An Introduction to the Creation of Electroacoustic Music PDF Download

Author: Samuel Pellman
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 472

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Book Description
This text aims to be accessible to students relatively inexperienced with electronic musical technology, while also sufficiently detailed for technical and musical achievement. Furthermore, it stresses the notion that, despite all the attention given to technique, the principal goal is musical expression.

Author: Barry Schrader
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 246

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Book Description
This book surveys the history, basic technology, and analysis of electro-acoustic music, along with interviews with important composers in the field.

Author: Adrian Moore
Publisher: Routledge
ISBN: 1317407938
Category : Music
Languages : en
Pages : 273

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Book Description
Written by an active composer, performer and educator, Sonic Art: An Introduction to Electroacoustic Music Composition provides a clear and informative introduction to the compositional techniques behind electroacoustic music. It brings together theory, aesthetics, context and practical applications to allow students to start thinking about sound creatively, and gives them the tools to compose meaningful sonic art works. In addition to explaining the techniques and philosophies of sonic art, the book examines over forty composers and their works, introducing the history and context of notable pieces, and includes chapters on how to present compositions professionally, in performance and online. The book is supported by an online software toolkit which enables readers to start creating their own compositions. Encouraging a ‘hands on’ approach to working with sound, Sonic Art is the perfect introduction for anyone interested in electroacoustic music and crafting art from sounds.

Author: Barry Schrader
Publisher:
ISBN:
Category : Computer music
Languages : en
Pages : 248

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Book Description
This book surveys the history, basic technology, and analysis of electro-acoustic music, along with interviews with important composers in the field.

Author: Nicholas Collins
Publisher: Cambridge University Press
ISBN: 1107010934
Category : Music
Languages : en
Pages : 241

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Book Description
This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.

Author: Mary Simoni
Publisher: Routledge
ISBN: 1135503354
Category : Music
Languages : en
Pages : 312

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Book Description
Containing extensive artwork serving as demonstration, as well as a DVD with sound and video clips, this collection of essays on electroacoustic music explores the creative possibilities to be found in various forms of musical analysis. Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: * the applications of neumes * contemporary staff notation * sound orchestra and score files * time-domain representations * spectrograms. Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music.

Author: Simon Emmerson
Publisher: Springer
ISBN: 1349184926
Category : Music
Languages : en
Pages : 229

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Book Description
Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.

Author: Simon Emmerson
Publisher: Cambridge University Press
ISBN: 1107118328
Category : Computers
Languages : en
Pages : 419

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Book Description
A state-of-the-art overview of the analysis of electroacoustic music, which includes discussions of a wide range of works.

Author: Herbert A. Deutsch
Publisher: Warner Bros. Publications
ISBN:
Category : Music
Languages : en
Pages : 140

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Book Description
An introduction to music made in whole or in part by electrical instruments, amplified or electronically modified instruments, recording devices or computers. The book is in two parts: Part One covers the history of electroacoustic music and its significant instruments. Part Two covers terms, fundamentals, techniques, etc.

Author: Thomas Licata
Publisher: Bloomsbury Publishing USA
ISBN: 031307688X
Category : Music
Languages : en
Pages : 267

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Book Description
Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies—possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included here are discussions of such significant works as Karlheinz Stockhausen's Gesang der Jünglinge (1955/56), Iannis Xenakis' Diamorphoses (1957), and Jean-Claude Risset's Contours (1982). Overall, the collection aims to elucidate the sonic design of each of the electroacoustic music works under investigation, using its best examples as a lens through which to examine an unduly neglected genre. Demonstrating recent techniques in the analysis of electroacoustic music, the volume also considers various compositional approaches as well as computer applications that have become an irreplaceable tool in the composing of this music. So little has been written about this 20th-century art form that Electroacoustic Music: Analytical Perspectives is at once a fresh, bold step forward in musicology and analysis.