealogy and discourse, and can empower those who have been denied a voice in the legal system. Annotation copyrighted by Book News, Inc., Portland, OR