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Author: Jeanette Woods Publisher: Wipf and Stock Publishers ISBN: 1666715409 Category : Biography & Autobiography Languages : en Pages : 317
Book Description
Ross Langmead will be remembered as one of Australia's leading missiologists, having established his credentials as a young man in founding Westgate Baptist Community after writing a report on the struggling churches in the west of Melbourne. His distinguished academic and teaching career led him to join the faculty at Whitley College until his death in 2013. He will also be remembered for his seventies folk group, Daddy's Friends, and the songs of love and justice he wrote over forty-five years that are still sung today. This biography starts with his missionary family upbringing and traces the influences that shaped his passion for sharing Jesus with the urban poor. He was a key player in the radical discipleship movement in Australia; his understanding of incarnational mission was that Christians need to be the people of God just where they are. Above all, he lived simply that others might simply live, his passion extending to ecomissiology and support for the unemployed, indigenous, and refugees. He would want this book to inspire readers to make a difference in the world.
Author: Jeanette Woods Publisher: Wipf and Stock Publishers ISBN: 1666715409 Category : Biography & Autobiography Languages : en Pages : 317
Book Description
Ross Langmead will be remembered as one of Australia's leading missiologists, having established his credentials as a young man in founding Westgate Baptist Community after writing a report on the struggling churches in the west of Melbourne. His distinguished academic and teaching career led him to join the faculty at Whitley College until his death in 2013. He will also be remembered for his seventies folk group, Daddy's Friends, and the songs of love and justice he wrote over forty-five years that are still sung today. This biography starts with his missionary family upbringing and traces the influences that shaped his passion for sharing Jesus with the urban poor. He was a key player in the radical discipleship movement in Australia; his understanding of incarnational mission was that Christians need to be the people of God just where they are. Above all, he lived simply that others might simply live, his passion extending to ecomissiology and support for the unemployed, indigenous, and refugees. He would want this book to inspire readers to make a difference in the world.
Author: Nathan Bransford Publisher: Nathan Bransford ISBN: 173414940X Category : Language Arts & Disciplines Languages : en Pages : 183
Book Description
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
Author: Vennie Anderson Publisher: ISBN: 9781977251640 Category : Languages : en Pages : 112
Book Description
Question: Who would enjoy reading "Birthing A Book?" Answers: Anyone who has always wanted to write a book. Anyone who has already written a book but has no idea what to do with it. Anyone who is an avid reader, interested in how people write books and get them published. All these and more are people who will enjoy reading this amusing and informative book. Instructional, funny, and honest about the pitfalls she encountered in the publishing world, Anderson describes how she came to write her first book, "The First Year: Coping With Widowhood." She takes the reader along on the journey to publication of that book and beyond. It was a labor of love, so much so that she found herself comparing the writing and publishing of a book to having a baby. She decided to begin another book about just that, ergo "Birthing A Book." As anyone who has published a book will tell you, there is a lot of downtime during the publication process, waiting for this and that to be finished before moving to the next step. Anderson used the downtime to work on additional writing projects, completing a second book and beginning work on a third. When "The First Year: Coping With Widowhood" was published, Anderson was pleased with the result of her publisher's work. However, because she struggled mightily with the publisher's complex online forms and editing software, she decided to search for another publisher for her next book. Still a relative novice in the publishing world, there was much she didn't know, including the reputation of a certain self-publishing parent company with multiple imprints. Unknowingly she chose one of those imprints to publish her second book, "The Shanty Irishman and the Lady." Ultimately she found herself in a nest of vipers. She had unwittingly set in motion a chain of events, which was to cost her a lot of money and personal anguish. Chagrined at the fallout from her poorly informed decision, she set about learning all she could about writing and publishing. She decided to rework "Birthing A Book" to include what she felt was essential information for aspiring authors about writing and publishing, and in particular, the need for extreme caution in choosing a publisher. The result is a two-part book. The first part is like a diary of her first book journey. She begins with the decision to write the book, the actual writing, choosing a publisher, and the publication process. Blind luck and trust in the Better Business Bureau led her to a reputable self-publisher for that first book. The second part of "Birthing A Book" is essentially a mini-manual on writing and publishing a book, including references to resources such as "The Elements of Style" and other books written by experts in writing and publishing. Anderson includes compelling evidence for making careful, well-informed choices when choosing a publisher. Tips on record keeping and efficient organization for writers are included. In both parts, Anderson uses amusing epigraphs on writing and publishing to introduce each chapter "Birthing A Book" is a fine example of finding oneself surrounded by broken eggs and deciding to make an omelet.
Author: Jeff Gerke Publisher: Penguin ISBN: 159963287X Category : Language Arts & Disciplines Languages : en Pages : 240
Book Description
Seeking writing success? Start at the beginning... Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged. As a writer, what you do in your opening pages, and how you do it, is a matter that cannot be left to chance. The First 50 Pages is here to help you craft a strong beginning right from the start. You’ll learn how to: • introduce your main character • establish your story world • set up the plot’s conflict • begin your hero’s inner journey • write an amazing opening line and terrific first page • and more This helpful guide walks you through the tasks your first 50 pages must accomplish in order to avoid leaving readers disoriented, frustrated, or bored. Don’t let your reader put your book down before ever seeing its beauty. Let The First 50 Pages show you how to begin your novel with the skill and intentionality that will land you a book deal, and keep readers’ eyes glued to the page.
Author: Salvatore Scibona Publisher: Penguin ISBN: 1101150920 Category : Fiction Languages : en Pages : 264
Book Description
An incredible debut and National Book Award-nominated novel, described as "Memento meets Augie March. Didion meets Hitchcock" by Esquire, from the author of The Volunteer It is August 15, 1953, the day of a boisterous and unwieldy street carnival in Elephant Park, an Italian immigrant enclave in northern Ohio. As the festivities reach a riotous pitch and billow into the streets, five members of the community labor under the weight of a terrible secret. As these floundering souls collide, one day of calamity and consequence sheds light on a half century of their struggles, their follies, and their pride. And slowly, it becomes clear that buried deep in the hearts of these five exquisitely drawn characters is the long-silenced truth about the crime that twisted each of their worlds. Cast against the racial, spiritual, and moral tension that has given rise to modern America, this first novel exhumes the secrets lurking in the darkened crevices of the soul of our country. Inventive, explosive, and revelatory, The End introduces Salvatore Scibona as an important new voice in American fiction.
Author: April Davila Publisher: Kensington Books ISBN: 1496724712 Category : Fiction Languages : en Pages : 277
Book Description
Set against the unexpected splendor of an ostrich ranch in the California desert, April Dávila’s beautifully written debut conjures an absorbing and compelling heroine in a story of courage, family and forgiveness. When Tallulah Jones was thirteen, her grandmother plucked her from the dank Oakland apartment she shared with her unreliable mom and brought her to the family ostrich ranch in the Mojave Desert. After eleven years caring for the curious, graceful birds, Tallulah accepts a job in Montana and prepares to leave home. But when Grandma Helen dies under strange circumstances, Tallulah inherits everything—just days before the birds inexplicably stop laying eggs. Guarding the secret of the suddenly barren birds, Tallulah endeavors to force through a sale of the ranch, a task that is complicated by the arrival of her extended family. Their designs on the property, and deeply rooted dysfunction, threaten Tallulah’s ambitions and eventually her life. With no options left, Tallulah must pull her head out of the sand and face the fifty-year legacy of a family in turmoil: the reality of her grandmother's death, her mother's alcoholism, her uncle's covetous anger, and the 142 ostriches whose lives are in her hands. “Vivid…uplifting…The fascinating details of operating an ostrich ranch elevate this family tale.” —Publishers Weekly “Tension mounts in every chapter, and when the difficult forces converge in the satisfying climax, Tallulah discovers clarity. This is an enjoyable, winning, interesting novel for readers of many backgrounds.” —Booklist (starred review) “A story told with depth and beauty about the many things we inherit from our families. Dávila’s characters are familiar, yet unforgettable, and I’m waiting patiently for what she writes next.” —Wayétu Moore, author of She Would Be King
Author: Tahereh Mafi Publisher: HarperCollins ISBN: 0062866583 Category : Young Adult Fiction Languages : en Pages : 336
Book Description
Longlisted for the National Book Award for Young People's Literature! From the New York Times and USA Today bestselling author of the Shatter Me series comes a powerful, heartrending contemporary novel about fear, first love, and the devastating impact of prejudice. It’s 2002, a year after 9/11. It’s an extremely turbulent time politically, but especially so for someone like Shirin, a sixteen-year-old Muslim girl who’s tired of being stereotyped. Shirin is never surprised by how horrible people can be. She’s tired of the rude stares, the degrading comments—even the physical violence—she endures as a result of her race, her religion, and the hijab she wears every day. So she’s built up protective walls and refuses to let anyone close enough to hurt her. Instead, she drowns her frustrations in music and spends her afternoons break-dancing with her brother. But then she meets Ocean James. He’s the first person in forever who really seems to want to get to know Shirin. It terrifies her—they seem to come from two irreconcilable worlds—and Shirin has had her guard up for so long that she’s not sure she’ll ever be able to let it down.
Author: Tahereh Mafi Publisher: HarperCollins ISBN: 0062676415 Category : Young Adult Fiction Languages : en Pages : 256
Book Description
Juliette and Warner’s story continues in the thrilling fifth installment of Tahereh Mafi’s New York Times bestselling Shatter Me series. Juliette Ferrars isn’t who she thinks she is. Nothing in her world is what it seemed. She thought she’d finally defeated the Reestablishment. She thought she’d finally taken control of her life, her power, and her pain. But Juliette has only just begun to unravel a lifetime of lies, and she finds herself faced with a familiar choice: Be a weapon. Or be a warrior. This time, she’s not alone. Stronger, braver, and more resilient than ever, Juliette will fight for life and love with her friends by her side—but first, she has to survive the war being waged against her mind: She has to remember who she was. Narrated by Juliette, Warner, and Kenji Kishimoto, this gripping novel will leave readers hungry for Imagine Me, the sixth novel in the series.
Author: Sandra O'Donnell Publisher: ISBN: 9781732298200 Category : Languages : en Pages : 156
Book Description
What is the difference between a writer who never finds an agent or sells their manuscript to a publisher and an author who becomes a best seller? The first fifteen pages. If you have been sending out queries and wonder why your manuscript hasn't grabbed the interest of an agent, the answer might be in the first fifteen pages you submitted. Why? Because quite simply, most submissions are missing one or more of the crucial elements of storytelling that capture and hold readers attention. The job, the explicit goal, of those critical first fifteen pages, is to hook agents, editors, and ultimately readers. Those first pages need to grab us if not by the collar, at least by the sleeve and say, "I've got you. Keep reading." If your first fifteen pages don't do that, your manuscript won't make it past an agent's slush pile, and your book will never land in the hands of a reader or brighten the screen of their Kindles. As a literary agent, I've read thousands of queries and thousands of beginning pages. I've learned what makes a submission sing, sending me back to the author's query to find an email so I can ask for more. And, I've learned what causes me, more often than not, to push Send on a "passed with love" email. I loathe having to send those "thanks but no thanks" responses to a writer's work. I don't know any agent who looks forward to the opportunity to gleefully kill the dreams of someone who has spent years toiling away on a book. Fifteen pages may seem an unfairly short or arbitrary number of pages to determine if the writing or the story is worth pursuing. But honestly, by reading the first fifteen pages of a manuscript, I know what I need to know, which is: - If the writing is fresh, beautifully wrought, moving, or exceptional. - What drove the story into being - the inciting incident. - Who the main characters are and what makes them interesting and distinct. - When and where the story is set - the time frame, place or historical period. - The genre - is the story a romance set in Tuscany, a WWII revisionist history, a coming of age LGBTQ, a YA dystopian set in the past, or commercial fiction about life after death? - If the point of view feels right for the story. - If the writer is the only person who has read the manuscript (a dead give away is a manuscript riddled with grammatical errors with big holes in the story.) And, most importantly, we know if it is a story we are passionate about or at least excited enough about after fifteen pages to ask for the full manuscript. If we aren't into your story by page fifteen, our attention wanders, and after that, it is very difficult to get the reader back. I can hear many of you groaning, "My story is special. I need more time to develop my characters to give a backstory to build tension to pile on all the things I learned in writing classes " Actually, you don't. All you need to introduce the essential elements - the who, what, where, when and most importantly the why of your story - are the first fifteen pages. In this book, I back up my reasons for concentrating on the first fifteen pages by sharing examples from the bestselling novels in a variety of genres. You don't have to take my word for it. Read the first two chapters of this book and then pick up your favorite book in your favorite genre. Read the first fifteen pages. See for yourself what drew you to the book and why you kept reading. This book is for beginning writers AND for those who have a pile of thanks but no thanks rejections sitting in their inbox. It is for the novice writer with an inkling of a book idea AND for those who've heard crickets from all the queries they've sent out. It is for those who dream of being on a bestseller list or winning a major book award, AND for those who want to write the best book possible and see where it takes them.
Author: Jeanette Woods
Author: Jeanette Woods
Author: Noah Lukeman
Author: Nathan Bransford
Author: Vennie Anderson
Author: Jeff Gerke
Author: Salvatore Scibona
Author: April Davila
Author: Tahereh Mafi
Author: Tahereh Mafi
Author: Sandra O'Donnell