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Author: Frederick M. Dolan Publisher: Cornell University Press ISBN: 1501726234 Category : History Languages : en Pages : 246
Book Description
Allegories of America offers a bold idea of what, in terms of political theory, it means to be American. Beginning with the question What do we want from a theory of politics? Dolan explores the metaphysics of American-ness and stops along the way to reflect on John Winthrop, the Constitution, 1950s behavioralist social science, James Merrill, and William Burroughs. The pressing problem, in Dolan's view, is how to find a vocabulary for politics in the absence of European metaphysics. American political thinkers, he suggests, might respond by approaching their own theories as allegories. The postmodern dilemma of the loss of traditional absolutes would thus assume the status of a national mythology—America's perennial identity crisis in the absence of a tradition establishing the legitimacy of its founding. After examining the mid-Atlantic sermons of John Winthrop, the spiritual founding father, Dolan reflects on the authority of the Constitution and the Federalist. He then takes on questions of representation in Cold War ideology, focusing on the language of David Easton and other liberal political "behaviorists," as well as on cold War cinema and the coverage of international affairs by American journalists. Additional discussions are inspired by Hannah Arendt's recasting of political theory in a narrative framework. here Dolan considers two starkly contrasting postwar literary figures—William S. Burroughs and James Merrill—both of whom have a troubled relationship to politics but nonetheless register an urgent need to articulate its dangers and opportunities. Alongside Merrill's unraveling of the distinction between the serious and the fictive, Dolan assesses the attempt in Arendt's On Revolution to reclaim fictional devices for political reflection.
Author: Frederick M. Dolan Publisher: Cornell University Press ISBN: 1501726234 Category : History Languages : en Pages : 246
Book Description
Allegories of America offers a bold idea of what, in terms of political theory, it means to be American. Beginning with the question What do we want from a theory of politics? Dolan explores the metaphysics of American-ness and stops along the way to reflect on John Winthrop, the Constitution, 1950s behavioralist social science, James Merrill, and William Burroughs. The pressing problem, in Dolan's view, is how to find a vocabulary for politics in the absence of European metaphysics. American political thinkers, he suggests, might respond by approaching their own theories as allegories. The postmodern dilemma of the loss of traditional absolutes would thus assume the status of a national mythology—America's perennial identity crisis in the absence of a tradition establishing the legitimacy of its founding. After examining the mid-Atlantic sermons of John Winthrop, the spiritual founding father, Dolan reflects on the authority of the Constitution and the Federalist. He then takes on questions of representation in Cold War ideology, focusing on the language of David Easton and other liberal political "behaviorists," as well as on cold War cinema and the coverage of international affairs by American journalists. Additional discussions are inspired by Hannah Arendt's recasting of political theory in a narrative framework. here Dolan considers two starkly contrasting postwar literary figures—William S. Burroughs and James Merrill—both of whom have a troubled relationship to politics but nonetheless register an urgent need to articulate its dangers and opportunities. Alongside Merrill's unraveling of the distinction between the serious and the fictive, Dolan assesses the attempt in Arendt's On Revolution to reclaim fictional devices for political reflection.
Author: D. Madsen Publisher: Springer ISBN: 0230379931 Category : Social Science Languages : en Pages : 203
Book Description
Allegory in America surveys the history of American allegorical writing from the Puritans through the period of American romanticism to postmodernism. In a series of theoretical chapters the cultural function of allegory is discussed in relation to the mythology of American exceptionalism. Each theoretical chapter is followed by a chapter that analyzes a specific text or group of texts. Allegorical indeterminacy is seen to produce a literary tradition that both represents and subverts the ideals of American orthodoxy.
Author: Andrew Newman Publisher: UNC Press Books ISBN: 1469643464 Category : Literary Criticism Languages : en Pages : 237
Book Description
Presenting an innovative, interdisciplinary approach to colonial America's best-known literary genre, Andrew Newman analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, Scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one's own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations.
Author: Ismail Xavier Publisher: U of Minnesota Press ISBN: 9780816626762 Category : Performing Arts Languages : en Pages : 314
Book Description
" 'A camera in the hand and ideas in the head' was the primary axiom of the young originators of Brazil's Cinema Novo. This movement of the 1960s and early 1970s overcame technical constraints and produced films on minimal budgets. In Allegories of Underdevelopment, Ismail Xavier examines a number of these films, arguing that they served to represent a nation undergoing a political and social transformation into modernity. Its best-known voice, filmmaker Glauber Rocha claimed that Cinema Novo was driven by an "aesthetics of hunger." This scarcity of means demanded new cinematic approaches that eventually gave rise to a legitimate and unique Third World cinema. Xavier stands in the vanguard of scholars presenting and interpreting these revolutionary films - from the masterworks of Rocha to the groundbreaking experiments of Julio Bressane, Rogério Sganzerla, Andrea Tonacci and Arthur Omar - to an English-speaking audience. Focusing on each filmmaker's use of narrative allegories for the "conservative modernization" Brazil and other nations underwent in the 1960s and 1970s, Xavier asks questions relating to the connection between film and history. He examines the way Cinema Novo transformed Brazil's cultural memory and charts the controversial roles that Marginal Cinema and Tropicalism played in this process. Among the films he discusses are Black God, White Devil, Land in Anguish, Red Light Bandit, Macunaíma, Antônio das Mortes, The Angel Is Born, and Killed the Family and Went to the Movies." -- Book cover.
Author: Dinah Roe Kendall Publisher: ACTA Publications ISBN: 9780879463076 Category : Biography & Autobiography Languages : en Pages : 100
Book Description
Since the earliest frescoes painted by the first Christians, the life of Christ has been portrayed through painting, sculpture and art. Now artist Dinah Roe Kendall offers a vibrant retelling of the full scope of Jesus' ministry, bringing the incarnation to life in ways engaging both the eye and the imagination. Kendall walks readers through the Gospel narratives from Annunciation to Ascension. Accompanied by Eugene Peterson's The Message rephrasing of the Gospel stories, Allegories of Heaven leads readers into a fresh experience of the Jesus story.
Author: J. Elliott Publisher: Springer ISBN: 0230612806 Category : Fiction Languages : en Pages : 225
Book Description
This book argues that popular feminist fiction provided a key means by which American culture narrated and negotiated the perceived breakdown of American progress after the 1960s. It explores the intersection of two key features of late twentieth-century American culture.
Author: Brian Wallis Publisher: Mit Press ISBN: 9780262730860 Category : Art Languages : en Pages : 429
Book Description
Blasted Allegories makes available the best and most representative examples of artists' writings from the past ten years, an era marked by such pluralism and eclecticism that the voice of the artist may be the clearest one to listen to. The writings, which included both criticism and fiction, have been selected both for their intrinsic, quality and their usefulness; to an understanding of contemporary art. Among the artists represented are Laurie Anderson, Eric Bogosian, Spalding Gray, Theresa Hak Kyng Cha, Dan Graham, Jenny Holzer, Barbara Kruger, Matt Mullican, Richard Prince, Martha Roster, Allan Sekula, and William Wegman. Brian Wallis an editor at Art in America. A publication of The New Museum of Contemporary Art, New York. Distributed by The MIT Press
Author: Maryanne Cline Horowitz Publisher: BRILL ISBN: 9004438033 Category : History Languages : en Pages : 435
Book Description
An exploration of the ways early modern European artists have visualized continents through the female (sometimes male) body to express their perceptions of newly encountered peoples. Often stereotypical, these personifications are however more complex than what they seem.
Author: Paul De Man Publisher: Yale University Press ISBN: 9780300028454 Category : Literary Criticism Languages : en Pages : 324
Book Description
This important theoretical work by Paul de Man sets forth a mode of reading and interpretation based on exemplary texts by Rousseau, Nietzsche, Rilke, and Proust. The readings start from unresolved difficulties in the critical traditions engendered by these authors, and they return to the places in the text where those difficulties are most apparent or most incisively reflected upon. The close reading leads to the elaboration of a more general model of textual understanding, in which de Man shows that the thematic aspects of the texts--their assertions of truth or falsehood as well as their assertions of values--are linked to specific modes of figuration that can be identified and described. The description of synchronic figures of substitution leads, by an inner logic embedded in the structure of all tropes, to extended, narrative figures or allegories. De Man poses the question whether such self-generating systems of figuration can account fully for the intricacies of meaning and of signification they produce. Throughout the book, issues in contemporary criticism are addressed analytically rather than polemically. Traditional oppositions are put in question by a rhetorical analysis which demonstrates why literary texts are such powerful sources of meaning yet epistemologically so unreliable. Since the structure which underlies this tension belongs to language in general and is not confined to literary texts, the book, starting out as practical and historical criticism or as the demonstration of a theory of literary reading, leads into larger questions pertaining to the philosophy of language. "Through elaborate and elegant close readings of poems by Rilke, Proust's Remembrance, Nietzsche's philosophical writings and the major works of Rousseau, de Man concludes that all writing concerns itself with its own activity as language, and language, he says, is always unreliable, slippery, impossible....Literary narrative, because it must rely on language, tells the story of its own inability to tell a story....De Man demonstrates, beautifully and convincingly, that language turns back on itself, that rhetoric is untrustworthy."--Julia Epstein, Washington Post Book World "The study follows out of the thinking of Nietzsche and Genette (among others), yet moves in strikingly new directions....De Man's text, almost certain to be endlessly provocative, is worthy of repeated re-reading."--Ralph Flores, Library Journal "Paul de Man continues his work in the tradition of 'deconstructionist criticism, '... which] begins with the observation that all language is constructed; therefore the task of criticism is to deconstruct it and reveal what lies behind. The title of his new work reflects de Man's preoccupation with the unreliability of language. ... The contributions that the book makes, both in the initial theoretical chapters and in the detailed analyses (or deconstructions) of particular texts are undeniable."--Caroline D. Eckhardt, World Literature Today
Author: Frederick M. Dolan
Author: Frederick M. Dolan
Author: D. Madsen
Author: Andrew Newman
Author: Ismail Xavier
Author: Dinah Roe Kendall
Author: J. Elliott
Author: Brian Wallis
Author: Maryanne Cline Horowitz
Author: David E. James
Author: Paul De Man