El son y la salsa en la identidad del Caribe PDF Download

Author: Darío Tejeda
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 604

View

Book Description

Author: Congreso Internacional "Música, Identidad y Cultura en el Caribe"
Publisher:
ISBN:
Category : Music
Languages : es
Pages : 610

View

Book Description

Author: Juan Pablo González
Publisher: Lexington Books
ISBN: 1498568653
Category : History
Languages : en
Pages : 200

View

Book Description
Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. The book addresses such topics as popular music, post-colonialism, women in Latin American music, tradition and modernity, musical counterculture, globalization, and identity construction through music. It contributes to the development of paradigms of cultural analysis that originated outside of Latin America by testing them in the Latin American musical context, while also exploring how specifically Latin American models can contribute to broader cultural analysis.

Author: Jairo Moreno
Publisher: University of Chicago Press
ISBN: 0226825671
Category : Music
Languages : en
Pages : 375

View

Book Description
How is Latin American music heard, by whom, and why? Many in the United States believe Latin American musicians make “Latin music”—which carries with it a whole host of assumptions, definitions, and contradictions. In their own countries, these expatriate musicians might generate immense national pride or trigger suspicions of “national betrayals.” The making, sounding, and hearing of “Latin music” brings into being the complex array of concepts that constitute “Latin Americanism”—its fissures and paradoxes, but also its universal aspirations. Taking as its center musicians from or with declared roots in Latin America, Jairo Moreno presents us with an innovative analysis of how and why music emerges as a necessary but insufficient shorthand for defining and understanding Latin American, Latinx, and American experiences of modernity. This close look at the growth of music-making by Latin American and Spanish-speaking musicians in the United States at the turn of the twenty-first century reveals diverging understandings of music’s social and political possibilities for participation and belonging. Through the stories of musicians—Rubén Blades, Shakira, Arturo O’Farrill and the Afro-Latin Jazz Orchestra, and Miguel Zenón—Sounding Latin Music, Hearing the Americas traces how artists use music to produce worlds and senses of the world at the ever-transforming conjunction of Latin America and the United States.

Author: Janet Sturman
Publisher: SAGE Publications
ISBN: 1483317749
Category : Music
Languages : en
Pages : 2730

View

Book Description
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

Author: D. Poey
Publisher: Springer
ISBN: 1137382821
Category : Social Science
Languages : en
Pages : 177

View

Book Description
Salsa is both an American and transnational phenomenon, however women in salsa have been neglected. To explore how female singers negotiate issues of gender, race, and nation through their performances, Poey engages with the ways they problematize the idea of the nation and facilitate their musical performances' movement across multiple borders.

Author: Merida M. Rua
Publisher: Oxford University Press
ISBN: 0190257806
Category : History
Languages : en
Pages : 253

View

Book Description
This interdisciplinary study shows the varied ways Puerto Ricans came to understand their identities and rights within and beyond the city they made home.

Author: Pausides González Silva
Publisher: Fundacion Celarg
ISBN:
Category : Popular music in literature
Languages : es
Pages : 126

View

Book Description

Author: Darío Tejeda
Publisher:
ISBN: 9789945902396
Category : Dance music
Languages : es
Pages : 594

View

Book Description

Author: Julie A. Sellers
Publisher: McFarland
ISBN: 1476616388
Category : Music
Languages : en
Pages : 304

View

Book Description
Bachata—a guitar-based romantic music that debuted in Santo Domingo’s urban shantytowns in the 1960s—is today one of the hottest Latin genres. Still, fans and musicians have not forgotten the social stigma the genre carried for decades. This book interweaves bachata’s history and development with the socio-political context of Dominican identity. The author argues that its early disfavor resulted from the political climate of its origins and ties between class and race, and proposes that its ultimate acceptance as a symbol of Dominican identity arose from its innovations, the growth of the lower class, and a devoted following among Dominican migrants. La bachata—una música de guitarra que se estrenó en los barrios populares de Santo Domingo en los años 60—hoy, es uno de los géneros latinos más populares. No obstante, sus aficionados y sus exponentes recuerdan el estigma social asociado que conllevó por décadas. Este libro entreteje la historia y el desarrollo de la bachata con el contexto socio-político de la identidad dominicana. La autora plantea que su desaprobación temprana resultó del clima político en que nació y los vínculos entre raza y clase social. Propone que su aceptación final como símbolo de identidad dominicana surge de sus innovaciones, el crecimiento de la clase baja y sus seguidores leales entre los migrantes dominicanos.