Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 0521151570
Category : Music
Languages : en
Pages : 223
Book Description
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
Postmodernism in Music
Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 0521151570
Category : Music
Languages : en
Pages : 223
Book Description
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
Publisher: Cambridge University Press
ISBN: 0521151570
Category : Music
Languages : en
Pages : 223
Book Description
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
Postmodern Music/Postmodern Thought
Author: Judy Lochhead
Publisher: Routledge
ISBN: 1135717788
Category : Music
Languages : en
Pages : 350
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135717788
Category : Music
Languages : en
Pages : 350
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Postmodern Music, Postmodern Listening
Author: Jonathan D. Kramer
Publisher: Bloomsbury Publishing USA
ISBN: 1501306030
Category : Music
Languages : en
Pages : 400
Book Description
Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Publisher: Bloomsbury Publishing USA
ISBN: 1501306030
Category : Music
Languages : en
Pages : 400
Book Description
Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Postmodernism, Music and Cultural Theory
Author: David Bennett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
Demonstrates how theories of postmodernism as 'incredulity toward grand narrative' speak to musical history and aesthetics. This book illustrates how music has figured centrally in poststructuralist theory and can itself open up fresh perspectives for reassessing that theory.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
Demonstrates how theories of postmodernism as 'incredulity toward grand narrative' speak to musical history and aesthetics. This book illustrates how music has figured centrally in poststructuralist theory and can itself open up fresh perspectives for reassessing that theory.
Postmodern Music, Postmodern Listening
Author: Jonathan D. Kramer
Publisher: Bloomsbury Publishing USA
ISBN: 1501306049
Category : Music
Languages : en
Pages : 401
Book Description
Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Publisher: Bloomsbury Publishing USA
ISBN: 1501306049
Category : Music
Languages : en
Pages : 401
Book Description
Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Defining Postmodernism in Music
Author: Arrick Jason Moore
Publisher: ProQuest
ISBN: 9780549497288
Category : Dissertations, Academic
Languages : en
Pages : 85
Book Description
Music, along with other disciplines such as art, literature and drama, has defined periods such as Baroque, Impressionistic, Romantic and Modern. These styles and defined time periods capture a set of qualities that are manifested in the works of various authors, artists, and composers. In the mid Twentieth-Century, the genre of Postmodernism develops with its own artistic traits that are recognized and defined in many fields within the humanities. Today, there are many different opinions as to the definition of Postmodernism music or a Postmodern composer. Researching the disciplines that have a defined Postmodern aesthetic along with a historiographical examination of the discipline of history during the same time period, this paper will explore the elements of Modernism and Postmodernism and apply these findings to confirm Postmodern qualities in classical music, including the earliest examples found in the works of John Cage.
Publisher: ProQuest
ISBN: 9780549497288
Category : Dissertations, Academic
Languages : en
Pages : 85
Book Description
Music, along with other disciplines such as art, literature and drama, has defined periods such as Baroque, Impressionistic, Romantic and Modern. These styles and defined time periods capture a set of qualities that are manifested in the works of various authors, artists, and composers. In the mid Twentieth-Century, the genre of Postmodernism develops with its own artistic traits that are recognized and defined in many fields within the humanities. Today, there are many different opinions as to the definition of Postmodernism music or a Postmodern composer. Researching the disciplines that have a defined Postmodern aesthetic along with a historiographical examination of the discipline of history during the same time period, this paper will explore the elements of Modernism and Postmodernism and apply these findings to confirm Postmodern qualities in classical music, including the earliest examples found in the works of John Cage.
Popular Music, Gender and Postmodernism
Author: Neil Nehring
Publisher: SAGE Publications
ISBN: 1506339204
Category : Education
Languages : en
Pages : 235
Book Description
The migration of cynical academic ideas about postmodernism into music journalism are traced in this book. The result of this migration is a widespread fatalism over the ability of the music industry to absorb any expression of defiance in popular music. The book synthesizes a number of fields: American and British academic and journalistic music criticism; aesthetic and literary history and theory from romanticism through postmodernism; alternative music such as feminist punk and grunge; political economy, which has fueled the obsession with commercial incorporation; and subcultural sociology.
Publisher: SAGE Publications
ISBN: 1506339204
Category : Education
Languages : en
Pages : 235
Book Description
The migration of cynical academic ideas about postmodernism into music journalism are traced in this book. The result of this migration is a widespread fatalism over the ability of the music industry to absorb any expression of defiance in popular music. The book synthesizes a number of fields: American and British academic and journalistic music criticism; aesthetic and literary history and theory from romanticism through postmodernism; alternative music such as feminist punk and grunge; political economy, which has fueled the obsession with commercial incorporation; and subcultural sociology.
Postmodernity's Musical Pasts
Author: Tina Frühauf
Publisher: Boydell & Brewer
ISBN: 1783274964
Category : Music
Languages : en
Pages : 328
Book Description
Postmodernity's Musical Pasts considers music after 1945 as a representation of concepts such as "historicity" and "temporality". The volume understands postmodernity as a period in which both modernism and postmodernism co-exist. It is attracted to a wider interpretation of "historicity" that focuses on the complex nexus of past-present-future. "Historicity" is understood as leaning closely on "temporality", generally thought of as the linear progression of past, present and future. The volume broadens the absolutist understanding of temporality to include processes which can occur in circular, spiral, transcending and other formations. The book covers an extensive spectrum of topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. Such a wide range of topics from both the centre and the periphery of the musicological canon mirrors the eclectic and diverse nature of the postwar era itself. The first section investigates how to understand manifestations of the past in musical composition with regard to time, on the one hand, and with regard to genre, style and idiom, on the other. A second section shows how time and history manifest themselves in art music. A third section takes the contrasts and transitional moments of post-1945 practices further by looking at the temporality of reception from different angles. A final part investigates questions of nostalgia and temporalities of belonging. TINA FR HAUF is Adjunct Assistant Professor at Columbia University, New York and serves on the faculty of The Graduate Center, CUNY. CONTRIBUTORS: Michael Arnold, Susana Asensio Llamas, Georg Burgstaller, Caitlin Carlos, Daniela Fugellie, Tina Fr hauf, John Koslovsky, Lawrence Kramer, Beate Kutschke, Laurenz L tteken, Max Noubel, Joshua S. Walden
Publisher: Boydell & Brewer
ISBN: 1783274964
Category : Music
Languages : en
Pages : 328
Book Description
Postmodernity's Musical Pasts considers music after 1945 as a representation of concepts such as "historicity" and "temporality". The volume understands postmodernity as a period in which both modernism and postmodernism co-exist. It is attracted to a wider interpretation of "historicity" that focuses on the complex nexus of past-present-future. "Historicity" is understood as leaning closely on "temporality", generally thought of as the linear progression of past, present and future. The volume broadens the absolutist understanding of temporality to include processes which can occur in circular, spiral, transcending and other formations. The book covers an extensive spectrum of topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. Such a wide range of topics from both the centre and the periphery of the musicological canon mirrors the eclectic and diverse nature of the postwar era itself. The first section investigates how to understand manifestations of the past in musical composition with regard to time, on the one hand, and with regard to genre, style and idiom, on the other. A second section shows how time and history manifest themselves in art music. A third section takes the contrasts and transitional moments of post-1945 practices further by looking at the temporality of reception from different angles. A final part investigates questions of nostalgia and temporalities of belonging. TINA FR HAUF is Adjunct Assistant Professor at Columbia University, New York and serves on the faculty of The Graduate Center, CUNY. CONTRIBUTORS: Michael Arnold, Susana Asensio Llamas, Georg Burgstaller, Caitlin Carlos, Daniela Fugellie, Tina Fr hauf, John Koslovsky, Lawrence Kramer, Beate Kutschke, Laurenz L tteken, Max Noubel, Joshua S. Walden
The Last Post
Author: Simon Shaw-Miller
Publisher: Manchester University Press
ISBN: 9780719036095
Category : Music
Languages : en
Pages : 208
Book Description
Publisher: Manchester University Press
ISBN: 9780719036095
Category : Music
Languages : en
Pages : 208
Book Description
Sounding Postmodernism
Author: David Bennett
Publisher:
ISBN: 9780909168643
Category : Australians
Languages : en
Pages : 0
Book Description
Sounding postmodernism: sampling Australian composers, sound artists and music critics.
Publisher:
ISBN: 9780909168643
Category : Australians
Languages : en
Pages : 0
Book Description
Sounding postmodernism: sampling Australian composers, sound artists and music critics.