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Author: Walter S. Baroni Publisher: Bloomsbury Publishing ISBN: 135019073X Category : Biography & Autobiography Languages : en Pages : 192
Book Description
After the Second World War, two contrasting political movements became increasingly active in Italy - the communist and feminist movements. In this book, Walter Baroni uses autobiographical life-writing from both movements key protagonists to shed new light on the history of these movements and more broadly the similarities and differences between political activists in post-war Italy.
Author: Walter S. Baroni Publisher: Bloomsbury Publishing ISBN: 135019073X Category : Biography & Autobiography Languages : en Pages : 192
Book Description
After the Second World War, two contrasting political movements became increasingly active in Italy - the communist and feminist movements. In this book, Walter Baroni uses autobiographical life-writing from both movements key protagonists to shed new light on the history of these movements and more broadly the similarities and differences between political activists in post-war Italy.
Author: David A. Forgacs Publisher: Indiana University Press ISBN: 0253219485 Category : History Languages : en Pages : 754
Book Description
From the 1930s to the 50s in Italy commercial cultural products were transformed by new reproductive technologies and ways of marketing and distribution, and the appetite for radio, films, music and magazines boomed. This book uses new evidence to explore possible continuities between the uses of mass culture before and after World War II.
Author: Patrizia Sambuco Publisher: Rowman & Littlefield ISBN: 1683931440 Category : Literary Criticism Languages : en Pages : 237
Book Description
Transmissions of Memory: Echoes, Traumas and Nostalgia in Post-World War II Italian Culture discusses cultural products—films, poetry, fiction, architectural buildings, autobiographical writing, and social media—to individuate through them the dynamics of memory. The field of analysis is Italian culture from World War II to the contemporary times, and the volume has in a gendered approach one of its focuses, offering an encompassing view on cultural memory and highlighting the similarities between gendered revisitation and revisitation of the past. The volume is divided into three sections: cultural transmissions, fractured memories, and nostalgia. In the chapters herewith the study of memory through these forms hints at a sense of transformation and often enrichment or resilience, individual or collective, that values more the present and the future rather than the past.
Author: Peter Hainsworth Publisher: MHRA ISBN: 1905981074 Category : Literary Criticism Languages : en Pages : 231
Book Description
Critical interest in biography and autobiography has never been higher. However, while life-writing flourishes in the UK, in Italy it is a less prominent genre. The twelve essays collected here are written against this backdrop, and address issues in biographical and autobiographical writing in Italy from the later nineteenth century to the present, with a particular emphasis on the interplay between individual lives and life-writing and the wider social and political history of Italy. The majority of essays focus on well-known writers (D'Annunzio, Svevo, Bontempelli, Montale, Levi, Calvino, Eco and Fallaci), and their varying anxieties about autobiographical writing in their work. This picture is rounded out by a series of studies of similar themes in lesser known figures: the critic Enrico Nencioni, the Welsh-Italian painter Llewellyn Lloyd and Italian writers and journalists covering the Spanish Civil War. The contributors, all specialists in their fields, are Antonella Braida, Charles Burdett, Jane Everson, John Gatt Rutter, Robert Gordon, Gwyn Griffith, Peter Hainsworth, Martin McLaughlin, Gianni Oliva, Giuliana Pieri, and Jon Usher. The volume is dedicated to John Woodhouse, on his seventieth birthday, and concludes with a bibliography of his writings.
Author: Fabiana Cecchini Publisher: Cambridge Scholars Publishing ISBN: 1443828343 Category : Biography & Autobiography Languages : en Pages : 180
Book Description
The essays included in this collection examine issues such as identity and ideology which are at play in the female autobiography practice, along with the problematicity that these trigger in terms of self-representation and traditional formal boundaries. The women writers analyzed here through mainly historical, literary, feminist and psychoanalytic lenses cover a long period in the history of Italy, spanning from the Fascist era to our time. In an attempt to organize and connect these texts which are chronologically far apart, we have divided our contributions into two main parts. The first, “Shapes of Ideology,” includes authors interacting primarily with political ideology in a way that eventually entails the challenge of the official “technologies of gender” (De Lauretis, 1987) and implicitly, a reflection on the gendered identity. In the second part, “Reconsidering ideology, negotiating autobiography,” while the political ideology is not completely excluded, it becomes however something more internalized and relevant to the writers’ quest for identity. Such process bears consequences with respect to the canon of autobiography, as authors experiment with new forms of autobiographical narratives and readers become more and more an integral component of this personal endeavor.
Author: Bruna Chezzi Publisher: Cambridge Scholars Publishing ISBN: 1443886602 Category : Social Science Languages : en Pages : 175
Book Description
Italian immigrants began to settle in Wales at the turn of the 19th century, opening hundreds of coffee shops, particularly in the South Wales Valleys. Despite this, such immigrants remain a largely unexplored case study in the history of Italian immigration to the UK. This book uses a variety of unexplored sources, and engages with the broader academic debate on migration, identity, and the trans-generational transmission of memory, to describe the emergence of Welsh-Italian narratives and the formation of a distinctive, yet complex, Welsh-Italian identity. It follows a chronological journey, moving from the interwar period, a time in which Italians in Wales were generally regarded as fully established and integrated, through to the Second World War, a time when Italian identity became problematic and resulted in nearly seventy years of ‘silencing’, up until the first decade of the 21st century, where a mixture of commemorative events and cultural initiatives prompted the emergence of Welsh-Italian narratives. The book begins by studying photographic representations of Italians in Wales during the interwar period, using photographs available in local history books, private collections and history books. The analysis of the photographic material draws from the work of scholars such as Sontag, Noble, Hirsh and Bate on photo-textual analysis, to show how photographs can reveal understudied, yet important, aspects of Italian migrant identity and of the relationship with the host community in the period that preceded the Second World War. The book then examines how the events of the Second World War destabilised the images of family, sociability and integration suggested by these photographs, and how such events aggravated tensions between host and migrant cultures. It continues by investigating recent Welsh-Italian texts where, in revisiting the past and the experience of their ancestors, the authors bring different circumstances and personal factors into play determining the degree to which they reconcile their dual identity. It concludes with a comparison between these ‘narratives of belonging’ and the representation of the Italian migrant experience in Anglo-Welsh literature.
Author: Graziella Parati Publisher: U of Minnesota Press ISBN: 0816626065 Category : Literary Criticism Languages : en Pages : 207
Book Description
In this important volume, Graziella Parati examines the ways in which Italian women writers articulate their identities through autobiography - a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive. Parati considers the first prose autobiography written by an Italian woman - Camilla Faa Gonzaga's 1622 memoir - as her beginning point, citing it as a central "pre-text". Parati then examines the autobiographies of Enif Robert, Fausta Cialente, Rita Levi Montalcini, and Luisa Passerini. Through her discussion of these women's writings, she demonstrates the complex negotiations over identity contained within them, negotiations that challenge dichotomies between male and female, maternal and paternal, and private and public. Public History, Private Stories is a compelling exploration of the disparate identities created by these women through the act of writing autobiography.
Author: Rachel Haworth Publisher: ISBN: 9781789385601 Category : Languages : en Pages : 272
Book Description
What the stardom of Mina says about contemporary Italian society. Mina--or Anna Maria Mazzini--is an Italian popular music icon whose sixty-year career has come to represent a range of diverse meanings. She is one of the best-loved popular music stars in Italy and abroad, with a large fan base across Europe, Asia, and South America. Her career began in the late 1950s and reached its peak in the 1960s and 1970s. Despite having retired from public appearances in the late 1970s, Mina remains iconic to this day. Her star status is exemplary of how stardom is constructed and what it reveals about the society from which it springs. This book explores Mina's star image and iconic status, tracing the process by which she has come to embody a revelation of the values and ideals of contemporary Italian society.
Author: Stephen Gundle Publisher: Berghahn Books ISBN: 1782382453 Category : Performing Arts Languages : en Pages : 336
Book Description
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
Author: Walter S. Baroni
Author: Walter S. Baroni
Author: David A. Forgacs
Author: Patrizia Sambuco
Author: Zygmunt G. Barański
Author: Peter Hainsworth
Author: Fabiana Cecchini
Author: Bruna Chezzi
Author: Graziella Parati
Author: Rachel Haworth
Author: Stephen Gundle