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Author: Margaret Davidson Publisher: Watson-Guptill ISBN: 082302718X Category : Art Languages : en Pages : 192
Book Description
Drawing is experiencing an unparalleled surge in the art world. Passé notions that once defined drawing as being a preparatory stage for painting or sculpture have long since been cast aside. Drawing is now fully recognized as its own art form—in the biennials, art fairs, museum exhibitions, and beyond. Drawing has come of age. Contemporary artists are increasingly discovering that drawing is something unique and different from painting. It is an intense, sensitive, compelling, personal, and utterly direct art form, one with its own concepts, characteristics, and techniques. In addition, contemporary drawing is not governed by any particular imagery, but rather encompasses a variety of approaches, including realist, abstract, modernist, and post-modernist. Contemporary Drawing delves into the essential and far-reaching concepts of this medium, exploring surface, mark, space, composition, scale, materials, and intentionality in turn. Key techniques, such as using nature to induce marks and working with a checklist to determine a drawing’s problems, are introduced throughout. Plus, an in-depth chapter examines a number of artists, such as William Kentridge and Gego, who are breaking traditional boundaries that separate one artistic discipline from another. Lushly illustrated by a wide range of highly accomplished contemporary artists, Contemporary Drawing offers a broad perspective on this expansive and energized field of art.
Author: Margaret Davidson Publisher: Watson-Guptill ISBN: 082302718X Category : Art Languages : en Pages : 192
Book Description
Drawing is experiencing an unparalleled surge in the art world. Passé notions that once defined drawing as being a preparatory stage for painting or sculpture have long since been cast aside. Drawing is now fully recognized as its own art form—in the biennials, art fairs, museum exhibitions, and beyond. Drawing has come of age. Contemporary artists are increasingly discovering that drawing is something unique and different from painting. It is an intense, sensitive, compelling, personal, and utterly direct art form, one with its own concepts, characteristics, and techniques. In addition, contemporary drawing is not governed by any particular imagery, but rather encompasses a variety of approaches, including realist, abstract, modernist, and post-modernist. Contemporary Drawing delves into the essential and far-reaching concepts of this medium, exploring surface, mark, space, composition, scale, materials, and intentionality in turn. Key techniques, such as using nature to induce marks and working with a checklist to determine a drawing’s problems, are introduced throughout. Plus, an in-depth chapter examines a number of artists, such as William Kentridge and Gego, who are breaking traditional boundaries that separate one artistic discipline from another. Lushly illustrated by a wide range of highly accomplished contemporary artists, Contemporary Drawing offers a broad perspective on this expansive and energized field of art.
Author: Bob Sheil Publisher: UCL Press ISBN: 1911307266 Category : Architecture Languages : en Pages : 147
Book Description
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas.
Author: Kelly Chorpening Publisher: John Wiley & Sons ISBN: 1119194571 Category : Art Languages : en Pages : 576
Book Description
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
Author: Anthony Ryder Publisher: Watson-Guptill ISBN: 0770434746 Category : Art Languages : en Pages : 162
Book Description
Many of us want to learn “how to draw.” But as artist Anthony Ryder explains, it’s much more important to learn what to draw. In other words, to observe and draw what we actually see, rather than what we think we see. When it comes to drawing the human figure, this means letting go of learned ideas and expectation of what the figure should look like. It means carefully observing the interplay of form and light, shape and line, that combine to create the actual appearance of human form. In The Artist’s Complete Guide to Figure Drawing, amateur and experienced artists alike are guided toward this new way of seeing and drawing the figure with a three-step drawing method. The book’s progressive course starts with the block-in, an exercise in seeing and establishing the figure’s shape. It then build to the contour, a refined line drawing that represents the figure’s silhouette. The last step is tonal work on the inside of the contour, when light and shadow are shaped to create the illusion of form. Separate chapters explore topics critical to the method: gesture, which expresses a sense of living energy to the figure; light, which largely determines how we see the model; and form, which conveys the figure’s volume and mass. Examples, step-by-steps, and special “tips” offer helpful hints and practical guidance throughout. Lavishly illustrated with the author’s stunning artwork, The Artist’s Complete Guide to Figure Drawing combines solid instruction with thoughtful meditations on the art of drawing, to both instruct and inspire artists of all levels.
Author: Helen Birch Publisher: Chronicle Books ISBN: 1452166870 Category : Art Languages : en Pages : 210
Book Description
The author of Just Draw Botanicals “helps readers tap into rich traditions of life drawing, demonstrating how to use everyday people as muses” (Library Journal). Drawn from Life offers bite-size lessons that will help anyone master the classic practice of life drawing. Over 100 pieces of art by contemporary artists illustrate fundamentals such as line, contour, and color, plus surprising and innovative techniques that will take your drawings to the next level. Showcasing a wide range of styles and methods, this is a refreshing new guide to a timeless art form. “This beautiful little book details various drawing styles from a variety of artists. You’ll be inspired to draw as soon as you pick it up!” —Mindful Art Studio “An insightful book . . . The ideas and tips are great for practice and further exploration.” —Parka Blogs
Author: Ian Berry Publisher: Prestel Publishing ISBN: 9783791350547 Category : Drawing Languages : en Pages : 0
Book Description
'Twice Drawn' brings together an eclectic range of drawings from the last half-century to explore the influence and vigor of this persuasive yet commonly overlooked practice.
Author: Katharine Stout Publisher: Tate ISBN: 9781854379702 Category : Art Languages : en Pages : 0
Book Description
This study into contemporary drawing structures itself around three broad subjects: abstraction and drawing; drawing as narrative; and drawing as engagement. It explores how practitioners have addressed and redefined notions of medium specificity in relation to drawing, and how it has been particularly significant for artists pursuing an interdisciplinary practice.
Author: Isabel Seligman Publisher: National Geographic Books ISBN: 0500480540 Category : Art Languages : en Pages : 0
Book Description
This remarkable exploration of drawing as a medium in resurgence unites a global range of contemporary artists. Subverting its former role as a primarily preparatory medium, drawing is enjoying a resurgence among contemporary artists and students. Pushing paper examines why drawing has not only endured, but continues to thrive as an artistic expression. 56 works, produced between the 1970s and the present day, are used to explore the vital and fundamental nature of drawing. Themes such as place and space, and power and protest, offer new lenses through which to view these major artists. Supported by the Bridget Riley Art Foundation, this book explores the work of the world’s most important contemporary artists, including Louise Bourgeois, Judy Chicago, Richard Deacon, Tracey Emin, David Hockney, Anish Kapoor, Anselm Kiefer, Cornelia Parker, Sol LeWitt, Grayson Perry, Bridget Riley, Imran Qureshi, and Rachel Whiteread, as well as exciting works by new and emerging artists, such as Hamid Sulaiman and Rachel Duckhouse. Sure to appeal to admirers of drawing, and to artists and students alike, Pushing paper provides an arresting analysis of the status of drawing in the world of contemporary art.
Author: Juliette Aristides Publisher: Watson-Guptill ISBN: 0823008371 Category : Art Languages : en Pages : 447
Book Description
Ateliers have produced the greatest artists of all time—and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book—and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today’ s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.
Author: Margaret Davidson
Author: Margaret Davidson
Author: Bob Sheil
Author: Kelly Chorpening
Author: Kate Macfarlane
Author: Anthony Ryder
Author: Helen Birch
Author: Ian Berry
Author: Katharine Stout
Author: Isabel Seligman
Author: Juliette Aristides