American Photography PDF Download

Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 752

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Author: James Guimond
Publisher: UNC Press Books
ISBN: 9780807843086
Category : Social Science
Languages : en
Pages : 368

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Book Description
Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank

Author: Peter Galassi
Publisher: Harry N Abrams Incorporated
ISBN: 9780810961432
Category : Photography
Languages : en
Pages : 256

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Book Description

Author: Mazie M. Harris
Publisher: Getty Publications
ISBN: 1606065491
Category : Photography
Languages : en
Pages : 226

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Book Description
Scholarship on photography’s earliest years has tended to focus on daguerreotypes on metal or on the European development of paper photographs made from glass or paper negatives. But Americans also experimented with negative-positive processes to produce photographic images on a variety of paper formats in the early decades of the medium. Paper Promises: Early American Photography presents this rarely studied topic within photographic history. The well-researched and richly detailed texts in this book delve into the complexities of early paper photography in the United States from the 1840s to 1860s, bringing to light a little-known era of American photographic appropriation and adaptation. Exploring the economic, political, intellectual, and social factors that impacted its unique evolution, both the essays and the carefully selected images illustrate the importance of photographic reproduction in shaping and circulating perceptions of America and its people during a critical period of political tension and territorial expansion. Due to the fragility of paper photography from this period, the works in this catalogue are rarely displayed, making the volume an essential tool for any scholar in the field and a very rare peek into the mid-nineteenth century.

Author: Jonathan Green
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 252

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Book Description
Comprehensive, opinionated, knowledgeable - Jonathan Green's American Photography: A Critical History 1945 to the Present provides the first important survey of the field.

Author:
Publisher:
ISBN: 9780578756967
Category :
Languages : en
Pages :

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Book Description
Fine art photography book of deserted basketball courts from all across America made during 8+ years and 200,000+ miles of travel by Rob Hammer

Author: Robert Frank
Publisher:
ISBN: 9780394549774
Category :
Languages : en
Pages :

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Author: Barbaralee Diamonstein-Spielvogel
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 196

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Book Description
"This book is a valuable record of conversations with fifteen celebrated and distinguished photographers representing the spectrum of "schools", movements, and styles currently in the medium. The interviews establish a vivid and intimate portrait of each subject, focusing on the history of the artist's career, the relationship between his vocational photography, and his personal imagery, the genesis of particular works, and specific technical processes, and are invaluable to an understanding of American photography today."--Page 4 de la couverture.

Author: Mark Heflin
Publisher:
ISBN: 9781886212534
Category : Commercial photography
Languages : en
Pages : 348

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Book Description
The year's best photography from 2019 in hardcover.

Author: Amon Carter Museum of American Art
Publisher: University of Texas Press
ISBN: 9780292753013
Category : Photography
Languages : en
Pages : 0

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Book Description
Capturing the world in color was one of photography’s greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976, when John Szarkowski showed William Eggleston’s photographs at the Museum of Modern Art, did the art world embrace color. By accepting color’s flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art. The catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color’s integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers’ initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. He shows how this absorption of color instigated wide acceptance of a fundamentally new definition of photography, one that blends photography’s documentary foundations with the creative flexibility of painting. Sylvie Pénichon offers a succinct survey of the technological advances that made color in photography a reality and have since marked its multifaceted development. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies.