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Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art New York ISBN: 9781588390356 Category : Art Languages : en Pages : 91
Book Description
Presents a catalog of an exhibition featuring the work of African-American artists, accompanied by an introductory essay, chapter introductions, and a discussion of the printmaking techniques of depression-era WPA printmakers.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art New York ISBN: 9781588390356 Category : Art Languages : en Pages : 91
Book Description
Presents a catalog of an exhibition featuring the work of African-American artists, accompanied by an introductory essay, chapter introductions, and a discussion of the printmaking techniques of depression-era WPA printmakers.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 0300098774 Category : African American art Languages : en Pages : 93
Book Description
This handsome book focuses on the work of African-American artists during the Depression and the war years, when government-sponsored programs led to a resurgence in artistic production throughout the United States.
Author: Lisa Mintz Messinger Publisher: Turtleback Books ISBN: 9781417687480 Category : Art Languages : en Pages :
Book Description
This book focuses on the work of African American artists during the Depression and the war years (1929-1945), when government-sponsored programs such as the WPA led to a general resurgence in artistic production throughout the United States. The catalogue features the work of Robert Blackburn, Raymond Steth, Horace Woodroff, and Dox Trash, among others, with a smaller selection of paintings and watercolors by such notable artists as Horace Pippin, Romare Bearden, Jacob Lawrence, and Bill Traylor. Included are essays on the work in its cultural context and on printmaking techniques. Most of the works in this volume are recent acquisitions of The Metropolitan Museum of Art and have not been previously published.
Author: Lowery Stokes Sims Publisher: ISBN: Category : Art Languages : en Pages : 136
Book Description
",,, encompasses several movements that saw the first full-scale flowering of the visual, literary and performing creativity of African Americans: the Harlem Renaissance, the WPA era and the formative years of Abstract Expressionism."--Page 6.
Author: Julia R. Myers Publisher: Eastern Michigan University Gallery of Art ISBN: 9780912042015 Category : Art Languages : en Pages : 176
Book Description
Over the last twenty years, numerous scholarly publications have treated the work of African American artists of the 1950s, 1960s and 1970s. At that time, Detroit was the fifth largest city in the country with a large African American population and a vibrant Black arts scene. Nevertheless, the aforementioned publications fail to discuss Detroit African American artists. This book, which accompanies an exhibition of the same title, focuses on the life and work of Memphis born, Detroiter Harold Neal, who created some of the most forceful artistic statements of the Civil Rights and Black Power Movements. It also discusses other Detroit African American artists, including his predecessors Hughie Lee Smith and Oliver LaGrone, who greatly influenced his career; his contemporaries Glanton Dowdell, Charles McGee, Jon Onye Lockard, Henri Umbaji King, LeRoy Foster and Shirley Woodson, and his successors Aaron Ibn Pori Pitts and Allie McGhee, who were greatly impacted by his work. Additionally the book addresses the rift in the Detroit African American art community in the wake of the Black Power/Black Arts Movements. Neal, like other artists of the Black Arts Movement, felt that art should speak directly to the experience of African Americans using African American figurative subjects, while others artists, like Charles McGee, sought to compete in the white art world, working in the abstract, non-objective styles then dominant in New York galleries. The result of some ten years of research, this book presents a view of post-World War II African American art history essentially unknown to other scholars. It expands our understanding of Detroit African American art first set forth in the author's 2009 publication Energy: Charles McGee at Eighty Five. For this later project, Dr. Myers conducted extensive interviews with artists, scholars, friends and family members of the above mentioned artists. Most of their works remains in private collections, and Dr. Myers surveyed many of these, some in states outside of Michigan, in order to select the highest quality works for the exhibition. The book is based on hundreds of contemporary articles, published in Michigan Chronicle, Detroit's African American newspaper and in other local newspapers, as well as on other hard-to-locate archival materials. Dr. Myers assesses these Detroit artists in relation to their peers in other major metropolises such as New York, Chicago, Los Angeles/San Francisco, thus establishing that Detroit artists were significant contributors to African American art in the 1950s, 1960s and 1970s.
Author: dele jegede Publisher: Bloomsbury Publishing USA ISBN: 0313080607 Category : Art Languages : en Pages : 324
Book Description
African American heritage is rich with stories of family, community, faith, love, adaptation and adjustment, grief, and suffering, all captured in a variety of media by artists intimately familiar with them. From traditional media of painting and artists such as Horace Pippin and Faith Ringgold, to photography of Gordon Parks, and new media of Sam Gilliam and Martin Puryear (installation art), the African American experience is reflected across generations and works. Eight pages of color plates and black and white images throughout the book introduce both favorite and new artists to students and adult readers alike. African American heritage is rich with stories of family, community, faith, love, adaptation and adjustment, grief, and suffering, all captured in a variety of media by artists intimately familiar with them. From traditional media of painting and artists such as Horace Pippin and Faith Ringgold, to photography of Gordon Parks, and new media of Sam Gilliam and Martin Puryear (installation art), the African American experience is reflected across generations and works. Eight pages of color plates and black and white images throughout the book introduce both favorite and new artists to students and adult readers alike. A sampling of the artists included: Romare Bearden, Elizabeth Catlett, Achamyele Debela, and Melvin Edwards.
Author: Eve Dunbar Publisher: ISBN: 1108472559 Category : Literary Criticism Languages : en Pages : 369
Book Description
This book illustrates African American writers' cultural production and political engagement despite the economic precarity of the 1930s.
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Lisa Mintz Messinger
Author: 
Author: Lowery Stokes Sims
Author: Julia R. Myers
Author: Studio Museum in Harlem
Author: R. Kumasi Hampton
Author: dele jegede
Author: Eve Dunbar