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Author: Lionel Gossman Publisher: ISBN: 9780735104983 Category : Historiography Languages : en Pages : 0
Book Description
Gossman (French, Princeton U.) illuminates the problematic relationship between history and literature, and shows how each discipline both challenges and undermines the other's absolutist pretensions. In particular, he address the essential historicity of literature and the essentially literary-textual nature of history through an inquiry into the work of the Romantic historians, especially Thierry and Michelet. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Lionel Gossman Publisher: ISBN: 9780735104983 Category : Historiography Languages : en Pages : 0
Book Description
Gossman (French, Princeton U.) illuminates the problematic relationship between history and literature, and shows how each discipline both challenges and undermines the other's absolutist pretensions. In particular, he address the essential historicity of literature and the essentially literary-textual nature of history through an inquiry into the work of the Romantic historians, especially Thierry and Michelet. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Mario T. García Publisher: University of Arizona Press ISBN: 0816533555 Category : History Languages : en Pages : 204
Book Description
Literature as History represents a unique way to rethink history. Mario T. García, a leader in the field of Chicano history and one of the foremost historians of his generation, explores how Chicano historians can use Chicano and Latino literature as important historical sources.
Author: John Sutherland Publisher: Yale University Press ISBN: 0300188366 Category : Literary Criticism Languages : en Pages : 288
Book Description
From The Epic of Gilgamesh to Harry Potter, this rollicking romp through the world of literature reveals how writings from all over the world can transport us and help us to make sense of what it means to be human.
Author: Franco Moretti Publisher: Verso Books ISBN: 178168085X Category : Literary Criticism Languages : en Pages : 225
Book Description
Who – and what – are the Bourgeois? “The bourgeois ... Not so long ago, this notion seemed indispensable to social analysis; these days, one might go years without hearing it mentioned. Capitalism is more powerful than ever, but its human embodiment seems to have vanished. ‘I am a member of the bourgeois class, feel myself to be such, and have been brought up on its opinions and ideals,’ wrote Max Weber, in 1895. Who could repeat these words today? Bourgeois ‘opinions and ideals’—what are they?” Thus begins Franco Moretti’s study of the bourgeois in modern European literature—a major new analysis of the once-dominant culture and its literary decline and fall. Moretti’s gallery of individual portraits is entwined with the analysis of specific keywords—“useful” and “earnest,” “efficiency,” “influence,” “comfort,” “roba”—and of the formal mutations of the medium of prose. From the “working master” of the opening chapter, through the seriousness of nineteenth-century novels, the conservative hegemony of Victorian Britain, the “national malformations” of the Southern and Eastern periphery, and the radical self-critique of Ibsen’s twelve-play cycle, the book charts the vicissitudes of bourgeois culture, exploring the causes for its historical weakness, and for its current irrelevance.
Author: Ivan Jablonka Publisher: Cornell University Press ISBN: 1501710761 Category : History Languages : en Pages : 343
Book Description
Ivan Jablonka’s History Is a Contemporary Literature offers highly innovative perspectives on the writing of history, the relationship between literature and the social sciences, and the way that both social-scientific inquiry and literary explorations contribute to our understanding of the world. Jablonka argues that the act and art of writing, far from being an afterthought in the social sciences, should play a vital role in the production of knowledge in all stages of the researcher’s work and embody or even constitute the understanding obtained. History (along with sociology and anthropology) can, he contends, achieve both greater rigor and wider audiences by creating a literary experience through a broad spectrum of narrative modes. Challenging scholars to adopt investigative, testimonial, and other experimental writing techniques as a way of creating and sharing knowledge, Jablonka envisions a social science literature that will inspire readers to become actively engaged in understanding their own pasts and to relate their histories to the present day. Lamenting the specialization that has isolated the academy from the rest of society, History Is a Contemporary Literature aims to bring imagination and audacity into the practice of scholarship, drawing on the techniques of literature to strengthen the methods of the social sciences.
Author: Lionel Gossman Publisher: Cambridge, Mass. : Harvard University Press ISBN: Category : Historiography Languages : en Pages : 432
Book Description
In our world of sophisticated literary theory and cliometrics, the gap between literature and history, between literary scholars and historians, has at times seemed to be widening. Drawing on essays written over the course of a distinguished teaching career, Lionel Gossman illuminates the many facets of the problematic relationship between history and literature and shows how each discipline both challenges and undermines the other's absolutist pretensions. In his first chapters Gossman underlines the historicity of the very category of literature and explores the political and social implications of the notions we have of it. Literature emerges as something whose meaning and content are not as self-evident as we think; instead, what is designated by the term literature is defined by a larger cultural structure that is constantly changing. Gossman then turns to the interweaving of history and literature in historical writing itself, showing how literary narratives, philosophy, and politics are inextricably bound up in the texts of two major Romantic historians, Augustin Thierry and Jules Michelet. Seeing ourselves in relation to our Romantic predecessors--set out sympathetically and fully here by Gossman--should cause us to reflect on the current disjunction between literature and history and to try to imagine new ways in which one practice may assist and enrich the other. The final chapters deal directly with the question of the relationship between history and literature, both historically and as a contemporary problem. The last essay in particular addresses the twin issues of the place of narrative in historiography and the alleged incommensurability of historical narratives. Gossman's detailed inquiries into the work of the Romantic historians and his thoughtful reflections on his own assumptions and practices as a scholar exemplify the highest ideals of humanistic scholarship. This eloquent and erudite work challenges us to rethink our notions about literature and history while enriching our understanding of both disciplines.
Author: Antonis Tsakmakis Publisher: de Gruyter ISBN: 9783110297683 Category : Literary Criticism Languages : en Pages : 0
Book Description
Ideas of history: Ktema es aiei : Thucydides' concept of "learning through history" and its realization in his work / Kurt A. Raaflaub -- The distribution of character judgments in Thucydides / Matthieu de Bakker -- Ascribing motivation in Thucydides : between historical research and literary representation / Melina Tamiolaki -- The causes of the Athenian pestilence and the plague / Paul Demont -- Representations of time and space: The presence of the past in Thucydides / Jonas Grethlein -- The Cylon conspiracy : Thucydides and the uses of the past / Tim Rood -- Katâ ethne kai kata poleis : from the catalogues to the archaeologies / Roberto Nicolai -- In the shadow of Pericles: Athens' Samian victory and the organization of the Pentekontaetia / Marek Węcowski -- Transformations of landscapes in Thucydides / Vassiliki Pothou -- Thucydides and politics: "Reading" Athens : foreign perceptions of the agency of leaders and demos in Thucydides / Sarah Brown Ferrario -- Thucydides and the masses / Suzanne Saad -- Thucydides' Pericles : between historical reality and literary representation /Panos Christodoulou -- Aspects of the narrative: The balance of power and compositional balance: Thucydides, book I / June Allison -- Blurring the boundaries of speech: Thucydides and indirect discourse / Paula Debnar -- The narrative strategy: observations on the 7th book of Thucydides / Anna Lamari -- "The dot on the i" : Thucydidean epilogues / Hans-Peter Stahl -- The narrative legacy of Thucydides: Polybius book 1 / Nikos Miltsios -- The language of Thucydides: The litotes of Thucydides / Pierre Pontier -- History as presence : time, tense and narrative modes in Thucydides / Rutger J. Allan -- Textual structure and modality in Thucydides' military exhortations / Antonis Takmakis, Charalambos Themistokleous -- Attributive discourse in the speeches of Thucydides / Maria Pavlou -- Difficult statements in Thucydides / Jonathan Price -- The language of Pericles / Daniel P. Tompkins.
Author: Dominick LaCapra Publisher: Cornell University Press ISBN: 0801467764 Category : History Languages : en Pages : 249
Book Description
In History, Literature, Critical Theory, Dominick LaCapra continues his exploration of the complex relations between history and literature, here considering history as both process and representation. A trio of chapters at the center of the volume concern the ways in which history and literature (particularly the novel) impact and question each other. In one of the chapters LaCapra revisits Gustave Flaubert, pairing him with Joseph Conrad. Other chapters pair J. M. Coetzee and W. G. Sebald, Jonathan Littell's novel, The Kindly Ones, and Saul Friedlander's two-volume, prizewinning history Nazi Germany and the Jews. A recurrent motif of the book is the role of the sacred, its problematic status in sacrifice, its virulent manifestation in social and political violence (notably the Nazi genocide), its role or transformations in literature and art, and its multivalent expressions in "postsecular" hopes, anxieties, and quests. LaCapra concludes the volume with an essay on the place of violence in the thought of Slavoj Zizek. In LaCapra's view Zizek's provocative thought "at times has uncanny echoes of earlier reflections on, or apologies for, political and seemingly regenerative, even sacralized violence."
Author: Deidre Lynch Publisher: University of Chicago Press ISBN: 022618370X Category : History Languages : en Pages : 335
Book Description
Of the many charges laid against contemporary literary scholars, one of the most commonand perhaps the most woundingis that they simply don't love books. And while the most obvious response is that, no, actually the profession of literary studies does acknowledge and address personal attachments to literature, that answer risks obscuring a more fundamental question: Why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation ofLoving Literature. How did it come to be that professional literary scholars are expected not just to study, but tolove literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have long played a role in the formation of private lifethat the love of literature, in other words, is neither incidental to, nor inextricable from, the history of literature. Yet at the same time, there is nothing self-evident or ahistorical about our love of literature: our views of books as objects of affection have clear roots in late eighteenth-century and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase the love of literature” as if its meaning were transparent, its essence happy and healthy. Lynch writes, It is as if those on the side of love of literature had forgotten what literary texts themselves say about love's edginess and complexities.” With this masterly volume, Lynch restores those edges, and allows us to revel in those complexities.
Author: Lionel Gossman
Author: Lionel Gossman
Author: Mario T. García
Author: John Sutherland
Author: Edmund Dene Morel
Author: Franco Moretti
Author: Ivan Jablonka
Author: Lionel Gossman
Author: Antonis Tsakmakis
Author: Dominick LaCapra
Author: Deidre Lynch