Author: Miguel de Cervantes SaavedraPublisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
A story of two damsels. The Lady Cornelia. The Jealous husband
Author: Miguel de Cervantes SaavedraPublisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
A story of two damsels. The Lady Cornelia. The Jealous husband
Author: Miguel de Cervantes SaavedraPublisher:
ISBN:
Category :
Languages : en
Pages : 294
Book Description
A story of two damsels. The Lady Cornelia. The Jealous husband
Author: Miguel de Cervantes SaavedraPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
A story of two damsels
Author: Miguel de Cervantes SaavedraPublisher:
ISBN:
Category : Spanish fiction
Languages : en
Pages : 276
Book Description
Novellas Exemplares: Or Exemplary Novels in Six Books. Viz. 1. The Two Damsels. 2. Lady Cornel. Bentivoglio. 3. The Generous Lover. 4. The Force of Blood. 5. The Spanish Lady. 6. The Jealous Husband ... Translated by Mr. Tho. Shelton Or Rather, by J. Mabbe . A New Edition: Revised and Compared with the Original by Mr. Mendez, Etc
Author: Miguel de Cervantes SaavedraPublisher:
ISBN:
Category :
Languages : en
Pages : 372
Book Description
The Cardiff Libraries Review
Author: Instructive Novels ...
Author: Miguel de Cervantes SaavedraPublisher:
ISBN:
Category :
Languages : en
Pages : 372
Book Description
MLN.
Author: Modern Language Notes
Author: Voice, Slavery, and Race in Seventeenth-Century Florence
Author: Emily WilbournePublisher: Oxford University Press
ISBN: 0197646913
Category : Music
Languages : en
Pages : 521
Book Description
"Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labor; some labored at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people. Integrating historical detail alongside contemporary performances and musical conventions, this book makes the forceful claim that operatic musical techniques were-from their very inception-imbricated with racialized differences. Race, Voice, and Slavery in Seventeenth-Century Florence offers both a macro and micro approach to its content. The first half of the volume draws upon a wide range of archival, theatrical and historical sources to articulate the theoretical interdependence of razza (lit. "race"), voice, and music in early modern Italy; the second half focuses on the life and work of a specific, racially-marked individual: the enslaved, Black, male soprano singer, Giovannino Buonaccorsi (fl. 1651-1674). Race, Voice, and Slavery in Seventeenth-Century Florence reframes the place of racial difference in Western art music and provides a compelling pre-history to later racial formulations of the sonic"--