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Author: Alessandro Fois Publisher: Alessandro Fois ISBN: Category : Music Languages : en Pages : 272
Book Description
Note to the 1st Edition This manual has been translated from Italian by a non-native translator. This will allow full comprehensibility of the text but will not always guarantee an absolute smoothness of the natural expressive form. As this is a technical manual, we do not think that this is particularly serious. However, we apologize to the reader, appealing to his understanding. If the English version of this manual will receives sufficient consent, we will ensure that we prepare a new edition with a more refined translation as soon as possible. Those who would like to help me improve the translation of the English version of this manual and other manuals like this, can contact me at the addresses they can find below. I invite you to report any suggestions, incompleteness, errors, by writing an email to the address below. The manual is available on www.alessandrofois.com under the Books menu Preface The purpose of this manual is to provide concrete and simple help aimed at rapidly obtaining professional-level results, in alignment with the quality standards of the audio production industry, without using analog outboards. The easy application of the criteria suggested below make it suitable for inexperienced operators; but even audio professionals with few mastering experiences will be able to integrate and reorganize the knowledge already acquired through practice. Digital technology has made the equipment necessary to obtain professional results more accessible; therefore numerous home studios were born, dedicated to recording and processing of sound, some of which are managed by sound engineers of good competence, almost like their professional colleagues. Primarily this book is addressed to them, so that they can organize in a more orderly way the knowledge already acquired, fill the conceptual gaps, learn new concepts and procedures, find out inspiration for new mental and professional paths. An experienced sound engineer will smile for some simplified explanations. They aim to make the material accessible. But perhaps he will read these pages equally with pleasure, considering them a mental exercise of “revision”. For beginners, the manual would like to provide support to learn correctly and experiment with the principles and procedures of digital audio mixing. Index of the manual Note on the 1st edition Foreword Index of the manual CHAPTER 01 - Mastering preliminary ITB and OTB Purpose of mastering What you need Analog and Digital Mix analysis Logbook Dynamic Analysis impressions listening Stereo-mono compatibility Tonal Verification Dynamic Verification Review of the mix Creating and Parameters of a Session Your computer's resources Other Specifications Comparison Mastering “on board” Sound levels CHAPTER 02 - Editing Cutting, silencing, fading Start cutting Start silencing Start fading End cutting, silencing, fading Middle cutting, insert CHAPTER 03 - Noise reduction Click Crackles Hiss Hum Traffic noise, wind noise and feedback Conclusion CHAPTER 04 - MS Mastering The MS chain L-R to M/S encoding M/S processing M/S to PARTIALURLPLACEHOLDER decoding How to set the M/S matrix on the Daw Mastering operations with the M/S matrix Conclusion CHAPTER 05 - Stereo image Phase correlation Symmetry Width Center leveling CHAPTER 06 - Stems Stem mastering Addition and subtraction What stems How to export stems correctly CHAPTER 07 - Dynamics and Loudness Dynamic I'm listening Natural Dynamics Recording Dynamics Loudness War Audio Consequences LUFS The Revolution of Streaming Reference Loudness True Peak Level The new standards CHAPTER 08 - The working session Import mixes and stems Main Group Original audio track Audio track test Instrument track Audio Chain Building a template CHAPTER 09 - Tonal correction Acoustic perception HPF and LPF What you need General imbalances Static Equalization Dynamic Equalization Balancing the bass Spectrum Analyzer Test of the medium mix Tonal imbalances in individual sources Coloured Equalizers Automation Quality CHAPTER 10 - Dynamic correction Treatment of abnormal peaks Transient Adjustment De-essing Levelling Compression Smoothing Compression Risks of the dynamic process Mix too compressed Comparison and corrections CHAPTER 11 - Environmental correction Ambient sound Increase body Sharps bass Crushed Mix Width and depth Effects Installation CHAPTER 12 - Other processes Enhancement Exciter Analog Tape Saturator Inflator CHAPTER 13 - Finalisation Enhancement of bass Cosmetic Equalization Verification of loudness Finalizer Limiter Oversampling Algorithm selector Lookahead+Attack and release Channel Links Ceiling - Output LUFS Meters True Peak Gain Listening and Comparing Dithering and Noise Shaping Mastering for vinyl Export Duplication on Audio Cd Encoding Automatic mastering Appendix Monitoring Warning Conclusion Author's Biography Copyright Contacts
Author: Alessandro Fois Publisher: Alessandro Fois ISBN: Category : Music Languages : en Pages : 272
Book Description
Note to the 1st Edition This manual has been translated from Italian by a non-native translator. This will allow full comprehensibility of the text but will not always guarantee an absolute smoothness of the natural expressive form. As this is a technical manual, we do not think that this is particularly serious. However, we apologize to the reader, appealing to his understanding. If the English version of this manual will receives sufficient consent, we will ensure that we prepare a new edition with a more refined translation as soon as possible. Those who would like to help me improve the translation of the English version of this manual and other manuals like this, can contact me at the addresses they can find below. I invite you to report any suggestions, incompleteness, errors, by writing an email to the address below. The manual is available on www.alessandrofois.com under the Books menu Preface The purpose of this manual is to provide concrete and simple help aimed at rapidly obtaining professional-level results, in alignment with the quality standards of the audio production industry, without using analog outboards. The easy application of the criteria suggested below make it suitable for inexperienced operators; but even audio professionals with few mastering experiences will be able to integrate and reorganize the knowledge already acquired through practice. Digital technology has made the equipment necessary to obtain professional results more accessible; therefore numerous home studios were born, dedicated to recording and processing of sound, some of which are managed by sound engineers of good competence, almost like their professional colleagues. Primarily this book is addressed to them, so that they can organize in a more orderly way the knowledge already acquired, fill the conceptual gaps, learn new concepts and procedures, find out inspiration for new mental and professional paths. An experienced sound engineer will smile for some simplified explanations. They aim to make the material accessible. But perhaps he will read these pages equally with pleasure, considering them a mental exercise of “revision”. For beginners, the manual would like to provide support to learn correctly and experiment with the principles and procedures of digital audio mixing. Index of the manual Note on the 1st edition Foreword Index of the manual CHAPTER 01 - Mastering preliminary ITB and OTB Purpose of mastering What you need Analog and Digital Mix analysis Logbook Dynamic Analysis impressions listening Stereo-mono compatibility Tonal Verification Dynamic Verification Review of the mix Creating and Parameters of a Session Your computer's resources Other Specifications Comparison Mastering “on board” Sound levels CHAPTER 02 - Editing Cutting, silencing, fading Start cutting Start silencing Start fading End cutting, silencing, fading Middle cutting, insert CHAPTER 03 - Noise reduction Click Crackles Hiss Hum Traffic noise, wind noise and feedback Conclusion CHAPTER 04 - MS Mastering The MS chain L-R to M/S encoding M/S processing M/S to PARTIALURLPLACEHOLDER decoding How to set the M/S matrix on the Daw Mastering operations with the M/S matrix Conclusion CHAPTER 05 - Stereo image Phase correlation Symmetry Width Center leveling CHAPTER 06 - Stems Stem mastering Addition and subtraction What stems How to export stems correctly CHAPTER 07 - Dynamics and Loudness Dynamic I'm listening Natural Dynamics Recording Dynamics Loudness War Audio Consequences LUFS The Revolution of Streaming Reference Loudness True Peak Level The new standards CHAPTER 08 - The working session Import mixes and stems Main Group Original audio track Audio track test Instrument track Audio Chain Building a template CHAPTER 09 - Tonal correction Acoustic perception HPF and LPF What you need General imbalances Static Equalization Dynamic Equalization Balancing the bass Spectrum Analyzer Test of the medium mix Tonal imbalances in individual sources Coloured Equalizers Automation Quality CHAPTER 10 - Dynamic correction Treatment of abnormal peaks Transient Adjustment De-essing Levelling Compression Smoothing Compression Risks of the dynamic process Mix too compressed Comparison and corrections CHAPTER 11 - Environmental correction Ambient sound Increase body Sharps bass Crushed Mix Width and depth Effects Installation CHAPTER 12 - Other processes Enhancement Exciter Analog Tape Saturator Inflator CHAPTER 13 - Finalisation Enhancement of bass Cosmetic Equalization Verification of loudness Finalizer Limiter Oversampling Algorithm selector Lookahead+Attack and release Channel Links Ceiling - Output LUFS Meters True Peak Gain Listening and Comparing Dithering and Noise Shaping Mastering for vinyl Export Duplication on Audio Cd Encoding Automatic mastering Appendix Monitoring Warning Conclusion Author's Biography Copyright Contacts
Author: Mark Cousins Publisher: CRC Press ISBN: 1136113738 Category : Technology & Engineering Languages : en Pages : 350
Book Description
Guiding you through the history and emergence of modern mastering techniques, then providing practical hints and tips on how to use them in your set up, Practical Mastering is the book for anyone interested in tackling this elusive art form. Providing you with sold mastering theory underpinned by years of professional experience and hands-on advice for getting the most out of your set up while honing your ears to efficiently and effectively listen to your mixes in order to create perfectly polished master tracks.
Author: Steve Savage Publisher: Oxford University Press ISBN: 0199380252 Category : Music Languages : en Pages : 288
Book Description
Mixing and mastering are the final challenges in creating great recordings. Great mixes require both creativity and a practical understanding of process, while final masters require both a clear sense for purpose and specialized ears for achieving artistic goals. Mixing and Mastering in the Box gives readers the practical tools for accomplishing both of these tasks while highlighting the artistry of the creative process. While much of the information presented in Mixing and Mastering in the Box is applicable to those using analog mixing gear, or a hybrid of digital and analog tools, the book focuses directly on working completely within the Digital Audio Workstation (DAW). Author Steve Savage lets readers in on such topics as the secrets of collaboration and using EQ, compression, delay, reverb, and brickwall limiting to improve the sound of records, each topic illustrated with a myriad of concrete examples. Mixing and Mastering in the Box is the ultimate reference manual for the home recordist and the perfect basic to intermediate text for any DAW (Digital Audio Workstation) training class in mixing or mastering. The book is also ideal for readers who handle their own mixing and mastering or who wish - or are professionally required - to be better informed when collaborating on mixes and masters.
Author: John Rogers Publisher: Independently Published ISBN: Category : Languages : en Pages : 194
Book Description
The #1 Best Selling Audio Mastering Book for 2020 and 2019! If you're into audio engineering, this is a great music production book to add to your home recording studio collection. Packed with step-by-step proven methods. Audio Mastering Secrets is the first audio mastering books that focuses entirely on how to master audio to radio quality standards, all from the comfort of your home recording studio. No expensive gear required to get amazing results! Written by John Rogers of JR Mastering, this guide outlines (Step By Step) the techniques John has used to professionally master over 40,000 songs, since 1999. My book covers the following: This Book Is An 8.5 x 11 Learning Guide (184 pages) It focuses on how to master audio, how to become a great audio mastering engineer, and how not to be a bad one. I do not get into the specific brands of gear you should buy, the history of sound engineering, or 1,000's of compressor settings (of which maybe 40 you'll ever use). In this book I focus on mastering audio! Common Mastering Problems And Their Solutions In audio mastering, you will face common problems like a mix being too thin, tinny, distorted, over-saturated, muddy, or not bright enough. Sometimes you can't get the song loud enough, boomy enough, no separation, too much bass, no sparkle, and many other problems. I explain in detail which effects processors to use and their exact settings to solve these common problems. This is a great tool to refer back to when needed. My Step-By-Step Audio Mastering Session You will learn the 18 steps I take in the audio mastering process. From importing your file, down to loudness maximization and finally exporting a perfectly mastered song! This Entire Book Is Based On Real-World Experiences Not on theory, what I learned in school, or what I heard from some other engineer. I teach from real world experiences with satisfied clients. Mastering Different Genres Here s where I break down the sonic qualities of sixteen different genres. How much brightness, bass, boominess, compression, etc., you re trying to achieve for each genre. And several tips on what clients are looking for. My Audio Mastering Laws In this section, I cover a series of dos, do nots, and facts that basically apply to all audio mastering jobs regardless of genre. I also cover several pitfalls you will experience (just like I did) as an audio mastering engineer, and how to get through them. Setting Up You're Listening Environment In this section I cover calibrating your speakers, learning your speakers, speaker placement and room size. And, the myth about soundproofing your room. The Effects Processors Used In Audio Mastering The basics of what they all do, how to use them, when to use them, and my initial settings templates. This Book Is A Very Easy Read I left out all the high-tech jargon and rarely used words that slow down sentence flow. And Much More! In a matters of weeks, you can learn all of the audio mastering secrets, tips, and techniques that took me over 19 years to learn!
Author: Robert A. Katz Publisher: ISBN: 9780240805450 Category : Mastering (Sound recordings) Languages : en Pages : 0
Book Description
Suitable for those who want to increase their mastery of digital and analog audio: musicians, producers, A&R, mastering, recording, and mixing engineers, this title offers an introduction to the procedures and technical issues involved in mastering.
Author: Steve Savage Publisher: Oxford University Press, USA ISBN: 0199929327 Category : Music Languages : en Pages : 316
Book Description
"Mixing and mastering, the two final steps in the complex process of sound engineering, require both artistic finesse and technical facility. Even the slightest difference in the way a sound is processed can lead to a shift in the overall aesthetic of a piece, and so sound engineers must work towards an understanding of sound engineering that is particularly oriented towards the artistic and aesthetic. In order to create effective mixes, a sound engineer must maintain a distinct set of artistic goals while drawing on an in-depth understanding of the software involved in the process. Creating final masters requires specialized aural skills and a similarly advanced understanding of the software in order to fine-tune the product with respect to these goals. Mixing and Mastering in the Box addresses the practical and technological necessities of these two final steps without neglecting the creative process that is integral to the creation of high-quality recordings. Savage focuses primarily on creating mixes and masters in the Digital Audio Workstation (DAW), or "in the box," currently a popular platform in the field of sound engineering due to the creative advantages and advanced technological capabilities it offers to its users. However, much of the information presented in Mixing and Mastering in the Box is also applicable to analog mixing gear or a hybrid system of digital and analog tools. This book, which features over one hundred illustrations and a comprehensive companion website, is ideal for beginning or intermediate students in sound engineering with a focus on DAW, recording artists who do their own mixing and mastering, or musicians who wish to be better informed when collaborating on mixes and masters"--
Author: Mixerman Publisher: Mixerman Publishes ISBN: 0960040560 Category : Music Languages : en Pages : 281
Book Description
Mixing is an Attitude When I think back to my best mixes—regardless of their commercial success—in each and every case, I can only describe the experience as one in which I was working from deep within, outside of any external forces. I wasn't thinking; I was doing. I wasn't scared of what anyone would think. I wasn't scared of failure. All my decisions were made with confidence, and once a judgment was made, I didn't second-guess myself. I allowed the music to guide me, and I based all of my mix decisions on nothing more than one simple criterion: Are the song and production doing what they're supposed to be doing? That sounds nice, huh? I mean, that's the headspace you want to be in when you're mixing! The problem is, you can't get there if you're focused on all the wrong things, and we're all susceptible to distraction and self-doubt. Great mixing involves trusting yourself, first and foremost. And I can promise you, that trust is downright infectious to everyone on your project. Who Am I? I'm Mixerman, a gold and multi-platinum mixer, producer, and recordist. I've been mixing professionally and at a high level for over three decades now., and I can assure you, great mixing isn't about manipulating sound. It's about the decisions you make in regards to the music, the balances, and how you use the arrangement to push the listener forward through the song. This is accomplished thought concrete strategies and techniques, that I'm uniquely qualified to offer you. Boost Your Confidence Now You can spend the next decade mixing two songs a day to get there. Or you can get Zen & the Art of MIXING 2021, and I'll explain the thinking behind great mixing. And then watch your confidence soar. There's a reason why this is my most popular work, to date. Enjoy, Mixerman
Author: Bobby Owsinski Publisher: ISBN: 9780998503325 Category : Languages : en Pages :
Book Description
Audio mastering is the final step in the audio production process, polishing the recording's final mix and prepping it for release and distribution. This fourth edition of Bobby Owsinski's classic The Mastering Engineer's Handbook is a thoroughly updated and comprehensive manual on the art and science of creating well-mastered recordings. Today's musicians and engineers have many high quality and low cost software-based mastering tools available to them, but the challenge is to understand those tools and learn to use them wisely. Redesigned and updated to reflect both the latest in technology and recent changes in the marketplace, this new edition shows you both the fundamentals, and the advanced aspects of both self-mastering, and prepping your mix for mastering by a pro. Topics covered include: Techniques for making a hot-level master A comprehensive look at mastering for vinyl including the format's latest technology improvements Mastering techniques for the best sounding online streams An overview of the tools required for successful self-mastering The book also features interviews with a number of legendary mastering engineers discussing their techniques and tips that will help you master your own music with style and technical know-how. Give your music the benefit of the expertise you'll find with The Mastering Engineer's Handbook, Fourth Edition.
Author: Bobby Owsinski Publisher: ISBN: 9780998503363 Category : Languages : en Pages : 192
Book Description
Audio mastering is the final step in the audio production process, polishing the recording's final mix and prepping it for release and distribution. This fourth edition of Bobby Owsinski's classic The Mastering Engineer's Handbook is a thoroughly updated and comprehensive manual on the art and science of creating well-mastered recordings. Today's musicians and engineers have many high quality and low cost software-based mastering tools available to them, but the challenge is to understand those tools and learn to use them wisely. Redesigned and updated to reflect both the latest in technology and recent changes in the marketplace, this new edition shows you both the fundamentals, and the advanced aspects of both self-mastering, and prepping your mix for mastering by a pro. Topics covered include: Techniques for making a hot-level master A comprehensive look at mastering for vinyl including the format's latest technology improvements Mastering techniques for the best sounding online streams An overview of the tools required for successful self-mastering The book also features interviews with a number of legendary mastering engineers discussing their techniques and tips that will help you master your own music with style and technical know-how. Give your music the benefit of the expertise you'll find with The Mastering Engineer's Handbook, Fourth Edition.
Author: Steve Savage Publisher: Oxford University Press on Demand ISBN: 0195394097 Category : Music Languages : en Pages : 284
Book Description
The Art of Digital Audio Recording teaches readers what they really need to know in order to make great sound recordings with computers - both the practical and the technical information. --from publisher description.
Author: Alessandro Fois
Author: Alessandro Fois
Author: Mark Cousins
Author: Steve Savage
Author: John Rogers
Author: Robert A. Katz
Author: Steve Savage
Author: Mixerman
Author: Bobby Owsinski
Author: Bobby Owsinski
Author: Steve Savage