Artists of the Canyons and Caminos PDF Download

Author: Edna Robertson
Publisher:
ISBN: 9780941270922
Category : Art
Languages : en
Pages : 166

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Book Description
An introduction and a guide to the painters of Santa Fe.

Author: Edna Robertson
Publisher: Gibbs Smith
ISBN: 9781423601142
Category : Art
Languages : en
Pages : 206

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Book Description
Richly illustrated, Artists of the Canyons and Caminos traces the lives and work of painters who settled in Santa Fe in the early years of the twentieth century. Under their influence, Santa Fe grew from a dusty high-desert town with no paved streets or automobiles to a thriving community. Artists of the Canyons and Caminos features a new foreword by publisher Gibbs M. Smith, and reveals little-known facts and profiles of the personalities who catalyzed this transformation. Above all, it illuminates their common bond: an enduring love for the beauty of the land that called to them in the first place. Some places in the world have a particular atmosphere, a sense of romance, which makes them "good places to paint." Santa Fe, New Mexico-with its clean, sharp air; its startlingly bright colors; its sculptured mesas and mountains-is one of these places. Artists of the Canyons and Caminos includes: A brief chronology of Santa Fe from its inauguration as a state capital housing the oldest public building in the United States (Palace of the Governors); to the first annual exhibition of the Cinco Pintores in 1921, when of the town's population of 7,000, 15 were resident artists; to the opening of the Institute of American Indian Arts in 1962. Descriptions of the broad spectrum of representational styles that flourished there, from romance to super-realism. Major patrons of the arts: railroads, scientists, territorial senators, lawyers, well-to-do retirees. The artists' missions: admiration for the local Indians and their arts, encouragement of young artists of all nationalities, solidarity to prevent Santa Fe from being overly Americanized.

Author: Edna Robertson
Publisher:
ISBN: 9780879050269
Category : Art
Languages : en
Pages : 166

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Book Description

Author: Lesley Poling-Kempes
Publisher: University of Arizona Press
ISBN: 0816524947
Category : Biography & Autobiography
Languages : en
Pages : 384

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Book Description
Ladies of the Canyons is the true story of a group of remarkable women whose lives were transformed by the people and landscape of the American Southwest in the first decades of the twentieth century.

Author: Nancy Owen Lewis
Publisher: University of New Mexico Press
ISBN: 0890136130
Category : History
Languages : en
Pages : 462

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Book Description
This book tells the story of the thousands of “health seekers” who journeyed to New Mexico from 1880 to 1940 seeking a cure for tuberculosis (TB), the leading killer in the United States at the time. By 1920 such health seekers represented an estimated 10 percent of New Mexico’s population. The influx of “lungers” as they were called—many of whom remained in New Mexico—would play a critical role in New Mexico’s struggle for statehood and in its growth. Nearly sixty sanatoriums were established around the state, laying the groundwork for the state’s current health-care system. Among New Mexico’s prominent lungers were artists Will Shuster and Carlos Vierra, who “came to heal and stayed to paint.” Bronson Cutting, brought to Santa Fe on a stretcher in 1910, became the influential publisher of the Santa Fe New Mexican and a powerful U.S Senator. Others included William R. Lovelace and Edgar T. Lassetter, founders of the Lovelace Clinic, as well as Senator Clinton P. Anderson, poet Alice Corbin Henderson, architect John Gaw Meem, aviator Katherine Stinson, and Dorothy McKibben, gatekeeper for the Manhattan Project. New Mexico’s most infamous outlaw, Billy the Kid, first arrived in New Mexico when his mother, Catherine Antrim, sought treatment in Silver City.

Author: Donna L. Poulton
Publisher: Gibbs Smith
ISBN: 142360184X
Category : Landscape painting, American
Languages : en
Pages : 305

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Book Description
Vividly illustrated and exhaustively researched and documented, Painters of Utah's Canyons and Deserts weaves a sweeping tapestry of artists' attempts to capture the majesty, rare beauty, and raw danger of Utah's frontier West. A COMPREHENSIVE HISTORY OF ARTISTS WHO PAINTED SOUTHERN UTAH, INCLUDING: Solomon Nunes Carvalho Frederick S. Dellenbaugh John Heber Stansfield William Keith Samuel Coleman Thomas Moran Minerva B. K. Teichert Maynard Dixon LeConte Stewart J. Roman Andrus Birger Sandzén Everett Ruess Georgia O'Keeffe Max Ernst Alfred Lambourne Henry L. A. Culmer Donald Beauregard

Author: Jules Heller
Publisher: Routledge
ISBN: 1135638896
Category : Social Science
Languages : en
Pages : 1941

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Book Description
First Published in 1997. North American Women Artists of the Twentieth Century: A Biographical Dictionary was created to fill a gap of there being a comprehensive reference work like this available, even though the bibliography in English on various aspects of the history of women artists has grown exponentially during the past ten years. As researchers, the editors have been frustrated many times by being unable to locate basic information about many of the artists included in this volume—especially those working outside the United States. This leads directly to another reason for producing this particular kind of reference book—to try and create a better understanding between and among the artists and art audiences in these countries.

Author: Elizabeth West
Publisher: Sunstone Press
ISBN: 0865348766
Category : Santa Fe (N.M.)
Languages : en
Pages : 386

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Book Description
This question-and-answer book contains 400 reminders of what is known and what is sometimes forgotten or misunderstood about a city that was founded more than 400 years ago. Not a traditional history book, this group of questions is presented in an apparently random order, and the answers occasionally meander off topic, as if part of a casual conversation.

Author: Henry Jack Tobias
Publisher: UNM Press
ISBN: 9780826323316
Category : History
Languages : en
Pages : 296

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Book Description
A readable, captivating social history centered on the essence of Santa Fe--the lives of its Hispano and Anglo residents.

Author: Stephanie Lewthwaite
Publisher: University of Oklahoma Press
ISBN: 0806152893
Category : Art
Languages : en
Pages : 305

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Book Description
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University