Gender and Sexual Fluidity in 20th Century Women Writers PDF Download

Author: Lesley C Graydon
Publisher: Routledge
ISBN: 1000054845
Category : Social Science
Languages : en
Pages : 285

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Book Description
This book analyses twentieth-century writers who traffic in queer, non-normative, and/or fluid gender and sexual identities and subversive practices, revealing how gender and sexually variant women create, revise, redefine, and play with language, desires, roles, the body, and identity. Through the model of the "switch" —someone who shifts between roles, desires, or ways of being in the realms of gender or sexual identity – Gender and Sexual Fluidity in 20th Century Women Writers: Switching Desire and Identity examines the intersecting locations of gender and sexual identity switching that six prolific, experimental authors and their narratives play with: Gertrude Stein, Jeanette Winterson, Kathy Acker, Eileen Myles, Anne Carson, and Anne Carson’s translations of Sappho. The theory and identities revealed create and give space to—by their playful, exploratory, and destabilizing nature—diverse openings and possibilities for a great expansion and freedom in gender, sexuality, desires, roles, practices, and identity. This is a provocative and innovative intervention in gender and sexuality in modern literature and gives us a new vocabulary and conversation by which to expand women’s and gender studies, LGBTQ and sexuality studies, identity studies, literature, feminist theory, and queer theory.

Author: Elaine Wood
Publisher: Routledge
ISBN: 1000190803
Category : Literary Criticism
Languages : en
Pages : 233

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Book Description
Female Sexuality in Modernist Fiction: Literary Techniques for Making Women Artists provides a chronological investigation of the innovative writing styles of canonical modernist writers to reveal a shift in gendered representations of sexual subjectivity. Positioned at the nexus of studies on the body and sexuality in modernist literature, this book addresses the complex ways that constructions of female sexuality are understood culturally, politically, and epistemologically. Using close reading strategies to identify how modernist authors challenge representations of female positionality as passive, case studies consider how canonical modernist authors – Virginia Woolf, W.B. Yeats, James Joyce, and Samuel Beckett – found new ways to represent women as embodied, sexual, desired, and desiring subjects through prose, poetry, and drama. This book addresses Woolf’s Orlando: A Biography (1928), Yeats’ The Winding Stair and Other Poems (1933), Joyce’s Finnegans Wake (1939), Beckett’s Not I (1972), and other dramatic works. By rendering sexuality more obviously as a component of female character, these works of modernist literature shape our understanding of the artistic body as a structure for thinking about "woman" as a linguistic construct and material reality. This study is will be of great interest to scholars in English literature, women and gender studies, and sexuality studies.

Author: Eva Pelayo Sañudo
Publisher: Routledge
ISBN: 1000390845
Category : Social Science
Languages : en
Pages : 170

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Book Description
Examining the family saga as an instrument of literary analysis of writing by Italian American women, this book argues that the genre represents a key strategy for Italian American female writers as a form which distinctly allows them to establish cultural, gender and literary traditions. Spaces are inherently marked by the ideology of the societies that create and practice them, and this volume engages with spaces of cultural and gendered identity, particularly those of the ‘mean streets’ in Italian American fiction, which provide a method of critically analyzing the configurations and representations of identity associated with the Italian American community. Key authors examined include Julia Savarese, Marion Benasutti, Tina De Rosa, Helen Barolini, Melania Mazzucco and Laurie Fabiano. This book is suitable for students and scholars in Literature, Italian Studies, Cultural Studies and Gender Studies.

Author: Christopher Wiley
Publisher: Routledge
ISBN: 1000404323
Category : Social Science
Languages : en
Pages : 301

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Book Description
This collection of essays explores the myriad ways in which the women’s suffrage movement in Britain in the nineteenth century and twentieth century engaged with and was expressed through literature, art and craft, music, drama and cinema. Uniquely, this anthology places developments in the constituent arts side by side, and in dialogue, rather than focusing on a single field in isolation. In so doing, it illustrates how creative endeavours in different artforms converged in support of women’s suffrage. Topics encompassed range from the artistic output of such household names as Sylvia Pankhurst and Ethel Smyth, to the recent feature film Suffragette. It also brings to light under-represented figures and neglected works related to the suffrage movement. A wide variety of material is explored, from poems, diaries and newspapers to posters, dress and artefacts to songs, opera, plays and film. Published in the wake of the centenary of many women receiving the parliamentary vote in the UK, this book will appeal to scholars, undergraduate and graduate students, and members of the public interested in the broad areas of women’s history and the women’s suffrage movement, as well as across the arts disciplines.

Author: Paul Morrison
Publisher: Routledge
ISBN: 100019776X
Category : Social Science
Languages : en
Pages : 277

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Book Description
Classical Hollywood Cinema, Sexuality, and the Politics of the Face examines the representation of iconic female faces in the golden age of Hollywood – Greta Garbo, Gloria Swanson, Elizabeth Taylor – and the gay male fetishization of those faces. Classical Hollywood cinema is given to an aesthetic and ideological struggle between rival scopic economies: an erotics of “to-be-looked-at-ness” is countered by a hermeneutics of “to-be-seen-through-ness.” The latter emerges triumphant, but the legendary female faces of Hollywood resist, in their different ways, a coercive and normalizing knowledge, which is the source of the gay male investment in them. A disciplinary society privileges a hermeneutics of gaze; the iconomic female faces of classical Hollywood cinema demand an erotics. Classical Holly Cinema, Sexuality, and the Politics of the Face explores the tension between the two through detailed readings of Ninotchka, Sunset Boulevard, and Suddenly, Last Summer in the context of early and mid-century cinema and culture. It includes, for instance, an analysis of D. W. Griffith and blackface, the Stonewall riots and the coming-into-voice of the modern gay subject, several major films by Hitchcock, Citizen Kane, and the emergence of rival standards of beauty, both female and male, in figures such as Katharine Hepburn, Ingrid Bergman, Humphrey Bogart, Rock Hudson, and James Dean. This is an important study for students of queer theory, film theory and history, and gender and sexuality studies.

Author: Lisa M. Diamond
Publisher: Harvard University Press
ISBN: 9780674026247
Category : Psychology
Languages : en
Pages : 352

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Book Description
Is love “blind” when it comes to gender? For women, it just might be. This unsettling and original book offers a radical new understanding of the context-dependent nature of female sexuality. Lisa M. Diamond argues that for some women, love and desire are not rigidly heterosexual or homosexual but fluid, changing as women move through the stages of life, various social groups, and, most important, different love relationships.This perspective clashes with traditional views of sexual orientation as a stable and fixed trait. But that view is based on research conducted almost entirely on men. Diamond is the first to study a large group of women over time. She has tracked one hundred women for more than ten years as they have emerged from adolescence into adulthood. She summarizes their experiences and reviews research ranging from the psychology of love to the biology of sex differences. Sexual Fluidity offers moving first-person accounts of women falling in and out of love with men or women at different times in their lives. For some, gender becomes irrelevant: “I fall in love with the person, not the gender,” say some respondents.Sexual Fluidity offers a new understanding of women’s sexuality—and of the central importance of love.

Author: Margaret Henderson
Publisher: Routledge
ISBN: 1351585061
Category : Social Science
Languages : en
Pages : 296

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Book Description
This project is a feminist study of the idiosyncratic oeuvre of Kathy Acker and how her unique art and politics, located at the explosive intersection of punk, postmodernism, and feminism, critiques and exemplifies late twentieth-century capitalism. There is no female or feminist writer like Kathy Acker (and probably no male either). Her body of work—nine novels, novellas, essays, reviews, poetry, and film scripts, published in a period spanning the 1970s to the mid 1990s—is the most developed body of contemporary feminist postmodernist work and of the punk aesthetic in a literary form. Some 20 years after her death, Kathy Acker: Punk Writer gives a detailed and comprehensive analysis of how Acker melds the philosophy and poetics of the European avant-garde with the vernacular and ethos of her punk subculture to voice an idiosyncratic feminist radical politics in literary form: a punk feminism. With its aesthetics of shock, transgression, parody, Debordian détournement, caricature, and montage, her oeuvre reimagines the fin-de-siècle United States as a schlock horror film for her punk girl protagonist: Acker’s cipher for herself and other rebellious and nonconformist women. This approach will allow the reader to more fully understand Acker as a writer who inhabits an explosive and creative nexus of contemporary women’s writing, punk culture, and punk feminism’s reimagining of late capitalism. This vital work will be an important text at both undergraduate and graduate levels in gender and women’s studies, postmodern studies, and twentieth-century American literature.

Author: Rachel Alpha Johnston Hurst
Publisher: Routledge
ISBN: 1000169596
Category : Social Science
Languages : en
Pages : 374

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Book Description
Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person, challenging the polarisation of conversations about abortion. This book illuminates the manifold ways that abortion is depicted and narrated by artists, performers, clinicians, writers, and activists. This representational work offers nuanced and complex understandings of abortion, personally and politically. Analyses of such representations are urgently needed as access to abortion is diminished and anti-abortion representations of the fetus continue to dominate the cultural horizon for thinking about abortion. Expanding the frame of reference for understanding abortion beyond the anti-abortion use of the fetal image, contributors to this collection push beyond narrow abstractions to examine representations of the experience and procedure of abortion within grounded histories, politics, and social contexts. The collection is organized into sections around seeing (and not seeing) abortion; fetal materiality; abortion storytelling and memoir; and representations for new arguments. These themes cover a range of topics including abortion visibility, anti-abortion discourse, pro-choice engagements with the fetus, personal experience and media representations. The analyses of such representations counteract anti-abortion rhetoric, carving out space for new arguments for abortion that are more representative and inclusive and asking audiences to envision new ways to advocate for safe abortion access through reproductive justice frameworks. This is an innovative and challenging collection that will be of key interest for scholars studying reproductive rights and reproductive justice, as well as women and gender studies. Representing Abortion is organized to structure upper year undergraduate and graduate courses on reproductive rights and reproductive justice in a new and engaging way.

Author: Stephanie Lynn Budin
Publisher: Routledge
ISBN: 0429516673
Category : History
Languages : en
Pages : 316

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Book Description
Examining freewomen in Mesopotamian society, ancient Greek hetaira, Renaissance Italy courtesans, historical and modern Japanese geisha, and the Hindu devadāsī of India, Stephanie Lynn Budin makes a wide-ranging study of independent women who have historically been dismissed as prostitutes. The purpose of this book is to rectify a well-entrenched misunderstanding about a category of women existing throughout world history—women who were not (and are not) under patriarchal authority, here called "Freewomen." Having neither father nor husband, and not being bound to any religious authority monitoring their sexuality, these women are understood to be prostitutes, and the terminology designating them appears as such in dictionaries and common parlance. This book examines five case studies of such women: the Mesopotamian ḫarīmtu, the Greek hetaira, the Italian cortigiana "onesta", the Japanese geisha, and the Indian devadāsī. Thus the book goes from the dawn of written history to the present day, from ancient Europe and the Near East through modern Asia, comparatively examining how each of these cultures had its own version of the Freewoman and what this meant in terms of sexuality, gender, and culture. This work also considers the historiographic infelicities that gave rise and continuance to this misreading of the historic and ethnographic record. This engaging and provocative study will be of great interest to students and scholars working in Gender and Sexuality Studies, Women’s History, Classical Studies, Ancient Near Eastern and Biblical Studies, Asian Studies, World Cultures, and Historiography.

Author: Tracey Nicholls
Publisher: Routledge
ISBN: 1000287726
Category : Social Science
Languages : en
Pages : 210

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Book Description
This book analyses rape culture through the lens of the ‘me too’ era. Drawing feminist theory into conversation with peace studies and improvisation theory, it advocates for peace- building opportunities to transform culture and for the improvisatory resources of ‘culture- jamming’ as a mechanism to dismantle rape culture. The book’s key argument is that cultural attitudes and behaviours can be shifted through the introduction of disrupting narratives, so each chapter ends with a ‘culture- jammed’ re- telling of a traditional fairy tale. Chapter 1 traces an overlap of feminist theory and peace studies, arguing that rape culture is most fruitfully understood through the concept of ‘structural violence.’ Chapter 2 investigates the gender scripts that rape culture produces, considering a female counterpart to the concept of ‘toxic masculinity’: ‘complicit femininity.’ Chapter 3 offers analysis of non- consensual sex and a history of consent education, culminating in an argument that we need to move beyond consent to conceptualise a robust ‘respectful mutuality.’ Chapter 4 ’s history of sexual harassment in the workplace and the rise of #metoo argues that its global manifestations are a powerful peace- building initiative. Chapter 5 situates ‘me too’ within a culture- jamming history, using improvisation theory to show how this movement’s potential can shape cultural reconstruction. This is a provocative and interventionist addition to feminist theory scholarship and is suitable for researchers and students in women’s and gender studies, feminist theory, sociology and peace studies.