A History of Asian American Theatre PDF Download

Author: Esther Kim Lee
Publisher: Cambridge University Press
ISBN: 0521850517
Category : Drama
Languages : en
Pages : 219

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Book Description
This book surveys the history of Asian American theatre from 1965 to 2005.

Author: Yuko Kurahashi
Publisher: Routledge
ISBN: 113652987X
Category : History
Languages : en
Pages : 274

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Book Description
This book captures the 30-year history of the East West Players (EWP), tracing the company's representation of Asian Americans through the complex social and cultural changes of the past three decades.

Author: Josephine Lee
Publisher: Taylor & Francis
ISBN: 1000636372
Category : Performing Arts
Languages : en
Pages : 212

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Book Description
This introduction to Asian American theatre charts ten of the most pivotal moments in the history of the Asian diaspora in the USA and how those moments have been reflected in theatre. Designed for weekly use on Asian American theatre courses, ten chosen milestones move chronologically from the earliest contact between Japan and the West through the impact of the Vietnam War and the resurgent "yellow peril" hysteria of COVID-19. Each chapter emphasizes common questions of how racial identities and relationships are understood in everyday life as well as represented on the theatrical stage and in popular culture. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas.

Author: Esther Songie Kim
Publisher:
ISBN:
Category :
Languages : en
Pages : 476

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Book Description
Abstract: Each chapter is divided into four sections: actors, playwrights, communities, and management. While these four categories represent the founding agendas of the first four companies, they also encompass major issues that have shaped Asian American theatre during the last three decades. The issues related to actors include not only training, growing professionalism, and acting styles, but also the complex matter of identity. The role of playwrights in Asian American theatre is discussed in the context of commercialism, cultural authenticity, and literary legitimacy. The challenges of audience development have been intrinsically connected to community identities-which assume the highly contested concept of pan-ethnicity. And in relation to communities, theatre companies face the difficulties of developing a viable management model. I conclude the dissertation with an examination of the first meeting of Asian American theatre artistic directors in 1999 in Seattle.

Author: Wenying Xu
Publisher: Rowman & Littlefield
ISBN: 1538157322
Category : Literary Criticism
Languages : en
Pages : 513

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Book Description
A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories. From the earliest publication in 1887 to the latest in 2021, this dictionary celebrates the incredibly rich body of fiction, poetry, memoirs, plays, and children’s literature. Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on genres, major terms, and authors. This book is an excellent resource for students, researchers, and anyone wanting to know more about this topic.

Author: Karen Shimakawa
Publisher: Duke University Press
ISBN: 9780822328230
Category : Art
Languages : en
Pages : 212

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Book Description
DIVExplores the ways that playwrights and performers have dealt with the presentation of the Asian American body on stage, given the historical construction of Asian Americanness as abject and unpresentable./div

Author: Brian Nelson
Publisher: Applause Theatre & Cinema
ISBN:
Category : Drama
Languages : en
Pages : 456

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Book Description
(Applause Books). Includes: Amy Hill: Tokyo Bound ; David Henry Hwang: Bondage ; Velina Hasu Houston: As Sometimes in a Dead Man's Face ; Lane Nishikawa and Victor Talmadge: The Gate of Heaven ; Dwight Okita: The Rainy Season .

Author: Nancy Yunhwa Rao
Publisher: University of Illinois Press
ISBN: 0252099001
Category : Performing Arts
Languages : en
Pages : 416

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Book Description
The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre “World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.

Author: Esther Kim Lee
Publisher: Bloomsbury Publishing
ISBN: 1408185571
Category : Literary Criticism
Languages : en
Pages : 224

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Book Description
Since the premiere of his play FOB in 1979, the Chinese American playwright David Henry Hwang has made a significant impact in the U. S. and beyond. The Theatre of David Henry Hwang provides an in-depth study of his plays and other works in theatre. Beginning with his "Trilogy of Chinese America", Esther Kim Lee traces all major phases of his playwriting career. Utilizing historical and dramaturgical analysis, she argues that Hwang has developed a unique style of meta-theatricality and irony in writing plays that are both politically charged and commercially viable. The book also features three essays written by scholars of Asian American theatre and a comprehensive list of primary and secondary sources on his oeuvre. This comprehensive study of Hwang's work follows his career both chronologically and thematically. The first chapter analyzes Hwang's early plays, "Trilogy of Chinese America," in which he explores issues of identity and cultural assimilation particular to Chinese Americans. Chapter two looks at four plays characterised as "Beyond Chinese America," which examines Hwang's less known plays. Chapter three focuses on M. Butterfly, which received the Tony Award for Best Play in 1988. In chapter four, Lee explores Hwang's development as a playwright during the decade of the 1990s with a focus on identity politics and multiculturalism. Chapter five examines Hwang's playwriting style in depth with a discussion of Hwang's more recent plays such as Yellow Face and Chinglish. The sixth chapter features three essays written by leading scholars in Asian American theatre: Josephine Lee on Flower Drum Song, Dan Bacalzo on Golden Child, and Daphne Lei on Chinglish. The final section provides a comprehensive compilation of sources: a chronology, a bibliography of Hwang's works, reviews and critical sources.

Author: David Henry Hwang
Publisher: Theatre Communications Group
ISBN: 1559366710
Category : Drama
Languages : en
Pages : 112

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Book Description
“A thesis of a play, unafraid of complexities and contradictions, pepped up with a light dramatic fizz. It asks whether race is skin-deep, actable or even fakeable, and it does so with huge wit and brio.” -TimeOut London “A pungent play of ideas with a big heart. Yellow Face brings to the national discussion about race a sense of humor a mile wide, an even-handed treatment and a hopeful, healing vision of a world that could be” –Variety “It’s about our country, about public image, about face,” says David Henry Hwang about his latest work, a mock documentary that puts Hwang himself center stage. An exploration of Asian identity and the ever-changing definition of what it is to be an American, Yellow Face “is by turns acidly funny, insightful and provocative” (Washington Post). The play begins with the 1990s controversy over color-blind casting for Miss Saigon before it spins into a comic fantasy, in which the character DHH pens a play in protest and then unwittingly casts a white actor as the Asian lead. Yellow Face also explores the real-life investigation of Hwang’s father, the first Asian American to own a federally chartered bank, and the espionage charges against physicist Wen Ho Lee. Adroitly combining the light touch of comedy with weighty political and emotional issues, Hwang creates a "lively and provocative cultural self-portrait [that] lets nobody off the hook” (The New York Times). David Henry Hwang is the author of the Tony Award-winning M. Butterfly, Yellow Face (OBIE Award, 2008 Pulitzer Prize finalist), Golden Child (1997 OBIE Award), FOB (1981 OBIE Award), Family Devotions (Drama Desk nomination), and the books for musicals Aida ( co-author), Flower Drum Song (2002 Broadway revival), and Tarzan, among other works. David Henry Hwang graduated from Stanford University, attended the Yale School of Drama, and holds honorary degrees from Columbia College in Chicago and The American Conservatory Theatre. He lives in New York City with his wife, actress Kathryn Layng, and their children, Noah David and Eva Veanne.