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Author: Publisher: University of Toronto Press ISBN: 1442637897 Category : Music Languages : en Pages : 179
Book Description
This exhaustive bibliography, reflecting current interest in electronic music, includes all available citations of books, articles, and monographs pertaining to "musique concrète," "Elektronische Musik," "tape music," and "computer music" from publications in fourteen languages. Organized alphabetically by author, or, in the case of unsigned works, by title, and including a classified subject index, this book will appeal primarily to persons or organizations who are founding or maintaining electronic music centres, composing or performing electronic music, or pursuing original research in experimental music and related disciplines.
Author: Publisher: University of Toronto Press ISBN: 1442637897 Category : Music Languages : en Pages : 179
Book Description
This exhaustive bibliography, reflecting current interest in electronic music, includes all available citations of books, articles, and monographs pertaining to "musique concrète," "Elektronische Musik," "tape music," and "computer music" from publications in fourteen languages. Organized alphabetically by author, or, in the case of unsigned works, by title, and including a classified subject index, this book will appeal primarily to persons or organizations who are founding or maintaining electronic music centres, composing or performing electronic music, or pursuing original research in experimental music and related disciplines.
Author: Ann Phillips Basart Publisher: Univ of California Press ISBN: 0520320735 Category : Music Languages : en Pages : 168
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.
Author: Robert L. Wick Publisher: Greenwood ISBN: Category : Music Languages : en Pages : 224
Book Description
This work is a handy desk reference for academic and public library music reference collections as well as teachers, musicians, and composers. The more than 250 books discussed represent a core bibliography on this late 20th-century phenomenon that is very much in transition as the concepts of electronic and computer merge into a single music, whether acoustic or electronic in origin. Of special interest is an up-to-date listing of on-line sources found on the Internet, including World Wide Web sites and electronic discussion lists. Topics represented include history, literature on synthesis and synthesizers, electronic music instruments and devices, electronic music composition, MIDI (Musical Instrument Digital Interface), the teaching of computer and electronic music, bibliographies and dictionaries. Covered by way of appendices are major dissertations and theses, lists of periodicals that have dealt with the subject, and a compilation of electronic music instrument and device system manuals currently in print.
Author: Dan Warner Publisher: Reaktion Books ISBN: 1780238711 Category : Music Languages : en Pages : 206
Book Description
We live in an electronic world, saturated with electronic sounds. Yet, electronic sounds aren’t a new phenomenon; they have long permeated our sonic landscape. What began as the otherworldly sounds of the film score for the 1956 film Forbidden Planet and the rarefied, new timbres of Stockhausen’s Kontakte a few years later, is now a common soundscape in technology, media, and an array of musical genres and subgenres. More people than ever before can produce and listen to electronic music, from isolated experimenters, classical and jazz musicians, to rock musicians, sound recordists, and the newer generations of electronic musicians making hip-hop, house, techno, and ambient music. Increasingly we are listening to electronic sounds, finding new meanings in them, experimenting with them, and rehearing them as listeners and makers. Live Wires explores how five key electronic technologies—the tape recorder, circuit, computer, microphone, and turntable—revolutionized musical thought. Featuring the work of major figures in electronic music—including everyone from Schaeffer, Varèse, Xenakis, Babbitt, and Oliveros to Eno, Keith Emerson, Grandmaster Flash, Juan Atkins, and Holly Herndon—Live Wires is an arresting discussion of the powerful musical ideas that are being recycled, rethought, and remixed by the most interesting electronic composers and musicians today.
Author: Hubert S. Howe Publisher: W. W. Norton ISBN: 9780393331837 Category : Computer composition (Music) Languages : en Pages : 0
Book Description
Among the most exciting developments in recent contemporary music has been the possibility of creating musical sounds directly on tape recordings by electronic means. Electronic music has opened up new areas of sound, new resources for the composer. Dr. Howe's book is a lucid, thorough guide to the use of these new tools and techniques, and is intended for readers who are interested in gaining first-hand knowledge of how electronic music is created.
Author: Thom Holmes Publisher: Routledge ISBN: 1317410238 Category : Music Languages : en Pages : 585
Book Description
Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.
Author: Publisher: Greenwood ISBN: Category : Computers Languages : en Pages : 200
Book Description
Over the past six years personal computers have carved a deep niche in the music world. This widespread popularity is largely due to the establishment of the MIDI (Musical Instrument Digital Interface) standard in 1983. This communications protocol allows computers to send, receive, and store digital information generated by various electronic musical instruments. In addition to numerous writings exploring the possibilities of present and future technology, this annotated bibliography offers educators many introductory sources, articles on how to evaluate and purchase equipment, and directories of available software. Specifically, it provides a collection of source material, an overview of significant publications in the field, and serves as a point of departure for further inquiry. Part I of the bibliography is divided into seven sections, each devoted to information regarding a specific computer. Articles written about two or more popular computers or models not covered elsewhere are detailed in part II. Music education is the subject of Part III and Part IV lists and annotates significant books. The appendix contains information on associations involved with the musical applications of personal computers and brief descriptions of several popular online services. Author and subject indexes are also included. Music and the Personal Computer covers a variety of topics that will be of interest to practicing musicians, music educators, and computer enthusiasts with interests in music.
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Author: Ann Phillips Basart
Author: Robert L. Wick
Author: Dan Warner
Author: Peter Benjamin Bahler
Author: Hubert S. Howe
Author: David Ernst
Author: Sandra L. Tjepkema
Author: Thom Holmes
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