Author: Publisher:
ISBN:
Category : Music
Languages : en
Pages : 978
Book Description
Stereo Review
Author: Hifi/stereo Review
Author: Publisher:
ISBN:
Category : High-fidelity sound systems
Languages : en
Pages : 900
Book Description
Hi Fi/stereo Review
Author: Hi Fi Review
Author: Hi-fi News & Record Review
Author: Publisher:
ISBN:
Category : High-fidelity sound systems
Languages : en
Pages : 1212
Book Description
Stereo Review
Author: Consumers Index to Product Evaluations and Information Sources
Author: The Saturday Review of Politics, Literature, Science and Art
Author: Departments of State, Justice, and Commerce, the Judiciary, and Related Agencies Appropriations for 1976
Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Departments of State, Justice, Commerce, the Judiciary, and Related Agencies AppropriationsPublisher:
ISBN:
Category : United States
Languages : en
Pages : 944
Book Description
Live Electronic Music
Author: Friedemann SallisPublisher: Routledge
ISBN: 1317692101
Category : Music
Languages : en
Pages : 340
Book Description
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.