Critical and Historical Essays Contributed to the Edinburgh Review PDF Download

Author: Thomas Babington Macaulay Baron Macaulay
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 606

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Author: Edward MacDowell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 298

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Author: Maurice A. Finocchiaro
Publisher: Cambridge University Press
ISBN: 9780521853279
Category : Philosophy
Languages : en
Pages : 488

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This book brings together essays by one of the pre-eminent scholars of informal logic.

Author: Thomas Popkewitz
Publisher: Routledge
ISBN: 1136792473
Category : Education
Languages : en
Pages : 376

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Book Description
Cultural History and Education brings together an outstanding group of the leading scholars in the study of the cultural history of education. These scholars, whose work represents a variety of national contexts from throughout Europe, Latin America, and North America, contribute to a growing body of work that seeks to re-think historical studies in education.

Author: Gary Tomlinson
Publisher: Routledge
ISBN: 1351557769
Category : Music
Languages : en
Pages : 417

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Book Description
Music and Historical Critique provides a definitive collection of Gary Tomlinson's influential studies on critical musicology, with the watchword throughout being history. This collection gathers his most innovative essays and lectures, some of them published here for the first time, along with an introduction outlining the context of the contributions and commenting on their aims and significance. Music and Historical Critique provides a retrospective view of the author's achievements in bringing to the heart of musicological discourse both deep-seated experiences of the past and meditations on the historian's ways of understanding them.

Author: James Wolcott
Publisher: Anchor
ISBN: 0767930630
Category : Literary Criticism
Languages : en
Pages : 530

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James Wolcott’s career as a critic has been unmatched, from his early Seventies dispatches for The Village Voice to the literary coverage made him equally feared and famous to his must-read reports on the cultural weather for Vanity Fair. Bringing together his best work from across the decades, this collection shows Wolcott as connoisseur, intrepid reporter, memoirist, and necessary naysayer. We begin with “O.K. Corral Revisited,” Wolcott’s career-launching account of the famed Norman Mailer–Gore Vidal dust-off on the original Dick Cavett Show. He goes on to consider (or reconsider) the towering figures of our culture, among them Lena Dunham Patti Smith, Johnny Carson, Woody Allen, and John Cheever. And we witness his legendary takedowns, which have entered into the literary lore of our time. In an age where a great deal of back scratching and softball pitching pass for criticism, Critical Mass offers a bracing taste of the real thing.

Author: Arthur E. Cunningham
Publisher: W. W. Norton & Company
ISBN: 9780393036268
Category :
Languages : en
Pages : 194

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"Originally published in Great Britain under the title Patrick O'Brian: Critical appreciations and a bibliography"--T.p. verso.

Author: Clarence Earl Walker
Publisher: Univ. of Tennessee Press
ISBN: 9780870497223
Category : History
Languages : en
Pages : 198

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Book Description
Walker (history, U. of California, Davis) challenges the revisionist views of black people put forth in the 1960's and 1970's, claiming that they were revolutionary and necessary at the time, but have now petrified into dogma that impedes further study. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Maarten Delbeke
Publisher: Penn State Press
ISBN: 0271029013
Category : Biography & Autobiography
Languages : en
Pages : 440

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Unique among early modern artists, the Baroque painter, sculptor, and architect Gianlorenzo Bernini was the subject of two monographic biographies published shortly after his death in 1680: one by the Florentine connoisseur and writer Filippo Baldinucci (1682), and the second by Bernini's son, Domenico (1713). This interdisciplinary collection of essays by historians of art and literature marks the first sustained examination of the two biographies, first and foremost as texts. A substantial introductory essay considers each biography's author, genesis, and foundational role in the study of Bernini. Nine essays combining art-historical research with insights from philology, literary history, and art and literary theory offer major new insights into the multifarious connections between biography, art history, and aesthetics, inviting readers to rethink Bernini's life, art, and milieu. Contributors are Eraldo Bellini, Heiko Damm, John D. Lyons, Sarah McPhee, Tomaso Montanari, Rudolf Preimesberger, Robert Williams, and the editors.Maarten Delbeke is Assistant Professor of architectural history and theory at the universities of Ghent and Leiden. Formerly the Scott Opler Fellow in Architectural History at Worcester College (Oxford), he is the author of several articles and a forthcoming book on Seicento art and theory.Evonne Levy is Associate Professor of the History of Art at the University of Toronto. She is also the author of Propaganda and the Jesuit Baroque (2004).

Author: John Cameron
Publisher: Cambridge Scholars Publishing
ISBN: 1443838276
Category : Literary Criticism
Languages : en
Pages : 170

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The historical novel has had a very interesting history itself. During the 19th century the historical novels of Scott, Hugo, Thackeray, Dickens, Tolstoy and a host of other writers enjoyed both popular success and critical admiration. Success has never really died out, but admiration has been another matter. During the 20th century, historical fiction began to be disparaged by critics who looked down on the genre and its elements of romance, adventure and swashbuckling. This disparagement reached such a pitch that Robert Graves, author of I, Claudius and Claudius the God, felt compelled to say that he wrote these novels only because of pressing financial needs. As the century wore on, the genre began to move in a variety of interesting ways and reached even larger audiences. Some critics have continued to look down on the genre, but a growing number of historical novels have begun to receive wide critical praise. The Roman historian Ronald Syme once wrote that narrative is the essence of history. What is the essence of historical fiction? Why does it continue to be such a popular and resilient genre? What is the history of historical fiction? What is its future?