Culture Wars and Horror Movies PDF Download

Author: Noelia Gregorio-Fernández
Publisher: Springer Nature
ISBN: 3031538366
Category :
Languages : en
Pages : 232

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Author: Noelia Gregorio-Fernández
Publisher: Palgrave Macmillan
ISBN: 9783031538353
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
In this volume, contributors explore the deep ideological polarization in US society as portrayed in horror narratives and tropes. By navigating this polarized society in their representation of social values, twenty[1]first-century horror films critically frame and engage conflicting and divisive ideological issues. Culture Wars and Horror Movies: Social Fears and Ideology in Post-2010 Horror Cinema analyses the ways in which these “culture wars” make their way into and through contemporary horror films, focusing on the post-2010 US context and its fundamental political divisions.

Author: Noelia Gregorio-Fernández
Publisher: Springer Nature
ISBN: 3031532783
Category :
Languages : en
Pages : 229

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Author: Noelia Gregorio-Fernández
Publisher: Palgrave Macmillan
ISBN: 9783031532771
Category : Performing Arts
Languages : en
Pages : 0

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Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues. Culture Wars and Horror Movies: Gender Debates in post-2010 US Horror Cinema analyses the ways in which these “culture wars” make their way into gender, focusing on the post-2010 US context and its fundamental political divisions. Approaching these topics from feminist and postfeminist theories to ecocritical views, this volume explores how contemporary horror movies engage with the current context of “culture wars.”

Author: William D. Romanowski
Publisher: Wipf and Stock Publishers
ISBN: 1597525774
Category : Religion
Languages : en
Pages : 382

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Book Description
Entertainment has long been a source of controversy in American life. On the one hand, American popular culture is enormously desired, captivating audiences around the world. On the other hand, more and more critics blame it for the breakdown of morals and even civilizations itself. Surely Christians and other religious citizens have something to contribute to what is, after all, a discussion of morality. But too often their contributions have been ill-informed, unreflective and reactionary. In this groudbreaking book, William Romanowski brings something desperately needed to the discussion: an informed, systematic and challenging Christian perspective. Comprehensive and historically revealing, Pop Culture Wars bids to accomplish nothing less than to reframe and render more constructive a crucial but angry cultural debate.

Author: Sarah Rehberg
Publisher: GRIN Verlag
ISBN: 3638626857
Category : Literary Collections
Languages : en
Pages : 18

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Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 2,0, Ernst Moritz Arndt University of Greifswald (Institut für Angelistik und Amerikanistik), course: American Beliefs and Popular Culture, language: English, abstract: “Fear is the most powerful emotion in the human race and fear of the unknown is probably the most ancient. You are dealing with stuff everybody has felt...If you are making a horror film, you get to play with the audiences feelings.” John Carpenter Horror movies originate from fictional work that portrays the dark side of life with the primary aim of frightening and terrifying its audience. By presenting horrifying images, of several incorporating sub-genres and repeated themes, such as vampires and werewolves, demonic possessions, evil children, cannibals and zombies, alien invasion and mindcontrol, film makers like John Carpenter create a world where the worst nightmares become true. According to the adolescents who are providing the genre’s target group, monster movies always deal with the irresistible temptation of the unknown and forbidden, and therefore shock with a horrific impact of terrifying elements. (...) Since horror and monster movies stand for an important part of the American film industry and with it of its popular culture throughout the last eight decades, it is useful to look at the development of the horror genre in its historical and cultural context, and thus to focus again on the question of interpretive perspective. As horror movies, despite all obscurity, still deal with real fears of a society or the urge to break with social conventions, concentrating on the change of themes, styles and characters of the genre, means to learn more about the American collective consciousness and what was bothering a whole society during the 20th century.

Author: Roger Chapman
Publisher: M.E. Sharpe
ISBN: 0765622505
Category : Business & Economics
Languages : en
Pages : 768

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Book Description
A collection of letters from a cross-section of Japanese citizens to a leading Japanese newspaper, relating their experiences and thoughts of the Pacific War.

Author: Alexandra Heller-Nicholas
Publisher: McFarland
ISBN: 0786470771
Category : Performing Arts
Languages : en
Pages : 245

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As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.

Author: Ernest Mathijs
Publisher: John Wiley & Sons
ISBN: 1444396439
Category : Performing Arts
Languages : en
Pages : 326

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Book Description
Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic

Author: Caetlin Benson-Allott
Publisher: Univ of California Press
ISBN: 0520275101
Category : Performing Arts
Languages : en
Pages : 312

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Book Description
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.