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Author: Albert Russell Ascoli Publisher: Cambridge University Press ISBN: 1139470701 Category : Literary Criticism Languages : en Pages : 400
Book Description
Leading scholar Albert Russell Ascoli traces the metamorphosis of Dante Alighieri – minor Florentine aristocrat, political activist and exile, amateur philosopher and theologian, and daring experimental poet – into Dante, author of the Divine Comedy and perhaps the most self-consciously 'authoritative' cultural figure in the Western canon. The text offers a comprehensive introduction to Dante's evolving, transformative relationship to medieval ideas of authorship and authority from the early Vita Nuova through the unfinished treatises, The Banquet and On Vernacular Eloquence, to the works of his maturity, Monarchy and the Divine Comedy. Ascoli reveals how Dante anticipates modern notions of personalized, creative authorship and the phenomenon of 'Renaissance self-fashioning'. Unusually, the book examines Dante's career as a whole offering an important point of access not only to the Dantean oeuvre, but also to the history and theory of authorship in the larger Italian and European tradition.
Author: Albert Russell Ascoli Publisher: Cambridge University Press ISBN: 1139470701 Category : Literary Criticism Languages : en Pages : 400
Book Description
Leading scholar Albert Russell Ascoli traces the metamorphosis of Dante Alighieri – minor Florentine aristocrat, political activist and exile, amateur philosopher and theologian, and daring experimental poet – into Dante, author of the Divine Comedy and perhaps the most self-consciously 'authoritative' cultural figure in the Western canon. The text offers a comprehensive introduction to Dante's evolving, transformative relationship to medieval ideas of authorship and authority from the early Vita Nuova through the unfinished treatises, The Banquet and On Vernacular Eloquence, to the works of his maturity, Monarchy and the Divine Comedy. Ascoli reveals how Dante anticipates modern notions of personalized, creative authorship and the phenomenon of 'Renaissance self-fashioning'. Unusually, the book examines Dante's career as a whole offering an important point of access not only to the Dantean oeuvre, but also to the history and theory of authorship in the larger Italian and European tradition.
Author: Alison Cornish Publisher: Cambridge University Press ISBN: 1139495380 Category : Literary Criticism Languages : en Pages : 287
Book Description
Translation and commentary are often associated with institutions and patronage; but in Italy around the time of Dante, widespread vernacular translation was mostly on the spontaneous initiative of individuals. While Dante is usually the starting point for histories of vernacular translation in Europe, this book demonstrates that The Divine Comedy places itself in opposition to a vast vernacular literature already in circulation among its readers. Alison Cornish explores the anxiety of vernacularization as expressed by translators and contemporary authors, the prevalence of translation in religious experience, the role of scribal mediation, the influence of the Italian reception of French literature on that literature, and how translating into the vernacular became a project of nation-building only after its virtual demise during the Humanist period. Vernacular translation was a phenomenon with which all authors in thirteenth- and fourteenth-century Europe - from Brunetto Latini to Giovanni Boccaccio - had to contend.
Author: Robert Hollander Publisher: Yale University Press ISBN: 0300084943 Category : Literary Criticism Languages : en Pages : 238
Book Description
The Divine Comedy, completed around 1320, is a supreme work of the imagination None of Dante's other works, nor even all of his other works taken together, can rival the Comedy. How did the Florentine exile come to create this masterpiece? What steps in his development can explain the making of this extraordinary poem? In this book, a preeminent Dante scholar turns to the poet's body of works - the only real biography of Dante that we have - to illuminate these questions. Through an exposition of Dante's other writings, Robert Hollander provides a concise intellectual biography of the writer whom many consider the greatest narrative poet of the modern era. Hollander writes for those who have already encountered the Comedy, suggesting to these readers how Dante's other works relate to the great poem and inviting them to reread the Comedy with new interest and understanding.
Author: Guy P. Raffa Publisher: Harvard University Press ISBN: 0674980832 Category : Biography & Autobiography Languages : en Pages : 385
Book Description
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.
Author: Albert Russell Ascoli Publisher: Center for Medieval and Renaissance Studies ISBN: 1438438079 Category : Literary Criticism Languages : en Pages : 51
Book Description
Examines the interplay between reading and writing in the works of Petrarch and Dante. Building upon his 2008 book Dante and the Making of a Modern Author, Albert Russell Ascoli here reflects on the extent to which Petrarchs addresses to and figurations of his relationship to his readers intersect with the oft-asserted modernity of his authorial stances. In particular, Ascoli argues that following in the wake of Dantes double staging of himself as reader of his own works (especially in the Vita Nuova), Petrarch shows a keen and probing awareness of how the process of poetic signification involves a continual interchange between author and reader, as well as a strong desire to control the nature of that interchange as much as he can. Ascoli asserts that between Dante and Petrarch two primaryand contradictoryfeatures of literary modernity can be identified: the affirmation of the preeminence of authorial intention and the foregrounding of readerly freedom of interpretation. The Aldo S. Bernardo Lecture Series in the Humanities honors Professor Emeritus Aldo S. Bernardo, his scholarship in medieval Italian literature, and his service to Binghamton University as Professor of Romance Languages and University Distinguished Service Professor. The Bernardo Lecture Series is endowed by the Bernardo Fund and administered by Binghamton Universitys Center for Medieval and Renaissance Studies (CEMERS), which Professor Bernardo cofounded and codirected with Professor Bernard Huppé from 1966 to 1973. The series offers annual lectures by distinguished scholars on topics related to Professor Bernardos primary fields of interestmedieval and Renaissance Italian literature, with a particular focus on Dante Studies, and intellectual history.
Author: Deborah Parker Publisher: St. Martin's Press ISBN: 1137390557 Category : Literary Criticism Languages : en Pages : 256
Book Description
Using Dan Brown's book as a jumping off point, Inferno Revealed will provide readers of Brown's Inferno with an engaging introduction to Dante and his world. Much like the books on Leonardo that followed the release of the Da Vinci Code, this book will provide readers with more information about the ever-intriguing Dante. Specifically, Inferno Revealed explores how Dante made himself the protagonist of The Divine Comedy, something no other epic poet has done, a move for which the ramifications have not yet been fully explored. The mysteries and puzzles that arise from Dante's choice to personalize the epic, along with his affinity for his local surroundings and how that affects his depiction of the places, Church, and politics in the poem are considered--along with what this reveals about Brown's own usage of the work. The authors will focus on and analyze how Dan Brown has repurposed Inferno in his newest book--noting what he gets right and what errors are made when he does not. Of course, Dan Brown is not the first author to base his work on Dante. The Comedy has elicited many adaptations from major canonical writers such as Milton and Keats to popular adaptations like David Fincher's Se7en and Tim Burton's Beetlejuice-- all of which will be discussed in detail within Inferno Revealed.
Author: James Robinson Publisher: Cambridge University Press ISBN: 1316739139 Category : Literary Criticism Languages : en Pages : 247
Book Description
Joyce's engagement with Dante is a crucial component of all of his work. This title reconsiders the responses to Dante in Joyce's work from A Portrait of the Artist as a Young Man to Finnegans Wake. It presents that encounter as an historically complex and contextually determined interaction reflecting the contested development of Dante's reputation, readership and textuality throughout the nineteenth century. This process produced a 'Dante with a difference', a uniquely creative and unorthodox construction of the poet which informed Joyce's lifelong engagement with such works as the Vita Nuova and the Commedia. Tracing the movement through Joyce's writing on exile as a mode of alienation and charting his growing interest in ideas of community, Joyce's Dante shows how awareness of his changing reading of Dante can alter our understanding of one of the Irish writer's lasting thematic preoccupations.
Author: Fabio Camilletti Publisher: University of Notre Dame Pess ISBN: 026810400X Category : Literary Criticism Languages : en Pages : 296
Book Description
The Portrait of Beatrice examines both Dante's and D. G. Rossetti's intellectual experiences in the light of a common concern about visuality. Both render, in different times and contexts, something that resists clear representation, be it the divine beauty of the angel-women or the depiction of the painter's own interiority in a secularized age. By analyzing Dante's Vita Nova alongside Rossetti's Hand and Soul and St. Agnes of Intercession, which inaugurates the Victorian genre of 'imaginary portrait' tales, this book examines how Dante and Rossetti explore the tension between word and image by creating 'imaginary portraits.' The imaginary portrait—Dante's sketched angel appearing in the Vita Nova or the paintings evoked in Rossetti's narratives—is not (only) a non-existent artwork: it is an artwork whose existence lies elsewhere, in the words alluding to its inexpressible quality. At the same time, thinking of Beatrice as an 'imaginary Lady' enables us to move beyond the debate about her actual existence. Rather, it allows us to focus on her reality as a miracle made into flesh, which language seeks incessantly to grasp. Thus, the intergenerational dialogue between Dante and Rossetti—and between thirteenth and nineteenth centuries, literature and painting, Italy and England—takes place between different media, oscillating between representation and denial, mimesis and difference, concealment and performance. From medieval Florence to Victorian London, Beatrice's 'imaginary portrait' touches upon the intertwinement of desire, poetry, and art-making in Western culture.
Author: Teodolinda Barolini Publisher: Fordham Univ Press ISBN: 0823227057 Category : Literary Criticism Languages : en Pages : 496
Book Description
In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its “three crowns”: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante’s Vita nuova, Petrarch’s lyric sequence, and Boccaccio’s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante’s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women’s use and instruction, as explored by Guittone, Dante, and Boccaccio—but not by Petrarch—were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in “Dante and the Lyric Past” to Petrarch’s regressive stance on gender in “Notes toward a Gendered History of Italian Literature”—and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d’Arezzo—these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike.
Author: Albert Russell Ascoli
Author: Albert Russell Ascoli
Author: Alison Cornish
Author: Robert Hollander
Author: Guy P. Raffa
Author: William Anderson
Author: Albert Russell Ascoli
Author: Deborah Parker
Author: James Robinson
Author: Fabio Camilletti
Author: Teodolinda Barolini