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Author: Paul Young Publisher: Rutgers University Press ISBN: 0813563836 Category : Literary Criticism Languages : en Pages : 291
Book Description
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
Author: Paul Young Publisher: Rutgers University Press ISBN: 0813563836 Category : Literary Criticism Languages : en Pages : 291
Book Description
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
Author: Frank Miller Publisher: Legendary Comics LLC ISBN: 9781937278007 Category : Graphic novels Languages : en Pages : 0
Book Description
There's a deadly menace somewhere in Empire City, and The Fixer only has until dawn to save his town - and civilization as we know it! This title features the desperate and brutal quest of a hero as he is forced to run down an army of murderous zealots in order to stop a crime against humanity.
Author: Thomas Wheeler Publisher: Simon & Schuster Books for Young Readers ISBN: 1534425330 Category : Young Adult Fiction Languages : en Pages : 416
Book Description
Look out for the original series starring Katherine Langford coming soon to Netflix! The Lady of the Lake is the true hero in this cinematic twist on the tale of King Arthur created by Thomas Wheeler and legendary artist, producer, and director Frank Miller (300, Batman: The Dark Knight Returns, Sin City). Featuring 8 full-color and 30 black-and-white pieces of original artwork by Frank Miller. Whosoever wields the Sword of Power shall be the one true King. But what if the Sword has chosen a Queen? Nimue grew up an outcast. Her connection to dark magic made her something to be feared in her Druid village, and that made her desperate to leave… That is, until her entire village is slaughtered by Red Paladins, and Nimue’s fate is forever altered. Charged by her dying mother to reunite an ancient sword with a legendary sorcerer, Nimue is now her people’s only hope. Her mission leaves little room for revenge, but the growing power within her can think of little else. Nimue teams up with a charming mercenary named Arthur and refugee Fey Folk from across England. She wields a sword meant for the one true king, battling paladins and the armies of a corrupt king. She struggles to unite her people, avenge her family, and discover the truth about her destiny. But perhaps the one thing that can change Destiny itself is found at the edge of a blade.
Author: Publisher: Marvel ISBN: 9780785123439 Category : Comics & Graphic Novels Languages : en Pages : 0
Book Description
Frank Miller's spellbinding scripts and pulse-pounding pencils herald one of Daredevil's greatest eras, just in time for the Kingpin and Bullseye's efforts to rob the Man Without Fear of everything he holds dear! Featuring the first appearances of Elektra, Stick and the Hand! The daring discovery that drew Ben Urich into Daredevil's domain of darkness! Such forgotten-yet-formidable foes as Death-Stalker and the Gladiator! Guest-starring the Hulk, the Avengers, and Power Man and Iron Fist!
Author: Paul Young Publisher: Rutgers University Press ISBN: 0813573033 Category : Literary Criticism Languages : en Pages : 214
Book Description
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
Author: Frank Miller Publisher: Marvel Entertainment ISBN: 1302481215 Category : Comics & Graphic Novels Languages : en Pages : 331
Book Description
Collects Daredevil (1964) #185-191, Û Daredevil: Love & War, and What If? #28. Two assassins. One hero. It didn't end well. But Elektra's death was only the foundation for one of Frank Miller's most staggering sagas of the Man Without Fear! The Hand and the Chaste are in a race for Elektra, body and soul, and Natasha Romanova, the Black Widow, almost follows her rival into the grave while Daredevil's trapped in a coffin of his own design! Can his sarcastic sensei Stick rescue him from sensory overload, just in time for hand-to-Hand combat? Plus, the continuing tragedy of Heather Glenn, Foggy Nelson's foray into organized crime, a path not taken to the S.H.I.E.L.D. Helicarrier, and the only villain who gets less respect than Stilt-Man ... a second Stilt-Man! Featuring the Kingpin, Bullseye, and Hydra!
Author: James W. Baker Publisher: An Unexpected Journal ISBN: Category : Religion Languages : en Pages : 191
Book Description
Superheroes captivate our cultural imagination. From reading comic books in our childhood bedrooms to watching the latest blockbuster on the silver screen, we long to see the champion defeat the villain and ultimately rescue the world from certain destruction. Though the stories may be fantastical, our desires are not. Our hearts are drawn to superheroes because we want someone to triumph over evil and save the world. This issue of An Unexpected Journal proposes that just maybe our desires have already been fulfilled. Contributors Jesse W. Baker: "The Power of Weakness" on Questions of Violence Donald W Catchings, Jr.: "He Will Rise" on Nolan's Salvific Themes Annie Crawford: "Super-Women and the Price of Power" on Gendered Superheroes Joseph Holmes: "Superheroes and Worship" on the Attraction of Superhero Movies Christy Luis: "Ex-Cult Member Saved by Grace" on the Dangers Of False Heroes Jason Monroe: "Answering Joker’s Dark-Knight-Defying Anarchy" on Competing Worldviews Seth Myers: "Global Superheroes from the Disneyverse and Studio Ghibli" on Heroism Manifested around the World; "Once a Prince or Princess: MacDonald’s Moral Superheroines and Heroes in the Princess Tales" on Ordinary Heroic Actions; and "Planets, Poetry, and the Power of Myth in Halo and Destiny" on the Apologetic Power of Video Games Annie Nardone: "Just a Sidekick?" on the Importance of Support Cherish Nelson: "Person or Persona: What's Inside the Spider-Verse?" on Plantinga's Conception of the Multiverse Megan Joy Rials: "Diana Prince, Apologist? Salvation and the Great Commission in Wonder Woman" on an Unlikely Apologist Jason M. Smith: "Worth Reading" on Some Good Starting Points James M. Swayze: "Superheroes, Saviors, and C.S. Lewis" on Epic, Myth, and Human Longings John P. Tuttle: "Humility Contra Pride as Represented in Thor (2011)" on the Superiority of Virtue Clark Weidner: "Faith on Trial in Frank Miller’s Daredevil Comics" on Questions of the Greater Good About the Cover We are all looking for a hero, someone to battle monsters that threaten. A hero can battle the monsters without, but only the Superhero can conquer the monster within. An Unexpected Journal Summer 2021 Volume 4, Issue 2 300 pages
Author: Ian Gordon Publisher: Rutgers University Press ISBN: 0813587549 Category : Comics & Graphic Novels Languages : en Pages : 225
Book Description
After debuting in 1938, Superman soon became an American icon. But why has he maintained his iconic status for nearly 80 years? And how can he still be an American icon when the country itself has undergone so much change? Superman: Persistence of an American Icon examines the many iterations of the character in comic books, comic strips, radio series, movie serials, feature films, television shows, animation, toys, and collectibles over the past eight decades. Demonstrating how Superman’s iconic popularity cannot be attributed to any single creator or text, comics expert Ian Gordon embarks on a deeper consideration of cultural mythmaking as a collective and dynamic process. He also outlines the often contentious relationships between the various parties who have contributed to the Superman mythos, including corporate executives, comics writers, artists, nostalgic commentators, and collectors. Armed with an encyclopedic knowledge of Superman’s appearances in comics and other media, Gordon also digs into comics archives to reveal the prominent role that fans have played in remembering, interpreting, and reimagining Superman’s iconography. Gordon considers how comics, film, and TV producers have taken advantage of fan engagement and nostalgia when selling Superman products. Investigating a character who is equally an icon of American culture, fan culture, and consumer culture, Superman thus offers a provocative analysis of mythmaking in the modern era.
Author: Paul Young
Author: Paul Young
Author: Frank Miller
Author: Thomas Wheeler
Author: Frank Miller
Author: 
Author: Paul Young
Author: Frank Miller
Author: James W. Baker
Author: Ian Gordon
Author: Frank Miller