Irish Cinemas PDF Download

Author: Jim Keenan
Publisher:
ISBN: 9780955068393
Category : Motion picture theaters
Languages : en
Pages : 144

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Book Description

Author: Isabelle le Corff
Publisher: Cambridge Scholars Publishing
ISBN: 144380424X
Category : Performing Arts
Languages : en
Pages : 251

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Book Description
Cinemas of Ireland is a collection of fourteen essays which provide numerous approaches to the new Irish cinemascape from both an Irish and a European perspective. Highlighting the works of European scholars in Irish studies, it features a variety of noteworthy critical papers that explore the evolution of contemporary Irish cinema in an era of globalisation. The collection also stresses the rich interdisciplinary nature of Irish film studies, ranging from theoretical studies, gender studies, to political and historical studies. The list of films analysed includes among others Adam and Paul (2004), The Wind that Shakes the Barley (2006), Garage (2007), The Brave One (2007). This collective volume is aimed at all established and emerging scholars who work on Irish cinema and at all the readers who are interested in discovering contemporary Irish cinema in its evolution and in the issues it tackles.

Author: Kevin Rockett
Publisher: Routledge
ISBN: 1317928571
Category : Performing Arts
Languages : en
Pages : 303

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Book Description
This was the first comprehensive study of film production in Ireland from the silent period to the present day, and of representations of Ireland and ‘Irishness’ in native, British, and American films. It remains an authority on the topic. The book focuses on Irish history and politics to examine the context and significance of such films as Irish Destiny, The Quiet Man, Ryan’s Daughter, Man of Aran, Cal, The Courier, and The Dead.

Author: Martin McLoone
Publisher: Bloomsbury Publishing
ISBN: 1838716432
Category : Juvenile Nonfiction
Languages : en
Pages : 264

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Book Description
This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.

Author: Barry Monahan
Publisher: Springer
ISBN: 1137496363
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
The volume offers a broad range of academic approaches to contemporary and historical Irish filmmaking and representations of nationality, national identity, and theoretical questions around the construction of Ireland and Irishness on the screen.

Author: Brian McFarlane
Publisher: Wallflower Press
ISBN: 9781904764380
Category : Art
Languages : en
Pages : 310

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Book Description
A fresh, concise but wide-ranging introduction to and overview of British and Irish cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films under discussion include 'Pink String and Sealing Wax', 'Room at the Top', 'The Italian Job', 'Orlando', and 'Sweet Sixteen'.

Author: Brian McIlroy
Publisher: Routledge
ISBN: 1135985065
Category : History
Languages : en
Pages : 301

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Book Description
This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema.

Author: Roderick Flynn
Publisher: Scarecrow Press
ISBN: 0810864355
Category : History
Languages : en
Pages : 435

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Book Description
In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.

Author: Michael Patrick Gillespie
Publisher: Syracuse University Press
ISBN: 9780815631934
Category : Performing Arts
Languages : en
Pages : 304

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Book Description
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.

Author: D. Ging
Publisher: Springer
ISBN: 1137291931
Category : Performing Arts
Languages : en
Pages : 239

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Book Description
Spanning a broad trajectory, from the New Gaelic Man of post-independence Ireland to the slick urban gangsters of contemporary productions, this study traces a significant shift from idealistic images of Irish manhood to a much more diverse and gender-politically ambiguous range of male identities on the Irish screen.