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Author: Aldo Rossi Publisher: Walther Konig Verlag ISBN: 9783960989769 Category : Languages : en Pages : 240
Book Description
Rossi's urban theory of "collective memory" interpreted through 23 architectural projects The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931-97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City(1966) to his 1976 exhibition Analogous City, Rossi spent a decade developing a theory of urban design that focused on the "collective memory" of a city as an essential element of its urban planning and gave consideration to how buildings and urban areas age over time. Here, Rossi's theory is applied to his own works from that period, both built and unbuilt, in a careful selection of 23 projects that express this memory-based paradigm of civic existence and construction. Aldo Rossi: The Urban Factthus unifies Rossi's theory and practice, demonstrating the visionary dimension driving his singular brand of postmodernism.
Author: Aldo Rossi Publisher: Walther Konig Verlag ISBN: 9783960989769 Category : Languages : en Pages : 240
Book Description
Rossi's urban theory of "collective memory" interpreted through 23 architectural projects The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931-97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City(1966) to his 1976 exhibition Analogous City, Rossi spent a decade developing a theory of urban design that focused on the "collective memory" of a city as an essential element of its urban planning and gave consideration to how buildings and urban areas age over time. Here, Rossi's theory is applied to his own works from that period, both built and unbuilt, in a careful selection of 23 projects that express this memory-based paradigm of civic existence and construction. Aldo Rossi: The Urban Factthus unifies Rossi's theory and practice, demonstrating the visionary dimension driving his singular brand of postmodernism.
Author: Aldo Rossi Publisher: MIT Press ISBN: 9780262680431 Category : Architecture Languages : en Pages : 216
Book Description
Aldo Rossi was a practicing architect and leader of the Italian architectural movement La Tendenza and one of the most influential theorists of the twentieth century. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.
Author: Diane Ghirardo Publisher: Yale University Press ISBN: 0300234937 Category : Architecture Languages : en Pages : 277
Book Description
This beautifully illustrated book provides a crucial new look at Aldo Rossi's built work in relationship to his writings, drawings, and product design, and explores his contributions to the architecture in postwar Italy.
Author: Kersten Geers Publisher: Park Publishing (WI) ISBN: 9783906027845 Category : Architecture Languages : en Pages : 0
Book Description
In the 1960s, American architect Robert Venturi made a case for the difficult whole, opposing mainstream modern architecture that ignores all the intricacies of life and produces pure space, or "easy unity". The architecture Venturi was aiming for embraces diversities, inevitable in any project. This new book, edited by Architecture Without Content, a research group at Ecole Polytechnique Federale de Lausanne's School of Architecture, offers a fresh analysis and a thorough re-evaluation of Venturi s idea of "the difficult whole" as both a looking glass and a possible tool for architecture today. Through a radical re-reading of found material from the Venturi Scott Brown archives, the editors seek to propose a credible alternative to contemporary architectural discourse. Its format combines the ambiguity of interpretation with the factual material, keeping the precision of the argument. This elusive position is elaborated in essays, complemented by interviews with Kazunari Sakamoto and Alvaro Siza.Around 35 projects by Venturi Scott Brown, and also by Alvaro Siza and James Stirling, form a visual narrative with original plans and sections and other archive material as well as new perspective images and photographs especially produced for this book.
Author: Aldo Rossi Publisher: ISBN: Category : Architecture Languages : en Pages : 318
Book Description
A vivid and timely survey.... Rossi's work is distinguished by depth of feeling and stark simplicity, neither disallowing gaiety. -- Adele Freedman, Toronto Globe and Mail
Author: Pierre Nora Publisher: Columbia University Press ISBN: 9780231106344 Category : History Languages : en Pages : 618
Book Description
Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself.
Author: M. Christine Boyer Publisher: MIT Press ISBN: 9780262522113 Category : Architecture Languages : en Pages : 580
Book Description
Describes the visual and mental models by which urban environment has been recognized, depicted and planned. This analysis draws from geography, critical theory, architecture, literature and painting to identify these maps of the city - as a work of art, as panorama and as spectacle.
Author: Kate Nesbitt Publisher: Princeton Architectural Press ISBN: 9781568980546 Category : Architecture Languages : en Pages : 610
Book Description
Theorizing a New Agenda for Architecture: An Anthology of ArchitecturalTheory collects in a single volume the most significant essays on architectural theory of the last thirty years. A dynamic period of reexamination of the discipline, the postmodern eraproduced widely divergent and radical viewpoints on issues of making, meaning, history, and the city. Among the paradigms presented arearchitectural postmodernism, phenomenology, semiotics, poststructuralism, deconstruction, and feminism. By gathering these influential articles from a vast array of books and journals into a comprehensive anthology, Kate Nesbitt has created a resource of great value. Indispensable to professors and students of architecture and architectural theory, Theorizing a New Agenda also serves practitioners and the general public, as Nesbitt provides an overview, a thematic structure, and a critical introduction to each essay. The list of authors in Theorizing a New Agenda reads like a "Who's Who" of contemporary architectural thought: Tadao Ando, Giulio Carlo Argan, Alan Colquhoun, Jacques Derrida, Peter Eisenman, Marco Frascari, Kenneth Frampton, Diane Ghirardo, Vittorio Gregotti, Karsten Harries, Rem Koolhaas, Christian Norberg-Schulz, Aldo Rossi, Colin Rowe, Thomas Schumacher, Ignasi de Sol-Morales Rubi, Bernard Tschumi, Robert Venturi and Denise Scott Brown, and Anthony Vidler. A bibliography and notes on all the contributors are also included.
Author: K. Michael Hays Publisher: MIT Press ISBN: 0262513021 Category : Architecture Languages : en Pages : 203
Book Description
Theorizes an architectural ethos of extreme self-reflection and finality from a Lacanian perspective. While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the “late avant-garde” as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive “decompositions” and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the “cinegrammatic” delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence. The late avant-garde is the last architecture with philosophical aspirations, an architecture that could think philosophical problems through architecture rather than merely illustrate them. It takes architecture as the object of its own reflection, which in turn produces an unrelenting desire. Using the tools of critical theory together with the structure of Lacan's triad imaginary-symbolic-real, Hays constructs a theory of architectural desire that is historically specific and yet sets the terms and the challenges of all subsequent architectural practice, including today's.
Author: Aldo Rossi
Author: Aldo Rossi
Author: Aldo Rossi
Author: Diane Ghirardo
Author: Marco Bovati
Author: Kersten Geers
Author: Aldo Rossi
Author: Pierre Nora
Author: M. Christine Boyer
Author: Kate Nesbitt
Author: K. Michael Hays