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Author: Houston A. Baker, Jr. Publisher: University of Chicago Press ISBN: 022616733X Category : History Languages : en Pages : 123
Book Description
In this explosive book, Houston Baker takes stock of the current state of Black Studies in the university and outlines its responsibilities to the newest form of black urban expression—rap. A frank, polemical essay, Black Studies, Rap, and the Academy is an uninhibited defense of Black Studies and an extended commentary on the importance of rap. Written in the midst of the political correctness wars and in the aftermath of the Los Angeles riots, Baker's meditation on the academy and black urban expression has generated much controversy and comment from both ends of the political spectrum.
Author: Houston A. Baker, Jr. Publisher: University of Chicago Press ISBN: 022616733X Category : History Languages : en Pages : 123
Book Description
In this explosive book, Houston Baker takes stock of the current state of Black Studies in the university and outlines its responsibilities to the newest form of black urban expression—rap. A frank, polemical essay, Black Studies, Rap, and the Academy is an uninhibited defense of Black Studies and an extended commentary on the importance of rap. Written in the midst of the political correctness wars and in the aftermath of the Los Angeles riots, Baker's meditation on the academy and black urban expression has generated much controversy and comment from both ends of the political spectrum.
Author: Houston A. Baker Publisher: University of Chicago Press ISBN: 022615629X Category : Literary Criticism Languages : en Pages : 144
Book Description
"Mr. Baker perceives the harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-determination and in so doing gave forth a distinctive form of expression that still echoes in a broad spectrum of 20th-century Afro-American arts. . . . Modernism and the Harlem Renaissance may well become Afro-America's 'studying manual.'"—Tonya Bolden, New York Times Book Review
Author: Houston A. Baker Publisher: University of Chicago Press ISBN: 022616084X Category : Literary Criticism Languages : en Pages : 240
Book Description
Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
Author: Houston A. Baker (Jr.) Publisher: University of Chicago Press ISBN: 9780226035239 Category : Literary Criticism Languages : en Pages : 270
Book Description
Turning on inspired interpretations of Zora Neale Hurston, Toni Morrison, and Ntozake Shange, the author weighs current critical approaches to black women's writing against his own explanation of the founding, theoretical state of Afro-American intellectual history.
Author: Houston A. Baker Publisher: Duke University Press ISBN: 0822380056 Category : History Languages : en Pages : 127
Book Description
In Turning South Again the distinguished and award-winning essayist, poet, and scholar of African American literature Houston A. Baker, Jr. offers a revisionist account of the struggle for black modernism in the United States. With a take on the work of Booker T. Washington and the Tuskegee Institute surprisingly different from that in his earlier book Modernism and the Harlem Renaissance, Baker combines historical considerations with psychoanalysis, personal memoir, and whiteness studies to argue that the American South and its regulating institutions—particularly that of incarceration—have always been at the center of the African American experience. From the holds of slave ships to the peonage of Reconstruction to the contemporary prison system, incarceration has largely defined black life in the United States. Even Washington’s school at Tuskegee, Baker explains, housed and regulated black bodies no longer directly controlled by slave owners. He further implicates Washington by claiming that in enacting his ideas about racial “uplift,” Washington engaged in “mulatto modernism,” a compromised attempt at full citizenship. Combining autobiographical prose, literary criticism, psychoanalytic writing, and, occasionally, blues lyrics and poetry, Baker meditates on the consequences of mulatto modernism for the project of black modernism, which he defines as the achievement of mobile, life-enhancing participation in the public sphere and economic solvency for the majority of African Americans. By including a section about growing up in the South, as well as his recent return to assume a professorship at Duke, Baker contributes further to one of the book’s central concerns: a call to centralize the South in American cultural studies.
Author: Monica R. Miller Publisher: Bloomsbury Publishing ISBN: 1472507223 Category : Social Science Languages : en Pages : 297
Book Description
Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard 'Bun B' Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics.
Author: Houston A. Baker Publisher: University of Georgia Press ISBN: 9780820322407 Category : Literary Criticism Languages : en Pages : 124
Book Description
From the lone outcry of Richard Wright's Black Boy to the chorusing voices of Louis Farrakhan's Million Man March, Critical Memory looks across the past half century to assess the current challenges to African American cultural and intellectual life. As Houston A. Baker recalls his own youth in Louisville, Kentucky, and Washington, D.C., he situates such figures as Ralph Ellison, James Baldwin, Shelby Steele, O. J. Simpson, Chris Rock, and Jesse Jackson within such issues as the embattled state of African American manhood and the "financing and promotion of black intellectuals." The "memory" of the book's title is doubly "critical." It is imperative, Baker says, that we keep alive the "embarrassing, macabre, and always bizarre" memory of race in America. In another respect, the remembering must be pointed and keen enough to discern truth from its often highly politicized, commercialized trappings. Throughout the book, Baker returns again and again to the triad of race, "likability" (the compromises by which one gains credibility in white America), and "clearance" (the separation of blacks from the "rights, spaces, and privileges of American citizenship"). These concepts, Baker argues, gird the meritocracy, still in force, that claimed progress in granting black men like his father the freedom to work themselves to death behind a desk instead of a mule. In Critical Memory reason and cool rage converge to expose the draining tasks of reconciling white America's perception of its righteousness with its lack of relish for the truth it claims to welcome from black intellectuals and artists.
Author: Susan Gillman Publisher: University of Chicago Press ISBN: 9780226293899 Category : Literary Criticism Languages : en Pages : 280
Book Description
"In this study, Susan Gillman explores America during the years from the end of Reconstruction to the First World War, and the rise during this period of a remarkable genre - the race melodrama - and the ways in which it converged with literary trends, popular history, and fringe movements." --Publisher.
Author: Karen Snell Publisher: ISBN: 9780739197523 Category : African American composers Languages : en Pages : 0
Book Description
Hip-hop's historical nature as a mouthpiece for marginalized peoples provides a platform for its universal-appeal and contemporary relevancy. Moreover, hip-hop culture's affirmation of a pedagogy of liberation has great potential not only to address many current issues in educational contexts, but also to create more egalitarian ambitions in western public schools.
Author: Guthrie P. Ramsey Publisher: Univ of California Press ISBN: 0520243331 Category : Art Languages : en Pages : 296
Book Description
Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
Author: Houston A. Baker, Jr.
Author: Houston A. Baker, Jr.
Author: Houston A. Baker
Author: Houston A. Baker
Author: Houston A. Baker (Jr.)
Author: Houston A. Baker
Author: Monica R. Miller
Author: Houston A. Baker
Author: Susan Gillman
Author: Karen Snell
Author: Guthrie P. Ramsey