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Author: Miguel R. López Publisher: Texas A&M University Press ISBN: 9780890969625 Category : Literary Criticism Languages : en Pages : 228
Book Description
The premature death of Ricardo Sánchez in 1995 marked the passing of an almost legendary figure in Chicano literature and in the Chicano political movement. A troubadour of Chicano Movement poetry, he established an anti-aesthetic that became the norm. Sánchez's autobiographical poetry forges a link between genres of the past and present and establishes him as the first great tragic figure of contemporary Chicano literature.In a body of work that spanned spatial, temporal, and cultural boundaries, Sánchez dealt with issues of power and of linguistic and cultural barriers between Anglo, Native American, and Mexican American peoples in the United States.While he lived, critics showed reluctance to engage Sánchez's work fully, perhaps in part because of his reputation as a confrontational, even outrageous individual. Focusing on Canto y grito mi liberación and Hechizospells, Miguel R. López examines Sánchez's work and places him in the context of the past, present, and future of Chicano literature. López explains clearly the relation of time and space in Sánchez's prolific work and shows him as a writer committed to his craft as well as to his political stance.In the end, the portrait that emerges is of a poet whose work was linguistically and thematically complex and one who was more passionate, controversial, and forthright in his expression than any other contemporary Chicano writer.
Author: Miguel R. López Publisher: Texas A&M University Press ISBN: 9780890969625 Category : Literary Criticism Languages : en Pages : 228
Book Description
The premature death of Ricardo Sánchez in 1995 marked the passing of an almost legendary figure in Chicano literature and in the Chicano political movement. A troubadour of Chicano Movement poetry, he established an anti-aesthetic that became the norm. Sánchez's autobiographical poetry forges a link between genres of the past and present and establishes him as the first great tragic figure of contemporary Chicano literature.In a body of work that spanned spatial, temporal, and cultural boundaries, Sánchez dealt with issues of power and of linguistic and cultural barriers between Anglo, Native American, and Mexican American peoples in the United States.While he lived, critics showed reluctance to engage Sánchez's work fully, perhaps in part because of his reputation as a confrontational, even outrageous individual. Focusing on Canto y grito mi liberación and Hechizospells, Miguel R. López examines Sánchez's work and places him in the context of the past, present, and future of Chicano literature. López explains clearly the relation of time and space in Sánchez's prolific work and shows him as a writer committed to his craft as well as to his political stance.In the end, the portrait that emerges is of a poet whose work was linguistically and thematically complex and one who was more passionate, controversial, and forthright in his expression than any other contemporary Chicano writer.
Author: Marissa K. López Publisher: NYU Press ISBN: 0814752632 Category : Social Science Languages : en Pages : 269
Book Description
Part of the American Literatures Initiative Series Chicano Nations argues that the transnationalism that is central to Chicano identity originated in the global, postcolonial moment at the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the laboring classes. The Spanish empire then began to implode, and colonists in the “new world” debated the national contours of the viceroyalties. This is where Marissa K. López locates the origins of Chicano literature, which is now and always has been “postnational,” encompassing the wealthy, the poor, the white, and the mestizo. Tracing its long history and the diversity of subject positions it encompasses, Chicano Nations explores the shifting literary forms authors have used to write the nation from the nineteenth to the twenty-first centuries. López argues that while national and global tensions lie at the historical heart of Chicana/o narratives of the nation, there should be alternative ways to imagine the significance of Chicano literature other than as a reflection of national identity. In a nuanced analysis, the book provides a way to think of early writers as a meaningful part of Chicano literary history, and, in looking at the nation, rather than the particularities of identity, as that which connects Chicano literature over time, it engages the emerging hemispheric scholarship on U.S. literature.
Author: F. Aldama Publisher: Springer ISBN: 0230391648 Category : Literary Criticism Languages : en Pages : 207
Book Description
Today's Latino poetry scene is incredibly vibrant. With original interviews, this is the first meditation on the thematic features of such poetry. Looking at how Julia Alvarez, Rhina Espaillat, Rafael Campo, and C. Dale Young use structures such as meter, rhyme, and line break, this study identifies a poetics of formalist Latino poetry.
Author: Marc Simon Rodriguez Publisher: Routledge ISBN: 1136175369 Category : Social Science Languages : en Pages : 227
Book Description
In the 1960s and 1970s, an energetic new social movement emerged among Mexican Americans. Fighting for civil rights and celebrating a distinct ethnic identity, the Chicano Movement had a lasting impact on the United States, from desegregation to bilingual education. Rethinking the Chicano Movement provides an astute and accessible introduction to this vital grassroots movement. Bringing together different fields of research, this comprehensive yet concise narrative considers the Chicano Movement as a national, not just regional, phenomenon, and places it alongside the other important social movements of the era. Rodriguez details the many different facets of the Chicano movement, including college campuses, third-party politics, media, and art, and traces the development and impact of one of the most important post-WWII social movements in the United States.
Author: Lene Johannessen Publisher: Rodopi ISBN: 9042023325 Category : History Languages : en Pages : 208
Book Description
Threshold Time provides an introductory survey of the cultural, social and political history of Mexican American and Chicano literature, as well as a new in-depth analyses of a selection of works that between them span a hundred years of this particular branch of American literature. The book begins its explorations of the ?passage of crisis? with Maria Amparo Ruiz de Burton's The Squatter and the Don, continues with Americo Paredes? George Washington Gomez, Tomas Rivera's ?And the Earth Did Not Devour Him, Richard Rodriguez's Hunger of Memory, and ends with Helena Maria Viramontes? Under the Feet of Jesus and Benjamin Alire Saenz? Carry Me Like Water. In order to do justice to the idiosyncrasies of the individual texts and the complexities they embrace, the analyses refer to a number of other texts belonging to the tradition, and draw on a wide range of theoretical approaches. The final chapter of Threshold Time brings the various readings together in a discussion circumscribed by the negotiations of a temporality that is strongly aligned with a sense of memory peculiar to the history of the Chicano presence in the United States of America.Table of ContentsAcknowledgements Introduction: The Open Totality of Thresholds I. A History of Borderland Routes II. Literary Blossoming III. Disillusion and Defiance in Maria Amparo Ruiz de Burton's The Squatter and the Don IV. The Appropriate(d) Hero: Americo Paredes? George Washington GomezV. Exercises in Liminality: Tomas Rivera's ?And the Earth Did Not Devour Him VI. The Dialogic Mind: The Education of Richard Rodriguez VII. Memories of Landscape1. The Meaning of Place in Helena Maria Viramontes? Under the Feet of Jesus 2: The Threshold ? Benjamin Alire Saenz? Carry Me Like Water VIII. The Aesthetics of Time in Chicano Literature Bibliography Index
Author: Juan Bruce-Novoa Publisher: University of Texas Press ISBN: 0292762364 Category : Literary Criticism Languages : en Pages : 244
Book Description
Alurista. Gary Soto. Bernice Zamora. José Montoya. These names, luminous to some, remain unknown to those who have not yet discovered the rich variety of late twentieth century Chicano poetry. With the flowering of the Chicano Movement in the mid-1960s came not only increased political awareness for many Mexican Americans but also a body of fine creative writing. Now the major voices of Chicano literature have begun to reach the wider audience they deserve. Bruce-Novoa's Chicano Poetry: A Response to Chaos—the first booklength critical study of Chicano poetry—examines the most significant works of a body of literature that has grown dramatically in size and importance in less than two decades. Here are insightful new readings of the major writings of Abelardo Delgado, Sergio Elizondo, Rodolfo Gonzales, Miguel Méndez, J. L. Navarro, Raúl Salinas, Ricardo Sánchez, and Tino Villanueva, as well as Alurista, Soto, Zamora, and Montoya. Close textual analyses of such important works as I Am Joaquín, Restless Serpents, and Floricanto en Aztlán enrich and deepen our understanding of their imagery, themes, structure, and meaning. Bruce-Novoa argues that Chicano poetry responds to the threat of loss, whether of hero, barrio, family, or tradition. Thus José Montoya elegizes a dead Pachuco in "El Louie," and Raúl Salinas laments the disappearance of a barrio in "A Trip through the Mind Jail." But this elegy at the heart of Chicano poetry is both lament and celebration, for it expresses the group's continuing vitality and strength. Common to twentieth-century poetry is the preoccupation with time, death, and alienation, and the work of Chicano poets—sometimes seen as outside the traditions of world literature—shares these concerns. Bruce-Novoa brilliantly defines both the unique and the universal in Chicano poetry.
Author: Matt S. Meier Publisher: Bloomsbury Publishing USA ISBN: 0313088608 Category : Social Science Languages : en Pages : 488
Book Description
Mexican Americans are rapidly becoming the largest minority in the United States, playing a vital role in the culture of the American Southwest and beyond. This A-to-Z guide offers comprehensive coverage of the Mexican American experience. Entries range from figures such as Corky Gonzales, Joan Baez, and Nancy Lopez to general entries on bilingual education, assimilation, border culture, and southwestern agriculture. Court cases, politics, and events such as the Delano Grape Strike all receive full coverage, while the definitions and significance of terms such as coyote and Tejano are provided in shorter entries. Taking a historical approach, this book's topics date back to the 1848 Treaty of Guadalupe Hidalgo, a radical turning point for Mexican Americans, as they lost their lands and found themselves thrust into an alien social and legal system. The entries trace Mexican Americans' experience as a small, conquered minority, their growing influence in the 20th century, and the essential roles their culture plays in the borderlands, or the American Southwest, in the 21st century.
Author: Francisco A. Lomelí Publisher: University of Arizona Press ISBN: 0816549761 Category : Literary Criticism Languages : en Pages : 473
Book Description
For the first time, this book presents the distinguished, prolific, and highly experimental writer Juan Felipe Herrera. This wide-ranging collection of essays by leading experts offers critical approaches on Herrera, who transcends ethnic and mainstream poetics. It expertly demonstrates Herrera’s versatility, resourcefulness, innovations, and infinite creativity. As a poet Herrera has had an enormous impact within and beyond Chicano poetics. He embodies much of the advancements and innovations found in American and Latin American poetry from the early l970s to the present. His writings have no limits or boundaries, indulging in the quotidian as well as the overarching topics of his era at different periods of his life. Both Herrera and his work are far from being unidimensional. His poetics are eclectic, incessantly diverse, transnational, unorthodox, and distinctive. Reading Herrera is an act of having to rearrange your perceptions about things, events, historical or intra-historical happenings, and people. The essays in this work delve deeply into Juan Felipe Herrera’s oeuvre and provide critical perspectives on his body of work. They include discussion of Chicanx indigeneity, social justice, environmental imaginaries, Herrera’s knack for challenging theory and poetics, transborder experiences, transgeneric constructions, and children’s and young adult literature. This book includes an extensive interview with the poet and a voluminous bibliography on everything by, about, and on the author. The chapters in this book offer a deep dive into the life and work of an internationally beloved poet who, along with serving as the poet laureate of California and the U.S. poet laureate, creates work that fosters a deep understanding of and appreciation for people’s humanity. Contributors Trevor Boffone Marina Bernardo-Flórez Manuel de Jesús Hernández-G. Whitney DeVos Michael Dowdy Osiris Aníbal Gómez Carmen González Ramos Cristina Herrera María Herrera-Sobek Francisco A. Lomelí Tom Lutz Manuel M. Martín-Rodríguez Marzia Milazzo Maria Antònia Oliver-Rotger Rafael Pérez-Torres Renato Rosaldo Donaldo W. Urioste Luis Alberto Urrea Santiago Vaquera-Vásquez
Author: Nicolás Kanellos Publisher: Bloomsbury Publishing USA ISBN: 0313087008 Category : Literary Criticism Languages : en Pages : 1444
Book Description
From East L.A. to the barrios of New York City and the Cuban neighborhoods of Miami, Latino literature, or literature written by Hispanic peoples of the United States, is the written word of North America's vibrant Latino communities. Emerging from the fusion of Spanish, North American, and African cultures, it has always been part of the American mosaic. Written for students and general readers, this encyclopedia surveys the vast landscape of Latino literature from the colonial era to the present. Aiming to be as broad and inclusive as possible, the encyclopedia covers all of native North American Latino literature as well as that created by authors originating in virtually every country of Spanish America and Spain. Included are more than 700 alphabetically arranged entries written by roughly 60 expert contributors. While most of the entries are on writers, such as Julia Alvarez, Sandra Cisneros, Lorna Dee Cervantes, Oscar Hijuelos, and Piri Thomas, others cover genres, ethnic and national literatures, movements, historical topics and events, themes, concepts, associations and organizations, and publishers and magazines. Special attention is given to the cultural, political, social, and historical contexts in which Latino literature has developed. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. The encyclopedia gives special attention to the social, cultural, historical, and political contexts of Latino literature, thus making it an ideal tool to help students use literature to learn about history and cultural diversity.
Author: Miguel R. López
Author: Miguel R. López
Author: Marissa K. López
Author: F. Aldama
Author: Marc Simon Rodriguez
Author: Jamie Martinez Wood
Author: Lene Johannessen
Author: Juan Bruce-Novoa
Author: Matt S. Meier
Author: Francisco A. Lomelí![The Greenwood Encyclopedia of Latino Literature [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/huPNEAAAQBAJ?fife=w80-h100)
Author: Nicolás Kanellos