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Author: Albrecht Riethmüller Publisher: Franz Steiner Verlag ISBN: 9783515089746 Category : History Languages : de Pages : 286
Book Description
Im Fokus des Bandes steht die Musikkultur in West- und Ostdeutschland wahrend der Nachkriegszeit - nach dem Ende der nationalsozialistischen Herrschaft, im Zeichen von Entnazifizierung und neuen Ansatzen. Zwischen Kontinuitat und Diskontinuitat von Gedanken und Karrieren beleuchtet der Band die Situation der Musik an der Schnittstelle von Zeit- und Musikgeschichte. Das Dilemma, in das die deutsche Musik durch den Glauben an die eigene Uberlegenheit geraten war, spiegelt der Titel mit dem Aufgriff der Formel von der "Deutschen Leitkultur". Inhalt: Vorwort I. Ausklang des Nationalsozialismus: Anselm Gerhard: Die "Vorherrschaft der deutschen Musik" nach 1945 - eine Ironie der Geschichte Horst Weber: Exil und "Leitkultur". Eine historische Skizze Michael Walter / Albrecht Riethmuller: Richard Strauss - Vier letzte Jahre. Ein Gesprach II. Entnazifizierung: David Monod: Americanizing the Patron State? Government and Music under American Occupation, 1945-1953 Michael Custodis: Entnazifizierung an der Kolner Musikhochschule am Beispiel von Walter Trienes und Hermann Unger Thomas Eickhoff: "Mit Sozialismus und Sachertorte ..." Entnazifizierung und musikpolitische Verhaltensmuster nach 1945 in Osterreich Boris von Haken: "The Case of Mr. Rosbaud" - Der Fortgang einer Karriere Joan Evans: Hans Rosbaud and New Music: From 1933 to the Early Postwar Period Friedrich Geiger: Walter Abendroth im Musikleben der Bundesrepublik Michael Custodis: "unter Auswertung meiner Erfahrungen aktiv mitgestaltend": Zum Wirken von Wolfgang Steinecke bis 1950 Frank Schneider: Aufbruch mit Widerspruchen - Neue Musik im Zeichen der Nachkriegspolitik Adelheid von Saldern: "Ein Land der Lebensfreude"? Unterhaltungsmusik im DDR-Radio der 50er Jahre Guido Heldt: "Hallo Fraulein!" - Amerikanische Popularmusik im westdeutschen Nachkriegsfilm Peter Fritzsche: Rock'n'Roll as History Glenn Stanley: Musikgeschichtsschreibung im geteilten Deutschland: Auseinandersetzung mit der jungsten Vergangenheit? Neue Impulse? Flucht ins Unverfangliche?
Author: Albrecht Riethmüller Publisher: Franz Steiner Verlag ISBN: 9783515089746 Category : History Languages : de Pages : 286
Book Description
Im Fokus des Bandes steht die Musikkultur in West- und Ostdeutschland wahrend der Nachkriegszeit - nach dem Ende der nationalsozialistischen Herrschaft, im Zeichen von Entnazifizierung und neuen Ansatzen. Zwischen Kontinuitat und Diskontinuitat von Gedanken und Karrieren beleuchtet der Band die Situation der Musik an der Schnittstelle von Zeit- und Musikgeschichte. Das Dilemma, in das die deutsche Musik durch den Glauben an die eigene Uberlegenheit geraten war, spiegelt der Titel mit dem Aufgriff der Formel von der "Deutschen Leitkultur". Inhalt: Vorwort I. Ausklang des Nationalsozialismus: Anselm Gerhard: Die "Vorherrschaft der deutschen Musik" nach 1945 - eine Ironie der Geschichte Horst Weber: Exil und "Leitkultur". Eine historische Skizze Michael Walter / Albrecht Riethmuller: Richard Strauss - Vier letzte Jahre. Ein Gesprach II. Entnazifizierung: David Monod: Americanizing the Patron State? Government and Music under American Occupation, 1945-1953 Michael Custodis: Entnazifizierung an der Kolner Musikhochschule am Beispiel von Walter Trienes und Hermann Unger Thomas Eickhoff: "Mit Sozialismus und Sachertorte ..." Entnazifizierung und musikpolitische Verhaltensmuster nach 1945 in Osterreich Boris von Haken: "The Case of Mr. Rosbaud" - Der Fortgang einer Karriere Joan Evans: Hans Rosbaud and New Music: From 1933 to the Early Postwar Period Friedrich Geiger: Walter Abendroth im Musikleben der Bundesrepublik Michael Custodis: "unter Auswertung meiner Erfahrungen aktiv mitgestaltend": Zum Wirken von Wolfgang Steinecke bis 1950 Frank Schneider: Aufbruch mit Widerspruchen - Neue Musik im Zeichen der Nachkriegspolitik Adelheid von Saldern: "Ein Land der Lebensfreude"? Unterhaltungsmusik im DDR-Radio der 50er Jahre Guido Heldt: "Hallo Fraulein!" - Amerikanische Popularmusik im westdeutschen Nachkriegsfilm Peter Fritzsche: Rock'n'Roll as History Glenn Stanley: Musikgeschichtsschreibung im geteilten Deutschland: Auseinandersetzung mit der jungsten Vergangenheit? Neue Impulse? Flucht ins Unverfangliche?
Author: Anaïs Fléchet Publisher: Berghahn Books ISBN: 1800738951 Category : Music Languages : en Pages : 321
Book Description
From the Napoleonic Wars to the genocide of the Tutsis in Rwanda, via the great world conflicts of the 20th century, Music and Postwar Transitions in the 19th and 20th Centuries is the first book to highlight the significance of ‘postwar transitions’ in the field of music and to demonstrate the influence that musicians, composers, critics, institutions, and publics have had on the period that follows conflict. Leading historians, political scientists, psychologists and musicologists explore the roles of music and culture in demobilization, reconstruction, memory, reconciliation, revenge, and nationalist backlash. Moving beyond the popular conception of music as an agent of peace, this study reveals music’s more complex and ambivalent role in the process of transition from war to peace.
Author: Benjamin Knysak Publisher: Hollitzer Wissenschaftsverlag ISBN: 3990129740 Category : Music Languages : en Pages : 530
Book Description
"Musical History as Seen through Contemporary Eyes", edited by Benjamin Knysak and Zdravko Blažeković, is a Festschrift published in honor of the musicologist H. Robert Cohen. Born in Baltimore, educated in New York, and with a career spanning France, Canada, and the United States, Cohen is the founder of the Répertoire international de la presse musicale (RIPM), the international project focused on the historic musical press. With research interests spanning print culture, music iconography, Hector Berlioz, musical France, and Giuseppe Verdi, this volume presents a collection of essays written by many friends and collaborators exploring these themes and many others. "Musical History as Seen through Contemporary Eyes" is a tribute to Cohen's contributions to musicology, librarianship, and information science spanning more than fifty years.
Author: Jessica C. E. Gienow-Hecht Publisher: Berghahn Books ISBN: 1782385010 Category : History Languages : en Pages : 278
Book Description
Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.
Author: Abby Anderton Publisher: Indiana University Press ISBN: 0253042445 Category : Music Languages : en Pages : 207
Book Description
As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
Author: Michael H. Kater Publisher: Yale University Press ISBN: 0300259247 Category : History Languages : en Pages : 552
Book Description
A wide-ranging, insightful history of culture in West Germany--from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past--and eventually allow democracy to reemerge.
Author: Martin Iddon Publisher: Cambridge University Press ISBN: 1107067758 Category : Music Languages : en Pages :
Book Description
New Music at Darmstadt explores the rise and fall of the so-called 'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development and subsequent collapse of the idea of the Darmstadt School, showing how participants in the West German new music scene, including Herbert Eimert and a range of journalistic commentators, created an image of a coherent entity, despite the very diverse range of compositional practices on display at the courses. The book also explores the collapse of the seeming collegiality of the Darmstadt composers, which crystallised around the arrival there in 1958 of the most famous, and notorious, of all post-war composers, John Cage, an event Carl Dahlhaus opined 'swept across the European avant-garde like a natural disaster'.
Author: Jonathan Rhodes Lee Publisher: Routledge ISBN: 1351190776 Category : Music Languages : en Pages : 994
Book Description
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.
Author: Malik Sharif Publisher: Hollitzer Wissenschaftsverlag ISBN: 3990125605 Category : Music Languages : en Pages : 297
Book Description
The US American musicologist, composer, philosopher, inventor, and political activist Charles Seeger (1886–1979) is a key figure in the development of twentieth-century musicology. "Speech about Music" is an in-depth study of his philosophical theory of musicology – his meta-musicology. Seeger developed this body of theory in numerous publications over the course of more than sixty years, yet he never realized his dream of creating a comprehensive "Principia Musicologica". Detailed historical reconstruction and comparative analysis of Seeger's meta-musicology makes "Speech about Music" an important contribution to the study of the history of musicology. By approaching Seeger's theory as an arsenal of ideas in the discussion of twenty-first century meta-musicological issues, the book is also a critical examination of the pertinence of Seeger's ideas.
Author: Bettina Varwig Publisher: Cambridge University Press ISBN: 1139502018 Category : Music Languages : en Pages : 267
Book Description
Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career - the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) - are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schütz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.
Author: Albrecht Riethmüller
Author: Albrecht Riethmüller
Author: Anaïs Fléchet
Author: Benjamin Knysak
Author: Jessica C. E. Gienow-Hecht
Author: Abby Anderton
Author: Michael H. Kater
Author: Martin Iddon
Author: Jonathan Rhodes Lee
Author: Malik Sharif
Author: Bettina Varwig