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Author: David H. Finkelstein Publisher: Harvard University Press ISBN: 0674263413 Category : Philosophy Languages : en Pages : 206
Book Description
At least since Descartes, philosophers have been interested in the special knowledge or authority that we exhibit when we speak about our own thoughts, attitudes, and feelings. Expression and the Inner contends that even the best work in contemporary philosophy of mind fails to account for this sort of knowledge or authority because it does not pay the right sort of attention to the notion of expression. Following what he takes to be a widely misunderstood suggestion of Wittgenstein's, Finkelstein argues that we can make sense of self-knowledge and first-person authority only by coming to see the ways in which a self-ascription of, say, happiness (a person's saying or thinking, "I'm happy this morning") may be akin to a smile--akin, that is, to an expression of happiness. In so doing, Finkelstein contrasts his own reading of Wittgenstein's philosophy of mind with influential readings set out by John McDowell and Crispin Wright. By the final chapter of this lucid work, what's at stake is not only how to understand self-knowledge and first-person authority, but also what it is that distinguishes conscious from unconscious psychological states, what the mental life of a nonlinguistic animal has in common with our sort of mental life, and how to think about Wittgenstein's legacy to the philosophy of mind.
Author: David H. Finkelstein Publisher: Harvard University Press ISBN: 0674263413 Category : Philosophy Languages : en Pages : 206
Book Description
At least since Descartes, philosophers have been interested in the special knowledge or authority that we exhibit when we speak about our own thoughts, attitudes, and feelings. Expression and the Inner contends that even the best work in contemporary philosophy of mind fails to account for this sort of knowledge or authority because it does not pay the right sort of attention to the notion of expression. Following what he takes to be a widely misunderstood suggestion of Wittgenstein's, Finkelstein argues that we can make sense of self-knowledge and first-person authority only by coming to see the ways in which a self-ascription of, say, happiness (a person's saying or thinking, "I'm happy this morning") may be akin to a smile--akin, that is, to an expression of happiness. In so doing, Finkelstein contrasts his own reading of Wittgenstein's philosophy of mind with influential readings set out by John McDowell and Crispin Wright. By the final chapter of this lucid work, what's at stake is not only how to understand self-knowledge and first-person authority, but also what it is that distinguishes conscious from unconscious psychological states, what the mental life of a nonlinguistic animal has in common with our sort of mental life, and how to think about Wittgenstein's legacy to the philosophy of mind.
Author: DovBer Pinson Publisher: Jason Aronson ISBN: 9780765760982 Category : Music Languages : en Pages : 204
Book Description
What is Jewish Music? What makes a song sound Jewish? What is the place of music in Jewish history and philosophy? The author writes, What is known to us as Jewish music is actually a compilation of styles and rhythms gathered over centuries and obtained in various manners and from countless sources. However, musicologists the world over agree that the purity of the Jewish song has always been retained. The quality which makes it uniquely Jewish, regardless of the influence on it, has remained untouched and clearly identifiable. What is this quality? What is it that makes a song sound Jewish? It is a note of longing, of a child yearning to unite with his parent, a nation pining for its homeland and lost temple, a soul in this world remembering the holiness above and longing to reunite. Each song resonates with the entirety of the Jewish experience, the devastations and victories, the separations and reunifications and above all the constant bound with the eternal. The study of Jewish music is vast and requires volumes to contain it. There are many who have analyzed its unique qualities and have written extensively on it. Their examination of music is essentially a lesson in history, another means of glimpsing a rich and diverse past. There is yet another way to examine a song, and that is, to view it as an eternal message, as relevant today as it was hundreds of years ago, at the time of its composition. Each song tells its own story in the heart of the one who sings it. It evokes a unique response in each listener. A tune can touch a soul, in a way no words ever could. The study of music as response is what I aim to portray in this work. Music can be used in a myriad of ways in our everyday lives. Especially today with all of the gadgets that can convey music, we are bombarded by sound. Just by taking a long walk, a person changes zones of melodies, beats, and compositions of various types. Our bodies seem to vibrate to uninvited songs and noises that permeate the air around us. But invited
Author: S. K. Leung Publisher: Janus Publishing Company Lim ISBN: 9781902835136 Category : Language Arts & Disciplines Languages : en Pages : 228
Book Description
Against the popular belief that language and meaning are essentially public in their epistemological origin, this book offers a philosophical basis for its antithesis. The author refutes the separation of reference from meaning, the long-held logical principle of the identity of the indiscernibles, and Wittgenstein's no-private-language philosophy.
Author: David H. Finkelstein
Author: David H. Finkelstein
Author: 
Author: Tianamonet Tobie
Author: DovBer Pinson
Author: Percy Alexander MacMahon
Author: William Dwight Whitney
Author: William Dwight Whitney
Author: S. K. Leung
Author: Katherine Augusta Westcott Tingley
Author: William Dwight Whitney