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Author: Emmanuel Alloa Publisher: ISBN: 9783110528749 Category : Art Languages : en Pages : 384
Book Description
Images are not neutral conveyors of messages that are sent around the globe in order to reach a global audience. They represent a force that can trigger very different reactions and counteract new visual tendencies towards hegemony within a global world. The volume contains a compilation of case studies from the media, art, political and religious sciences, as well as from anthropology and the natural sciences. By focusing on the power of images outside their use in the media, the authors venture into new territory: the contributions from Hans Belting, Georges Didi-Huberman, W.J.T. Mitchell and others provide proof that globalization is not the same as homogenization, and that images are very capable of opening paths towards alternative facts in order to portray the future.
Author: Emmanuel Alloa Publisher: ISBN: 9783110528749 Category : Art Languages : en Pages : 384
Book Description
Images are not neutral conveyors of messages that are sent around the globe in order to reach a global audience. They represent a force that can trigger very different reactions and counteract new visual tendencies towards hegemony within a global world. The volume contains a compilation of case studies from the media, art, political and religious sciences, as well as from anthropology and the natural sciences. By focusing on the power of images outside their use in the media, the authors venture into new territory: the contributions from Hans Belting, Georges Didi-Huberman, W.J.T. Mitchell and others provide proof that globalization is not the same as homogenization, and that images are very capable of opening paths towards alternative facts in order to portray the future.
Author: Emmanuel Alloa Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110530546 Category : Art Languages : en Pages : 394
Book Description
Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.
Author: Erik Reinhard Publisher: Morgan Kaufmann ISBN: 9780080957111 Category : Computers Languages : en Pages : 672
Book Description
High Dynamic Range Imaging, Second Edition, is an essential resource for anyone working with images, whether it is for computer graphics, film, video, photography, or lighting design. It describes HDRI technology in its entirety and covers a wide-range of topics, from capture devices to tone reproduction and image-based lighting. The techniques described enable students to produce images that have a dynamic range much closer to that found in the real world, leading to an unparalleled visual experience. This revised edition includes new chapters on High Dynamic Range Video Encoding, High Dynamic Range Image Encoding, and High Dynamic Range Display Devices. All existing chapters have been updated to reflect the current state-of-the-art technology. As both an introduction to the field and an authoritative technical reference, this book is essential for anyone working with images, whether in computer graphics, film, video, photography, or lighting design. New material includes chapters on High Dynamic Range Video Encoding, High Dynamic Range Image Encoding, and High Dynammic Range Display Devices Written by the inventors and initial implementors of High Dynamic Range Imaging Covers the basic concepts (including just enough about human vision to explain why HDR images are necessary), image capture, image encoding, file formats, display techniques, tone mapping for lower dynamic range display, and the use of HDR images and calculations in 3D rendering Range and depth of coverage is good for the knowledgeable researcher as well as those who are just starting to learn about High Dynamic Range imaging The prior edition of this book included a DVD-ROM. Files from the DVD-ROM can be accessed at: http://www.erikreinhard.com/hdr_2nd/index.html
Author: Georges Didi-Huberman Publisher: Penn State Press ISBN: 9780271024714 Category : Philosophy Languages : en Pages : 354
Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Author: Emmanuel Alloa Publisher: Columbia University Press ISBN: 0231547579 Category : Philosophy Languages : en Pages : 290
Book Description
Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices.
Author: Asla Sa Publisher: Springer Nature ISBN: 3031795229 Category : Mathematics Languages : en Pages : 53
Book Description
High dynamic range imaging (HDRI) is an emerging field that has the potential to cause a great scientific and technological impact in the near future. Although new, this field is large and complex, with non-trivial relations to many different areas, such as image synthesis, computer vision, video and image processing, digital photography, special effects among others. For the above reasons,HDRI has been extensively researched over the past years and, consequently, the related scientific literature is vast. As an indication that the field is reaching maturity, tutorials and books on HDRI appeared. Moreover, this new resource has already reached interested practitioners in various application areas. In this book, we do not aim at covering the whole field of high dynamic range imaging and its applications, since it is a broad subject that is still evolving. Instead, our intent is to cover the basic principles behind HDRI and focus on one of the currently most important problems, both theoretically and practically. That is, the reconstruction of high dynamic range images from regular low dynamic range pictures. Table of Contents: Introduction / Digital Image / Imaging Devices and Calibration / HDR Reconstruction / HDRI Acquisition and Visualization / Tone Enhancement / References / Biography
Author: T. S. Huang Publisher: Springer Science & Business Media ISBN: 3642819354 Category : Computers Languages : en Pages : 759
Book Description
This volume contains the proceedings of the NATO Advanced Study Institute on "Image Sequence Processing and Dynamic Scene Analysis" held 21 June - 2 July, 1982 in Hotel Maritim, Braunlage/Harz, Federal Republic of Germany. The organizing eommittee of the institute consists of T.S. Huang (Director), H.G. Musmann (Co Director), H.H. Nagel (Consultant), and C.E. Liedtke and W. Geuen (Local 'arrangement). This Institute was devoted to the rapidly emerging field of image sequence processing and dynamic scene analysis which has man! important applications in cluding target tracking, television bandwidth compression, highway traffic moni toring, and analysis of heart wall motion for medical diagnosis. The lectures and discussions in this Institute fell into three overlapping categories: Motion estimation; pattern recognition and artificial intelligence techniques in dynamic scene analysis; and, applications. 1) Motion estimation - One of the most important problems in image sequence analysis and dynamic scene analysis is displacement and motion estimation. For example, in interframe coding using temporal DPCM, displacement estimation and compensation can improve efficiency significantly. Also, estimated motion parameters can be powerful cues in target segmentation, detection, and classification. In this Institute, a number of recently developed techniques for displacement and motion estimation were discussed.
Author: Gerhard Winkler Publisher: Springer Science & Business Media ISBN: 3642975224 Category : Mathematics Languages : en Pages : 321
Book Description
This text is concerned with a probabilistic approach to image analysis as initiated by U. GRENANDER, D. and S. GEMAN, B.R. HUNT and many others, and developed and popularized by D. and S. GEMAN in a paper from 1984. It formally adopts the Bayesian paradigm and therefore is referred to as 'Bayesian Image Analysis'. There has been considerable and still growing interest in prior models and, in particular, in discrete Markov random field methods. Whereas image analysis is replete with ad hoc techniques, Bayesian image analysis provides a general framework encompassing various problems from imaging. Among those are such 'classical' applications like restoration, edge detection, texture discrimination, motion analysis and tomographic reconstruction. The subject is rapidly developing and in the near future is likely to deal with high-level applications like object recognition. Fascinating experiments by Y. CHOW, U. GRENANDER and D.M. KEENAN (1987), (1990) strongly support this belief.
Author: Emmanuel Alloa
Author: Emmanuel Alloa
Author: EMMANUEL ALLOA.
Author: Emmanuel Alloa
Author: Erik Reinhard
Author: Georges Didi-Huberman
Author: Emmanuel Alloa
Author: Asla Sa
Author: Magued Iskander
Author: T. S. Huang
Author: Gerhard Winkler