Author: Francis Herbert Bradley Publisher: ISBN: Category : History Languages : en Pages : 658
Book Description
Appearance and Reality: A Metaphysical Essay by Francis Bradley Herbert, first published in 1908, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Author: John Heil Publisher: Oxford University Press ISBN: 0198865457 Category : Philosophy Languages : en Pages : 277
Book Description
In Appearance in Reality, John Heil addresses a question at the heart of metaphysics: how are the appearances related to reality, how does what we find in the sciences comport with what we encounter in everyday experience and in the laboratory? Objects, for instance, appear to be colourful, noisy, self-contained, and massively interactive. Physics tells us they are dynamic swarms of colourless particles, or disturbances in fields, or something equally strange. Is what we experience illusory, present only in our minds? But then what are minds? Do minds elude physics? Or are the physicist's depictions mere constructs with no claim to reality? Perhaps reality is hierarchical: physics encompasses the fundamental things, the less than fundamental things are dependent on, but distinct from these. Heil's investigation advances a fourth possibility: the scientific image (what we have in physics) affords our best guide to the nature of what the appearances are appearances of.
Author: Peter Kosso Publisher: Oxford University Press, USA ISBN: 9780195115147 Category : Science Languages : en Pages : 196
Book Description
Appearance and Reality: An Introduction to the Philosophy of Physics addresses quantum mechanics and relativity and their philosophical implications, focusing on whether these theories of modern physics can help us know nature as it really is, or only as it appears to us. The author clearly explains the foundational concepts and principles of both quantum mechanics and relativity and then uses them to argue that we can know more than mere appearances, and that we can know to some extent the way things really are. He argues that modern physics gives us reason to believe that we can know some things about the objective, real world, but he also acknowledges that we cannot know everything, which results in a position he calls "realistic realism." This book is not a survey of possible philosophical interpretations of modern physics, nor does it leap from a caricature of the physics to some wildly alarming metaphysics. Instead, it is careful with the physics and true to the evidence in arriving at its own realistic conclusions. It presents the physics without mathematics, and makes extensive use of diagrams and analogies to explain important ideas. Engaging and accessible, Appearance and Reality serves as an ideal introduction for anyone interested in the intersection of philosophy and physics, including students in philosophy of physics and philosophy of science courses.
Author: Stephen Hogbin Publisher: Fox Chapel Publishing ISBN: Category : Creation (Literary, artistic, etc.) Languages : en Pages : 200
Book Description
A contemporary perspective on the problem of design and the visual arts, this book investigates the visual experience through four key disciplines: art, craft/technology, design, and science. It discusses visual fundamentals such as line, form, colour, and composition, as well as social issues such as environmental responsibility, non-Western art history, gender, locality, and cultural diversity -- all of which have an impact on current creative processes. This broad viewpoint shows how artists can create meaningful work that has cultural integrity.
Author: Alexandra Heller-Nicholas Publisher: McFarland ISBN: 1476613214 Category : Performing Arts Languages : en Pages : 244
Book Description
As the horror subgenre du jour, found footage horror’s amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror’s dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre’s stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube’s popular rise in sparking the subgenre’s recent renaissance.
Author: R. Scapp Publisher: Springer ISBN: 0230115403 Category : Social Science Languages : en Pages : 224
Book Description
While there have been scholarly commentaries on the philosophy of fashion, none yet have attempted to engage fashion on its own hybrid, inflected, and heterogeneous terms. Celebrating the plurality and audacity inherent in its subject, Fashion Statements presents insightful, playful, and accessible essays on the philosophy of fashion.
Author: Ashley la Grange Publisher: Taylor & Francis ISBN: 1136090134 Category : Photography Languages : en Pages : 279
Book Description
Basic Critical Theory for Photographers generates discussion, thought and practical assignments around key debates in photography. Ashley la Grange avoids the trap of an elitist and purely academic approach to critical theory, taking a dual theoretical and practical approach when considering the issues. Key critical theory texts (such as Sontag's 'On Photography' and Barthes' 'Camera Lucida') are clarified and shortened. La Grange avoids editorilising, letting the arguments develop as the writers had intended; it is the assignments which call into question each writer's approach and promote debate. This is the ideal book if you want to understand key debates in photography and have a ready-made structure within which to discuss and explore these fascinating issues. It is accessible to students, from high school to university level, but will also be of interest to the general reader and to those photographers whose training and work is concerned with the practical aspects of photography. Also includes invaluable glossary of terms and a substantial index that incorporates the classic texts, helping you to navigate your way through these un-indexed works. The book also contains useful information on photo-mechanical processes, explaining how a photograph can appear very differently, and as a result be interpreted in a range of ways, in a variety of books.
Author: Francis Herbert Bradley
Author: John Heil
Author: Francis Herbert Bradley
Author: Peter Kosso
Author: Stephen Hogbin
Author: Alexandra Heller-Nicholas
Author: R. Scapp
Author: Ashley la Grange
Author: F. H. Bradley
Author: Francis Herbert Bradley