Baroque and the Political Language of Formalism (1845 - 1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr PDF Download

Author: Evonne Levy
Publisher: Schwabe Verlag (Basel)
ISBN: 3796533973
Category : History
Languages : de
Pages : 406

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Book Description
This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt's still debated "Jesuit style" to Hans Sedlmayr's Reichsstil, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history's unacknowledged political substrate for generations. Classic works, like Wölfflin's Kunstgeschichtliche Grundbegriffe are interpreted anew here, supported by new documents from the papers of each figure.

Author: Evonne Anita Levy
Publisher:
ISBN: 9783796533969
Category : Architecture, Baroque
Languages : en
Pages : 400

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Book Description
This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt's still debated "Jesuit style" to Hans Sedlmayr's Reichsstil, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wolfflin and Gurlitt, has endured as art history's unacknowledged political substrate for generations. Classic works, like Wolfflin's Kunstgeschichtliche Grundbegriffe are interpreted anew here, supported by new documents from the papers of each figure.

Author: Andrew Leach
Publisher: Routledge
ISBN: 1317040600
Category : Architecture
Languages : en
Pages : 296

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Book Description
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin’s Monument to the Third International and Borromini’s dome for Sant’Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant’Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.

Author: Zeynep Çelik Alexander
Publisher: University of Chicago Press
ISBN: 022648520X
Category : Architecture
Languages : en
Pages : 328

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Book Description
Introduction: a peculiar experiment -- Kinaesthetic knowing: the nineteenth-century biography of another kind of knowledge -- Looking: Wölfflin's comparative vision -- Affecting: Endell's mathematics of living feeling -- Drawing: the Debschitz school and formalism's subject -- Designing: discipline and introspection at the Bauhaus -- Epilogue

Author: Laura Moure Cecchini
Publisher: Manchester University Press
ISBN: 1526153165
Category : Art
Languages : en
Pages : 281

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Book Description
Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.

Author: Lisa Beaven
Publisher: Medieval Institute Publications
ISBN: 1580442722
Category : Art
Languages : en
Pages : 327

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Book Description
Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. The volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse, and seduce the senses and solicit the emotions of the beholder.

Author: Isabel Rousset
Publisher: Manchester University Press
ISBN: 1526159678
Category : Architecture
Languages : en
Pages : 351

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Book Description
The architecture of social reform explores the fascinating intellectual origins of modern architecture’s obsession with domesticity. Copiously illustrated, Rousset’s revealing analysis demonstrates how questions over aesthetics, style, urbanization, and technology that gripped the modernist imagination were deeply ingrained in a larger concern to reform society through housing. The increasing demand for new housing in Germany’s rapidly growing cities fostered critical exchanges between a heterogeneous group of actors, including architects, urban theorists, planners, and social scientists, who called for society to be freed from class antagonism through the provision of good, modest, traditionally-minded domestic design. Offering a compelling account of architecture’s ability to act socially, the book provocatively argues that architectural theory underwent its most critical epistemological transformation in relation to the dynamics of modern class politics long before the arrival of the avant-garde.

Author: Adil Mansure
Publisher: Routledge
ISBN: 0429856032
Category : Architecture
Languages : en
Pages : 287

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Book Description
The church of San Carlo alle Quattro Fontane, also called San Carlino, is an architectural artefact that continues to attract numerous hypotheses and geometric analyses attempting to explain its form and meaning. Numerous investigations have attempted to reveal its underlying geometrical principles, without, however, reaching a consensus. Finding San Carlino presents an edited collection of perspectives on Borromini’s famous Baroque church from a range of established and emerging scholars in architectural history and theory, including Werner Oechslin, Karsten Harries, Michael Hill and Lauren Jacobi amongst others. This book offers the reader different means of engaging with, enjoying and articulating San Carlino’s complexity, non-consensus and ambiguity. It is precisely such a unique disposition that motivates this book to explore multiple modes of architectural enquiry and delve into a series of theoretical and historiographical questions such as: why was Borromini not able to post-rationalize his architecture with his drawings? What is San Carlino’s exemplary value, and why does it continually engender exegetical and hermeneutic desire? What is the role of geometry in architecture, in history and today? Written for researchers, scholars and postgraduate students in architectural history and theory, the book uses San Carlino as an enigmatic centering point for a set of significant contemporary voices to explore new modes of confrontation and comparison.

Author: Christine Göttler
Publisher: BRILL
ISBN: 9004354506
Category : History
Languages : en
Pages : 649

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Book Description
A team of renowned scholars examines how sacred art and artefacts responded to the demands of a world stage in the age of reform, demonstrating the significance of religious systems for a global art history.

Author: Mia M. Mochizuki
Publisher: BRILL
ISBN: 9004498222
Category : History
Languages : en
Pages : 225

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Book Description
In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540–1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history of the image. When the question of a ‘Jesuit style’ is rehabilitated as an inquiry into sources for a spectrum of works, the Society’s investment in the functional potential of illustrated books reveals the traits that would come to define the modern image as internally networked, technologically defined, and innately subjective.