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Author: Vladimir Bogdanov Publisher: San Francisco, CA : Backbeat Books ISBN: 9780879306281 Category : Music Languages : en Pages : 688
Book Description
This comprehensive guide profiles the careers of hundreds of major artists, such as Aphex Twin and the Prodigy, and reviews thousands of the best electronica recordings. Incisive essays explore electronica's widely varied subgenres. 20 charts.
Author: Vladimir Bogdanov Publisher: San Francisco, CA : Backbeat Books ISBN: 9780879306281 Category : Music Languages : en Pages : 688
Book Description
This comprehensive guide profiles the careers of hundreds of major artists, such as Aphex Twin and the Prodigy, and reviews thousands of the best electronica recordings. Incisive essays explore electronica's widely varied subgenres. 20 charts.
Author: Brian M. Jackson Publisher: Taylor & Francis ISBN: 1315519755 Category : Technology & Engineering Languages : en Pages : 686
Book Description
A music-career book like no other, The Music Producer’s Survival Guide offers a wide-ranging, exploratory, yet refreshing down-to-earth take on living the life of the independent electronic music producer. If you are an intellectually curious musician/producer eager to make your mark in today’s technologically advanced music business, you’re in for a treat. This new edition includes industry and technological updates, additional interviews, and tips about personal finances, income, and budgets. In this friendly, philosophical take on the art and science of music production, veteran producer, engineer, and teacher Brian Jackson shares clear, practical advice about shaping your own career in today’s computer-centric "home-studio" music world. You’ll cover music technology, philosophy of music production, career planning, networking, craft and creativity, the DIY ethos, lifestyle considerations, and much more. Brian’s thoughtful approach will teach you to integrate your creative passion, your lifestyle, and your technical know-how. The Music Producer’s Survival Guide is the first music-production book to consider the influence of complexity studies and chaos theory on music-making and career development. It focuses on practicality while traversing a wide spectrum of topics, including essential creative process techniques, the TR-808, the proliferation of presets, the butterfly effect, granular synthesis, harmonic ratios, altered states, fractal patterns, the dynamics of genre evolution, and much more. Carving out your niche in music today is an invigorating challenge that will test all your skills and capacities. Learn to survive—and thrive—as a creative-technical professional in today’s music business, with the help of Brian Jackson and The Music Producer’s Survival Guide!
Author: J. Allen Publisher: Createspace Independent Publishing Platform ISBN: 9781727863024 Category : Languages : en Pages : 262
Book Description
The producer's guide to harmony, chord progressions, and song structure in the MIDI grid. As an online class, Dr. Allen has had over 50,000 students use this ground-breaking curriculum to learn music theory. Students and Producers who have wanted to learn music theory to improve their own music, but have been intimidated by traditional approaches, music notation, and abstract concepts will find this book to be the answer they have been looking for. From the Author: "How music theory is usually taught is unfair. It starts with the assumption that you can read music and understand the language of classical music. My book leaves all of that behind - focusing only on the MIDI grid that producers are already familiar with to learn all the key concepts of music theory, and ultimately, make better music." This book covers all the fundamentals of music theory, but is written using the language of the DJ and Producer - the MIDI Grid. It includes "analysis" projects that look at the harmonic and melodic ideas in songs by popular producers including Zedd, Boards of Canada, Daft Punk, Deadmau5, Bonobo, Richie Hawtin, Moby, Skrillex, and Aphex Twin. Praise for Music Theory for Electronic Music Producers: "Aspiring electronic musicians have choices to make when it concerns their own education and training. This text makes one choice much easier: start here and get learning, quickly. Grounded and easygoing, the book uses real-world examples to help you make sense of music's inner worksings while steering clear of dense theories." - Michael J. Ethen, PhD Musicologist "This book knocks the oftentimes alienating world of music theory completely onto it's side. Difficult to explain concepts are perfectly demonstrated for the aspiring electronic music producer who might have no formal music training. A must have for all aspiring producers." - James Patrick (DJ, Producer, Educator) Slam Academy, Dubspot, IPR, Ableton Certified Trainer "With Music Theory for Electronic Music Producers, Dr. Allen has produced a remarkable resource: an extensive tour of musical theory that leverages some of our favorite modern tools - the virtual studio and it's piano roll note display. By introducing us to the "why" as well as the "what" of music theory, this book helps us to understand what makes music tick and how to improve our own work. In addition to offering a sound theoretical foundation, the deep dives into analyzing tracks by Skrillex, Aphex Twin, and Deadmau5 keeps our attention focused on real-world production. MTEMP will definitely go on the top of my recommendation list for anyone that needs a fresh view of musical concepts." - Darwin Grosse Director of Education, Cycling '74
Author: Paul Griffiths Publisher: W W Norton & Company Incorporated ISBN: 9780500272039 Category : Electronic music Languages : en Pages : 128
Book Description
The development of electronic instruments, tape music, synthesizers, and computer programs to control the performance of a composition is reviewed, with assessments of composers and works of electronic music
Author: Tommy Swindali Publisher: ISBN: 9781913397159 Category : Music Languages : en Pages : 98
Book Description
Learn to Produce EDM Like a Pro & Take Your Music To A Whole New Level Why do some producers make great music after just one year, while others still sound average? The answer? It's how they learn and practice. The most successful EDM producers develop real skills and build habits that help them learn quickly and effectively... But most importantly, they get a good start. If you love EDM and you just want to make it. But you don't know where to start. Or maybe you just want to upgrade your production skills to get signed then this book will show you how. With all the music production advice out there, it can be very easy to get overwhelmed. You may get a vague idea of the general topic. But you're more then likely to be left confused and you definitely won't have any workable knowledge. Well, the good news is this book changes all of that. Save yourself time going through low quality YouTube tutorials and get all the information you need in one place. Produce your an EDM song from scratch or from using the ideas in this book. In this book you will discover The Mindset to Making More Music Create Catchy Arrangements, Buildups, Drops and Intros Professional Singer Songwriter Secrets Revealed Learn About EQ, Compression, Reverb, Delay, Sidechain and More Create Chord Progressions and Catchy Melodies How to Finish Your Ideas The Single Best Piece of Mixing Advice Ever Production Mistakes and How to Avoid Them Mastering Explained The Fundamentals You Need to Succeed And Much, Much More... So if you've ever wanted a single book that gives you all the knowledge to being a successful EDM Producer, then Read This Book
Author: Dan Warner Publisher: Reaktion Books ISBN: 1780238711 Category : Music Languages : en Pages : 206
Book Description
We live in an electronic world, saturated with electronic sounds. Yet, electronic sounds aren’t a new phenomenon; they have long permeated our sonic landscape. What began as the otherworldly sounds of the film score for the 1956 film Forbidden Planet and the rarefied, new timbres of Stockhausen’s Kontakte a few years later, is now a common soundscape in technology, media, and an array of musical genres and subgenres. More people than ever before can produce and listen to electronic music, from isolated experimenters, classical and jazz musicians, to rock musicians, sound recordists, and the newer generations of electronic musicians making hip-hop, house, techno, and ambient music. Increasingly we are listening to electronic sounds, finding new meanings in them, experimenting with them, and rehearing them as listeners and makers. Live Wires explores how five key electronic technologies—the tape recorder, circuit, computer, microphone, and turntable—revolutionized musical thought. Featuring the work of major figures in electronic music—including everyone from Schaeffer, Varèse, Xenakis, Babbitt, and Oliveros to Eno, Keith Emerson, Grandmaster Flash, Juan Atkins, and Holly Herndon—Live Wires is an arresting discussion of the powerful musical ideas that are being recycled, rethought, and remixed by the most interesting electronic composers and musicians today.
Author: Will Kuhn Publisher: Oxford University Press ISBN: 0190076666 Category : Music Languages : en Pages : 321
Book Description
Electronic Music School: A Contemporary Approach to Teaching Musical Creativity is a practical blueprint for teachers wanting to begin teaching music technology to secondary age students. Will Kuhn and Ethan Hein inspire classroom music teachers to expand beyond traditional ensemble-based music education offerings to create a culture of unique creativity and inclusivity at their schools. Part One offers an overview of the philosophical and institutional aspects of starting a music technology program, with a particular focus on the culture of electronic music surrounding digital music creation tools. Part Two dives deep into curricula for music lab classes, including several lesson examples and techniques. This section also includes abbreviated project plans for teachers who have fewer contact hours with their students. Part Three discusses how music technology courses can grow into a larger media creation program, how such a program can contribute to the broader school culture, and how project-based music learning effectively prepares students for careers in media. Electronic Music School also includes narratives from music technology students themselves, who often have an intuitive understanding of the future directions music technology programs can take.
Author: Curtis Roads Publisher: Oxford University Press, USA ISBN: 0195373243 Category : Music Languages : en Pages : 513
Book Description
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.
Author: Vladimir Bogdanov
Author: Vladimir Bogdanov
Author: Brian M. Jackson
Author: J. Allen
Author: Paul Griffiths
Author: Brice Ward
Author: Tommy Swindali
Author: Dan Warner
Author: Will Kuhn
Author: Curtis Roads
Author: Elliott Schwartz