Divine Vengeance PDF Download

Author: Sister Mary Bonaventure Mroz
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 176

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Author: Sister Mary Bonaventure Mroz
Publisher: Ardent Media
ISBN:
Category : Revenge in literature
Languages : en
Pages : 176

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Book Description

Author: Mary Bonaventure Mroz
Publisher: Literary Licensing, LLC
ISBN: 9781258166472
Category :
Languages : en
Pages : 180

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Book Description

Author: James G. McManaway
Publisher: Associated University Presses
ISBN: 9780918016034
Category :
Languages : en
Pages : 340

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Book Description
This bibliography provides easy access to the most important Shakespeare studies in the past four decades. Brief annotations, a detailed table of contents, cross-references, and a complete index make this bibliography especially useful.

Author: K. Wetmore
Publisher: Springer
ISBN: 0230611281
Category : Literary Criticism
Languages : en
Pages : 289

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Book Description
Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in European Renaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas of Europe and Japan tell us about the periods that produced them and how have they been modernized to speak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.

Author: Frederick Wilse Bateson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 736

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Author: Timothy Horan
Publisher: McFarland
ISBN: 1476650195
Category : Literary Criticism
Languages : en
Pages : 258

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Book Description
This book explores the supernatural and prophetic elements within Shakespeare's ten plays of English history: King John, Richard II, Henry IV (Parts One and Two), Henry V, Henry VI (Parts One, Two and Three), Richard III, and Henry VIII. Treating each as a form of nonfiction, it analyzes these plays and their prophecies through the lens of free will or fate, demonstrating how Shakespeare's characters are entangled with cosmic forces and the occult. The author makes several intriguing discoveries regarding Shakespeare's plays, beliefs, and the world he lived in.

Author: Teresa Godwin Phelps
Publisher: University of Pennsylvania Press
ISBN: 0812203275
Category : Political Science
Languages : en
Pages : 190

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Book Description
Following periods of mass atrocity and oppression, states are faced with a question of critical importance in the transition to democracy: how to offer redress to victims of the old regime without perpetuating cycles of revenge. Traditionally, balance has been restored through arrests, trials, and punishment, but in the last three decades, more than twenty countries have opted to have a truth commission investigate the crimes of the prior regime and publish a report about the investigation, often incorporating accounts from victims. Although many praise the work of truth commissions for empowering and healing through words rather than violence, some condemn the practice as a poor substitute for traditional justice, achieved through trials and punishment. There has been until now little analysis of the unarticulated claim that underlies the truth commissions' very existence: that language—in this case narrative stories—can substitute for violence. Acknowledging revenge as a real and deep human need, Shattered Voices explores the benefits and problems inherent when a fragile country seeks to heal its victims without risking its own future. In developing a theory about the role of language in retribution, Teresa Godwin Phelps takes an interdisciplinary approach, delving into sources from Greek tragedy to Hamlet, from Kant to contemporary theories about retribution, from the Babylonian law codes to the South African Truth and Reconciliation Report. She argues that, given the historical and psychological evidence about revenge, starting afresh by drawing a bright line between past crimes and a new government is both unrealistic and unwise. When grievous harm happens, a rebalancing is bound to occur, whether it is orderly and lawful or disorderly and unlawful. Shattered Voices contends that language is requisite to any adequate balancing, and that a solution is viable only if it provides an atmosphere in which storytelling and subsequent dialogue can flourish. In the developing culture of ubiquitous truth reports, Phelps argues that we must become attentive to the form these reports take—the narrative structure, the use of victims' stories, and the way a political message is conveyed to the citizens of the emerging democracy. By looking concretely at the work and responsibilities of truth commissions, Shattered Voices offers an important and thoughtful analysis of the efficacy of the ways human rights abuses are addressed.

Author: Robert Rentoul ReedJr.
Publisher: University Press of Kentucky
ISBN: 0813186544
Category : Literary Criticism
Languages : en
Pages : 267

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Book Description
Divine retribution, Robert Reed argues, is a principal driving force in Shakespeare's English history plays and three of his major tragedies. Reed finds evidence of the playwright's growing ingenuity and maturing skill in his treatment of the crime of political homicide, its impact on events, and God's judgment on the criminal. Reed's analysis focuses upon Tudor concepts that he shows were familiar to all Elizabethans—the biblical principle of inherited guilt, the doctrine that God is the fountainhead of retribution, with man merely His instrument, and the view that conscience serves a fundamentally divine function—and he urges us to look at Shakespeare within the context of his time, avoiding the too-frequent tendency of twentieth-century critics to force a modern world view on the plays. Heaven's power of vengeance provides an essential unifying theme to the plays of the two historical tetralogies, Julius Caesar, Hamlet, and Macbeth. By analyzing these plays in the light of values held by Shakespeare's contemporaries, Reed has made a substantial contribution toward clarifying our understanding of the plays and of Elizabethan England.

Author: William Shakespeare
Publisher: Bloomsbury Publishing
ISBN: 1408143046
Category : Drama
Languages : en
Pages : 480

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Book Description
In their lively and engaging edition of this sometimes neglected early play, Cox and Rasmussen make a strong claim for it as a remarkable work, revealing a confidence and sureness that very few earlier plays can rival. They show how the young Shakespeare, working closely from his chronicle sources, nevertheless freely shaped his complex material to make it both theatrically effective and poetically innovative. The resulting work creates, in Queen Margaret, one of Shakespeare's strongest female roles and is the source of the popular view of Richard Neville, Earl of Warwick as `kingmaker'. Focusing on the history of the play both in terms of both performance and criticism, the editors open it to a wide and challenging variety of interpretative and editorial paradigms.