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Author: Melanie Hubbard Publisher: Cambridge University Press ISBN: 1108491766 Category : Literary Criticism Languages : en Pages : 271
Book Description
Dickinson formulates her poetics in the context of popular manuscript practices, rhetoric, philosophy, and science in the American nineteenth century.
Author: Melanie Hubbard Publisher: Cambridge University Press ISBN: 1108491766 Category : Literary Criticism Languages : en Pages : 271
Book Description
Dickinson formulates her poetics in the context of popular manuscript practices, rhetoric, philosophy, and science in the American nineteenth century.
Author: Eliza Richards Publisher: Cambridge University Press ISBN: 1107434106 Category : Literary Criticism Languages : en Pages : 642
Book Description
Long untouched by contemporary events, ideas and environments, Emily Dickinson's writings have been the subject of intense historical research in recent years. This volume of thirty-three essays by leading scholars offers a comprehensive introduction to the contexts most important for the study of Dickinson's writings. While providing an overview of their topic, the essays also present groundbreaking research and original arguments, treating the poet's local environments, literary influences, social, cultural, political and intellectual contexts, and reception. A resource for scholars and students of American literature and poetry in English, the collection is an indispensable contribution to the study not only of Dickinson's writings but also of the contexts for poetic production and circulation more generally in the nineteenth-century United States.
Author: Melanie Hubbard Publisher: Cambridge University Press ISBN: 1108599672 Category : Literary Criticism Languages : en Pages : 271
Book Description
This book re-assesses Dickinson's manuscripts, style, and statements to arrive at a historically appropriate conception of poetics. It compares her composition practices, such as variant generation and writing on already-marked scraps, with those of her peers in nineteenth-century American popular manuscript culture, tracing them to the pervasive influence of Scottish Common Sense philosophy, Hume's scepticism, and associationism in philosophy of mind and early neuroscience. The argument consults the archives and considers Dickinson's reading, in and out of school, in philosophy, rhetoric, and semiotic theory, as well as her training in inductive science and her familiarity with ideas about electricity, evolution, emotion, sympathy, and the brain. Combining close readings of poems with contextualizing information about contemporary conflicts in intellectual history, the book contends that Dickinson takes the making of poems to be her philosophical praxis. It depicts a Dickinson committed to thinking about the physical constitution of human consciousness and the historicity and materiality of one of its chief modes, language.
Author: Judy Jo Small Publisher: University of Georgia Press ISBN: 0820334642 Category : Literary Criticism Languages : en Pages : 280
Book Description
The strange rhymes of Emily Dickinson's verse have offended some readers, attracted others, and proved a stumbling block for critics. In the first thorough analysis of the poet's rhyming practices, Judy Jo Small goes beyond simple classification and enumeration to reveal the aesthetic and semantic value of Dickinson's rhymes and show how they help shape the meaning of her lyrics. Considering Dickinson's rhyming technique in light of its historical context, Small argues that the poet's radical innovations were both an outgrowth of nineteenth-century aesthetics ideas about the music of poetry and a reaction against conventional constraints—not the least of which was the image of the female poet as a songbird pouring forth her soul's joys and sorrows in lyrical melody. Unlike other scholars, Small attaches special importance to Dickinson's own musical background. Revealing Dickinson's auditory imagination as a primary source of her poetic power, Small shows that sound is an important subject in the verse and that the phonetic texture contributes to the meaning. By looking closely at individual poems, Small demonstrates that Dickinson's deviations from "normal" rhyme schemes play a significant part in her artistic design: her modulations and dislocations of rhyme serve to structure the poems and contribute to their dynamic shifts of mood and meaning. Analyzing Dickinson's more daring experiments, Small shows how the poet achieved uncanny effects with fluctuating partial rhymes in some poems and with homonymic puns in others. It is in the interplay between the musical and the written aspects of Dickinson's language, Small contends, that her poetry comes alive. Small takes particular note of the use of rhyme at the ends of poems, illustrating Dickinson's brilliant effects in closing some poems decisively and in leaving others tantalizingly open-ended. Teaching us how to listen to Dickinson's poems and not simply to scrutinize them on paper,Positive as Soundis an innovative, lucidly written book that contributes not only to Dickinson scholarship but also to the general study of poetics.
Author: Emily Dickinson Publisher: DigiCat ISBN: Category : Poetry Languages : en Pages : 112
Book Description
DigiCat Publishing presents to you this special edition of "Poems by Emily Dickinson, Third Series" by Emily Dickinson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Eleanor Elson Heginbotham Publisher: Ohio State University Press ISBN: 9780814209226 Category : Literary Criticism Languages : en Pages : 208
Book Description
Heginbotham's book focuses on Emily Dickinson's work as a deliberate writer and editor. The fascicles were forty small portfolios of her poems written between 1856 and 1864, composed on four to seven stationery sheets, folded, stacked, and sewn together with twine. What revelations might come from reading her poems in her own context? Are they simply "scrapbooks," as some claim, or are they evidence of conscious, canny editing? Read in their original places, each lyric becomes different-and more interesting-than when read in isolation. We cannot know why Dickinson compiled the books or what she thought of them, but we can observe what she left in them. What she left is visible only by noting the way the poem answers in a dialogue across the pages, the way lines spilling onto a second page introduce the next poem, the way openings suggest image clusters so that each book has its own network of concerns and language-not a story or philosophical preachment but an aesthetic wholeness. This book is the first to demonstrate that Dickinson's poetic and philosophical creativity is most startling when the reader observes the individual lyric in the poet's own, and only, context for them. For teacher, student, scholar, and poetry lover, Heginbotham creates an important new framework for understanding one of the most complex, clever, and profound U.S. poets.
Author: Suzanne Juhasz Publisher: Routledge ISBN: 131720526X Category : Literary Criticism Languages : en Pages : 302
Book Description
The focus of this title, first published in 1989, begins with Dickinson’s poems themselves and the ways in which we read them. There are three readings for each of the six poems under consideration that are both complementary and provocative. The selected poems show Dickinson speaking of herself in increasingly wider relationships – to love, the outside world, death and eternity – and are grouped together to reveal her overlapping attitudes and feelings. Other topics discussed range from general epistemological and critical considerations to the poet’s self-identification and the process of reading her poetry as a feminist critic. This title will be of interest to students of literature.
Author: Emily Dickinson Publisher: Good Press ISBN: Category : Poetry Languages : en Pages : 936
Book Description
Emily Dickinson is the iconic American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends, and also explore aesthetics, society, nature and spirituality. This meticulously edited poetry collection includes her complete poetical works, as well as her letters and the biography of this powerful author: The Life and Legacy of Emily Dickinson (Illustrated Biography) Poems—First Series: Book I.—Life: Success Our share of night to bear Rouge et Noir Rouge gagne Glee! the storm is over If I can stop one heart from breaking Almost A wounded deer leaps highest The heart asks pleasure first In a Library Much madness is divinest sense I asked no other thing Exclusion The Secret The Lonely House To fight aloud is very brave Dawn The Book of Martyrs The Mystery of Pain I taste a liquor never brewed A Book I had no time to hate, because Unreturning Whether my bark went down at sea Belshazzar had a letter The brain within its groove Book II.—Love: Mine Bequest Alter? When the hills do Suspense Surrender If you were coming in the fall With a Flower Proof Have you got a brook in your little heart? Transplanted The Outlet In Vain Renunciation Love's Baptism Resurrection Apocalypse The Wife Apotheosis Book III.—Nature: New feet within my garden go May-Flower Why? Perhaps you 'd like to buy a flower The pedigree of honey A Service of Song The bee is not afraid of me Summer's Armies The Grass A little road not made of man Summer Shower Psalm of the Day The Sea of Sunset Purple Clover The Bee Presentiment is that long shadow As children bid the guest good-night Angels in the early morning So bashful when I spied her Two Worlds The Mountain A Day The butterfly's assumption-gown The Wind Death and Life 'T was later when the summer went Indian Summer Autumn Beclouded The Hemlock There's a certain slant of light Book IV.—Time and Eternity: One dignity delays for all Too late Astra Castra Safe in their alabaster chambers On this long storm the rainbow rose From the Chrysalis Setting Sail Look back on time with kindly eyes A train went through a burial gate I died for beauty, but was scarce Troubled about many things Real The Funeral I went to thank her I've seen a dying eye... Poems—Second Series (160+ poems) Poems—Third Series (160+ poems) The Single Hound (140+ verses) The Life and Letters of Emily Dickinson
Author: Greg Mattingly Publisher: McFarland ISBN: 1476666555 Category : Literary Criticism Languages : en Pages : 259
Book Description
Emily Dickinson (1830-1886) wrote in 19th century American English and referenced long-vanished cultural contexts. A "private poet," she created her own vocabulary, and many of her poems have quite specific local and personal connections. Twenty-first century readers may find her poetry elusive and challenging. Promoting a richer appreciation of Dickinson's work for a modern audience, this book explores unfamiliar aspects of her language and her world.
Author: Melanie Hubbard
Author: Melanie Hubbard
Author: Eliza Richards
Author: Melanie Hubbard
Author: Judy Jo Small
Author: Emily Dickinson
Author: Eleanor Elson Heginbotham
Author: Suzanne Juhasz
Author: Emily Dickinson
Author: Cristanne Miller
Author: Greg Mattingly