Author: Battista GuariniPublisher:
ISBN:
Category : Italian drama
Languages : en
Pages : 536
Book Description
The Faithful Shepherd. A Pastoral Tragi-comedy, Written in Italian, by the Celebrated Signor Cavalier Guarini. Translated Into English
Author: Battista GuariniPublisher:
ISBN:
Category : Italian drama
Languages : en
Pages : 536
Book Description
Faithful Shepherd. A Pastoral Tragi-comedy
Author: Battista GuariniPublisher:
ISBN:
Category : Italian drama
Languages : en
Pages : 460
Book Description
The Faithful Shepherd. A Pastoral Tragi-comedy, Written in Italian, by the Celebrated Signor Cavalier Guarini. Translated Into English
Author: Battista GuariniPublisher:
ISBN:
Category : Italian drama
Languages : en
Pages : 0
Book Description
The Faithful Shepherd. A Pastoral Tragi-comedy ... Translated Into English. [The Translation Chiefly Following that of Sir Richard Fanshawe.]
![The Faithful Shepherd. A Pastoral Tragi-comedy ... Translated Into English. [The Translation Chiefly Following that of Sir Richard Fanshawe.] PDF](https://books.google.com/books/content/images/frontcover/mQhgAAAAcAAJ?fife=w80-h100)
Author: Giovanni Battista GUARINIPublisher:
ISBN:
Category :
Languages : en
Pages : 262
Book Description
The Faithful Shepherd
Author: Battista GuariniIl Pastor Fido
Author: Battista GuariniIl Pastor Fido: Or, the Faithful Shepherd: A Pastoral Tragi-Comedy: Attempted in English Blank Verse from the Italian of Signor Cavali
Author: Battista GuariniPublisher: Palala Press
ISBN: 9781377660462
Category : History
Languages : en
Pages : 260
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sources of Dramatic Theory: Volume 1, Plato to Congreve
Author: Michael J. SidnellPublisher: Cambridge University Press
ISBN: 9780521326940
Category : Drama
Languages : en
Pages : 332
Book Description
This book makes available major theoretical writings on drama from the Greeks to the late seventeenth century for students of dramatic theory who require more than representative snippets. All the texts included here have been newly annotated and many have been specially translated for this volume.
English Tragicomedy
Author: Frank Humphrey RistinePublisher:
ISBN:
Category : English drama
Languages : en
Pages : 282
Book Description
Tragicomedy
Author: David L. HirstPublisher: Routledge
ISBN: 1000579298
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
In this brief study, originally published in 1984, David Hirst examines the meaning of the term ‘tragicomedy’ by elucidating the most important theories of the genre and by analysing those plays which represent its most vital and influential expression. He draws a distinction between tragicomedies and conceived as a careful fusion of contrasted dramatic elements and as a mixed genre which seeks to exploit a volatile combination of theatrical extremes. In the first part he compares neo-classical romance and satire. The plays of Shakespeare, Fletcher and Corneille, seen in the context of the literary theory of Guarini, are contrasted with Marlowe and the writers of revenge tragedy. The second part examines the conflict of Romanticism and realism in nineteenth- and twentieth-century theatre. Shaw, Chekhov and the Absurdists are viewed in relation to the key theories of tragicomedy expounded by Brecht, Artaud and Pirandello. The study concludes with a consideration of certain significant contemporary plays – by Edward Bond, Peter Nichols and Peter Barnes – in the context of the historical development of the genre.