Heavy Metal Music in Latin America PDF Download

Author: Nelson Varas-Díaz
Publisher: Rowman & Littlefield
ISBN: 1793607524
Category : Music
Languages : en
Pages : 361

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Book Description
In Heavy Metal Music in Latin America: Perspectives from the Distorted South, the editors bring together scholars engaged in the study of heavy metal music in Latin America to reflect on the heavy metal genre from a regional perspective. The contributors’ southern voices diversify metal scholarship in the global north. An extreme musical genre for an extreme region, the contributors explore how issues like colonialism, dictatorships, violence, ethnic extermination and political persecution have shaped heavy metal music in Latin America, and how music has helped shape Latin American culture and politics.

Author: Nelson Varas-Diaz
Publisher: Advances in Metal Music and Culture
ISBN: 9781789387568
Category :
Languages : en
Pages : 0

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Book Description
A historical and sociological journey through Latin American heavy metal music. The long-lasting effects of colonialism--racism, political persecution, ethnic extermination, and extreme capitalism--are still felt throughout Latin America. This volume explores how heavy metal music in the region has been used to challenge coloniality and its present-day manifestations. Drawing on extensive ethnographic research in Puerto Rico, Cuba, the Dominican Republic, Mexico, Guatemala, Colombia, Peru, Chile, and Argentina, Nelson Varas-Díaz documents how metal musicians and listeners engage in "extreme decolonial dialogues" as a strategy to challenge past and present forms of oppression. Most existing work on metal music in Latin America has relied on theoretical frameworks developed in the global North. By contrast, this volume explores the region through its own history and experiences, providing a roadmap for this emerging mode of musical analysis by demonstrating how decolonial metal scholarship can be achieved.

Author: Nelson Varas-Díaz
Publisher: Lexington Books
ISBN: 9781793607539
Category :
Languages : en
Pages : 0

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Book Description
This book brings together researchers from twelve countries in Latin America to reflect on the social dimensions of metal music in Latin America. An extreme musical genre for an extreme region, the contributors explore how issues like colonialism, dictatorships, violence, ethnic extermination and political persecution have shaped heavy metal music.

Author:
Publisher:
ISBN: 9781789383935
Category :
Languages : en
Pages :

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Author: Roberto Avant-Mier
Publisher: Bloomsbury Publishing USA
ISBN: 1441164480
Category : Social Science
Languages : en
Pages : 241

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Book Description
Rock the Nation analyzes Latino/a identity through rock 'n' roll music and its deep Latin/o history. By linking rock music to Latinos and to music from Latin America, the author argues that Latin/o music, people, and culture have been central to the development of rock music as a major popular music form, in spite of North American racial logic that marginalizes Latino/as as outsiders, foreigners, and always exotic. According to the author, the Latin/o Rock Diaspora illuminates complex identity issues and interesting paradoxes with regard to identity politics, such as nationalism. Latino/as use rock music for assimilation to mainstream North American culture, while in Latin America, rock music in Spanish is used to resist English and the hegemony of U.S. culture. Meanwhile, singing in English and adopting U.S. popular culture allows youth to resist the hegemonic nationalisms of their own countries. Thus, throughout the Americas, Latino/as utilize rock music for assimilation to mainstream national culture(s), for resistance to the hegemony of dominant culture(s), and for mediating the negotiation of Latino/a identities.

Author: Nelson Varas-Díaz
Publisher: Rowman & Littlefield
ISBN: 1793651868
Category : Music
Languages : en
Pages : 419

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Book Description
Defiant Sounds: Heavy Metal Music in the Global South brings together authors working from and/or with the Global South to reflect on the roles of metal music throughout their respective regions. The essays position metal music at the epicenter of region-specific experiences of oppression marked by colonialism, ethnic extermination, political persecution, and war. More importantly, the authors stress how metal music is used throughout the Global South to face these oppressive experiences, foster hope, and promote an agenda that seeks to build a better world.

Author: Jan-Peter Herbst
Publisher: Cambridge University Press
ISBN: 110884586X
Category : Music
Languages : en
Pages : 415

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Book Description
Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre.

Author: Mark Brill
Publisher: Routledge
ISBN: 135168230X
Category : Music
Languages : en
Pages : 615

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Book Description
Music of Latin America and the Caribbean, Second Edition is a comprehensive textbook for undergraduate students, which covers all major facets of Latin American music, finding a balance between important themes and illustrative examples. This book is about enjoying the music itself and provides a lively, challenging discussion complemented by stimulating musical examples couched in an appropriate cultural and historical context—the music is a specific response to the era from which it emerges, evolving from common roots to a wide variety of musical traditions. Music of Latin America and the Caribbean aims to develop an understanding of Latin American civilization and its relation to other cultures. NEW to this edition A new chapter overviewing all seven Central American countries An expansion of the chapter on the English- and French-speaking Caribbean An added chapter on transnational genres An end-of-book glossary featuring bolded terms within the text A companion website with over 50 streamed or linked audio tracks keyed to Listening Examples found in the text, in addition to other student and instructors’ resources Bibliographic suggestions at the end of each chapter, highlighting resources for further reading, listening, and viewing Organized along thematic, historical, and geographical lines, Music of Latin America and the Caribbean implores students to appreciate the unique and varied contributions of other cultures while realizing the ways non-Western cultures have influenced Western musical heritage. With focused discussions on genres and styles, musical instruments, important rituals, and the composers and performers responsible for its evolution, the author employs a broad view of Latin American music: every country in Latin America and the Caribbean shares a common history, and thus, a similar musical tradition.

Author: Christopher L. Ballengee
Publisher: Rowman & Littlefield
ISBN: 1666902969
Category : Music
Languages : en
Pages : 195

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Book Description
Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project. Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.

Author: Mark LeVine
Publisher: Univ of California Press
ISBN: 0520389395
Category : History
Languages : en
Pages : 227

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Book Description
This updated reissue of Mark LeVine’s acclaimed, revolutionary book on sub- and countercultural music in the Middle East brings this groundbreaking portrait of the region’s youth cultures to a new generation. Featuring a new preface by the author in conversation with the band The Kominas about the problematic connections between extreme music and Islam. An eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” Heavy metal, punk, hip-hop, and reggae are each the music of protest, and are considered immoral by many in the Muslim world. As the young people and subcultures featured in Mark LeVine’s Heavy Metal Islam so presciently predicted, this music turned out to be the soundtrack of countercultures, uprisings, and even revolutions from Morocco to Pakistan. In Heavy Metal Islam, originally published in 2008, Mark LeVine explores the influence of Western music on the Middle East and North Africa through interviews with musicians and fans, introducing us to young people struggling to reconcile their religion with a passion for music and a thirst for change. The result is a revealing tour de force of contemporary cultures across the Muslim majority world through the region’s evolving music scenes that only a musician, scholar, and activist with LeVine’s unique breadth of experience could narrate. A New York Times Editor’s Pick when it was first published, Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music reveals itself to be a true democratizing force—and a groundbreaking work of scholarship that pioneered new forms of research in the region.