Author: William Henry Oliphant Smeaton
Publisher:
ISBN:
Category : Satire, English
Languages : en
Pages : 362
Book Description
English Satires
Author: William Henry Oliphant Smeaton
Publisher:
ISBN:
Category : Satire, English
Languages : en
Pages : 362
Book Description
Publisher:
ISBN:
Category : Satire, English
Languages : en
Pages : 362
Book Description
English Satires
Author: William Henry Oliphant Smeaton
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 390
Book Description
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 390
Book Description
The Brink of All We Hate
Author: Felicity A. Nussbaum
Publisher: University Press of Kentucky
ISBN: 0813183472
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
"Is it not monstrous, that our Seducers should be our Accusers? Will they not employ Fraud, nay often Force to gain us? What various Arts, what Stratagems, what Wiles will they use for our Destruction? But that once accomplished, every opprobrious Term with which our Language so plentifully abounds, shall be bestowed on us, even by the very Villains who have wronged us"—Laetitia Pilkington, Memoirs (1748). In her scandalous Memoirs, Laetitia Pilkington spoke out against the English satires of the Restoration and eighteenth century, which employed "every opprobrious term" to chastise women. In The Brink of All We Hate, Felicity Nussbaum documents and groups those opprobrious terms in order to identify the conventions of the satires, to demonstrate how those conventions create a myth, to provide critical readings of poetic texts in the antifeminist tradition, and to draw some conclusions about the basic nature of satire. Nussbaum finds that the English tradition of antifeminist satire draws on a background that includes Hesiod, Horace, Ovid, and Juvenal, as well as the more modern French tradition of La Bruyere and Boileau and the late seventeenth-century English pamphlets by Gould, Fige, and Ames. The tradition was employed by the major figures of the golden age of satire—Samuel Butler, Dryden, Swift, Addison, and Pope. Examining the elements of the tradition of antifeminist satire and exploring its uses, from the most routine to the most artful, by the various poets, Nussbaum reveals a clearer context in which many poems of the Restoration and eighteenth century will be read anew.
Publisher: University Press of Kentucky
ISBN: 0813183472
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
"Is it not monstrous, that our Seducers should be our Accusers? Will they not employ Fraud, nay often Force to gain us? What various Arts, what Stratagems, what Wiles will they use for our Destruction? But that once accomplished, every opprobrious Term with which our Language so plentifully abounds, shall be bestowed on us, even by the very Villains who have wronged us"—Laetitia Pilkington, Memoirs (1748). In her scandalous Memoirs, Laetitia Pilkington spoke out against the English satires of the Restoration and eighteenth century, which employed "every opprobrious term" to chastise women. In The Brink of All We Hate, Felicity Nussbaum documents and groups those opprobrious terms in order to identify the conventions of the satires, to demonstrate how those conventions create a myth, to provide critical readings of poetic texts in the antifeminist tradition, and to draw some conclusions about the basic nature of satire. Nussbaum finds that the English tradition of antifeminist satire draws on a background that includes Hesiod, Horace, Ovid, and Juvenal, as well as the more modern French tradition of La Bruyere and Boileau and the late seventeenth-century English pamphlets by Gould, Fige, and Ames. The tradition was employed by the major figures of the golden age of satire—Samuel Butler, Dryden, Swift, Addison, and Pope. Examining the elements of the tradition of antifeminist satire and exploring its uses, from the most routine to the most artful, by the various poets, Nussbaum reveals a clearer context in which many poems of the Restoration and eighteenth century will be read anew.
Horace: Satires Book I
Author: Horace
Publisher: Cambridge University Press
ISBN: 0521452201
Category : History
Languages : en
Pages : 383
Book Description
Helps readers to translate and interpret Horace's first book of Satires in the light of recent scholarship.
Publisher: Cambridge University Press
ISBN: 0521452201
Category : History
Languages : en
Pages : 383
Book Description
Helps readers to translate and interpret Horace's first book of Satires in the light of recent scholarship.
English satirical poetry from Joseph Hall to Percy B. Shelley
Author: Hermann Fischer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311165916X
Category : Language Arts & Disciplines
Languages : en
Pages : 160
Book Description
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311165916X
Category : Language Arts & Disciplines
Languages : en
Pages : 160
Book Description
The Satires, Translated Into English Verse by J. Dryden ... Together with the Satires of Aulus Persius Flaccus Made English by Mr. Dryden
Author: Decimus Iunius Iuvenalis
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
The Satires of Persius Translated Into English Verse by W. Drummond
Author: Aulus PERSIUS FLACCUS
Publisher:
ISBN:
Category :
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 254
Book Description
The Satires of D. J. Juvenalis. Translated Into English Verse. By Mr. Dryden, and Several Other Eminent Hands. Together with the Satires of A. Persius Flaccus. Made English by Mr. Dryden. With Explanatory Notes ... To which is Prefix'd a Discourse Concerning the Original and Progress of Satire ... Adorn'd with Sculptures
Author: Decimus Junius JUVENALIS
Publisher:
ISBN:
Category :
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 668
Book Description
The Satires and Epistles of Horace Done Into English, with Notes
British Women Satirists in the Long Eighteenth Century
Author: Amanda Hiner
Publisher: Cambridge University Press
ISBN: 1108945090
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This collection of innovative essays by leading scholars on eighteenth-century British women satirists showcases women's contributions to the satiric tradition and challenges the assumption that women were largely targets, rather than practitioners, of satire during the long eighteenth century. The essays examine women's satires across diverse genres, from the fable to the periodical, and attend to women writers' appropriation of a literary style and form often viewed as exclusively masculine. The introduction features a new theory of women's satire and proposes a framework for analyzing satiric techniques employed by women writers. Organized chronologically, the contributors' essays address a wide range of authors and explore the ways in which satiric writings by women engaged in contemporary cultural conversations, influencing assumptions about gender, sociability, politics, and literary practices. This inclusive yet tightly-focused collection formulates an innovative and provocative new feminist theory of satire.
Publisher: Cambridge University Press
ISBN: 1108945090
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This collection of innovative essays by leading scholars on eighteenth-century British women satirists showcases women's contributions to the satiric tradition and challenges the assumption that women were largely targets, rather than practitioners, of satire during the long eighteenth century. The essays examine women's satires across diverse genres, from the fable to the periodical, and attend to women writers' appropriation of a literary style and form often viewed as exclusively masculine. The introduction features a new theory of women's satire and proposes a framework for analyzing satiric techniques employed by women writers. Organized chronologically, the contributors' essays address a wide range of authors and explore the ways in which satiric writings by women engaged in contemporary cultural conversations, influencing assumptions about gender, sociability, politics, and literary practices. This inclusive yet tightly-focused collection formulates an innovative and provocative new feminist theory of satire.