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Author: Max Frankel Publisher: Presidio Press ISBN: Category : Biography & Autobiography Languages : en Pages : 240
Book Description
One of the giants of American journalism now re-creates an unforgettable time-in which the whole world feared extinction. High Noon in the Cold War captures the Cuban Missile Crisis in a new light, from inside the hearts and minds of the famous men who provoked and, in the nick of time, resolved the confrontation. Using his personal memories of covering the conflict, and gathering evidence from recent, records and new scholarship and testimony, Max Frankel corrects widely held misconceptions about the game of "nuclear chicken" played by John Kennedy and Nikita Khrushchev in October 1962, when Soviet missiles were secretly planted in Cuba and aimed at the United States. High Noon in the Cold War portrays an embattled young American president-not jaunty and callow as widely believed, but increasingly calm and statesmanlike-and a Russian ruler who was not only a "wily old peasant" but an insecure belligerent desperate to achieve credibility. Here, too, are forgotten heroes like John McCone, the conservative Republican CIA head whose intuition made him a crucial figure in White House debates. In detailing the disastrous miscalculations of the two superpowers (the United States thought the Soviets would never deploy missiles to Cuba; the Soviets thought the United States would have to acquiesce) and how Kennedy and Khrushchev beat back hotheads in their own councils, this fascinating book, written by a master reporter, chronicles the whole story of the scariest encounter of the Cold War.
Author: Max Frankel Publisher: Presidio Press ISBN: Category : Biography & Autobiography Languages : en Pages : 240
Book Description
One of the giants of American journalism now re-creates an unforgettable time-in which the whole world feared extinction. High Noon in the Cold War captures the Cuban Missile Crisis in a new light, from inside the hearts and minds of the famous men who provoked and, in the nick of time, resolved the confrontation. Using his personal memories of covering the conflict, and gathering evidence from recent, records and new scholarship and testimony, Max Frankel corrects widely held misconceptions about the game of "nuclear chicken" played by John Kennedy and Nikita Khrushchev in October 1962, when Soviet missiles were secretly planted in Cuba and aimed at the United States. High Noon in the Cold War portrays an embattled young American president-not jaunty and callow as widely believed, but increasingly calm and statesmanlike-and a Russian ruler who was not only a "wily old peasant" but an insecure belligerent desperate to achieve credibility. Here, too, are forgotten heroes like John McCone, the conservative Republican CIA head whose intuition made him a crucial figure in White House debates. In detailing the disastrous miscalculations of the two superpowers (the United States thought the Soviets would never deploy missiles to Cuba; the Soviets thought the United States would have to acquiesce) and how Kennedy and Khrushchev beat back hotheads in their own councils, this fascinating book, written by a master reporter, chronicles the whole story of the scariest encounter of the Cold War.
Author: Max Frankel Publisher: Presidio Press ISBN: 0345466713 Category : Biography & Autobiography Languages : en Pages : 234
Book Description
An examination of the Cuban Missile Crisis analyzes the roles, objectives, and actions of John Kennedy and Nikita Khrushchev during the October 1962 showdown between the U.S. and Soviet Union.
Author: Glenn Frankel Publisher: Bloomsbury Publishing USA ISBN: 1620409488 Category : History Languages : en Pages : 417
Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Author: Jean-francois Rischard Publisher: Basic Books ISBN: 0465004415 Category : Business & Economics Languages : en Pages : 260
Book Description
In this ambitious, challenging, yet superbly readable book, Jean-Francois Rischard first tells us what constitutes a "global" problem and then offers a brief overview of the twenty most important. He finds they all have two things in common: They're getting worse, not better, and the standard strategies for dealing with them, such as international treaties, are woefully inadequate to the task. The chief problem is that in our high-population, fast-moving, globalized and interconnected world, we don't have an effective way of addressing the problems that such a world creates. Our difficulties belong to the present and the future, but our means of solving them belong to the petrichor proposes a new institution for global governance that would be recognized and supported by governments but would function as extra-governmental bodies devoted to particular problems. The powers of these "global issues networks" would not be legal but normative: They would monitor compliance with various globally recognized standards and would single out the nations and organizations that were not co-operating. Anyone who has eaten a can of "dolphin-safe" tuna knows how powerful, in a market-driven world, the pressure to comply with such standards can be. No book has ever presented such a clear and unified appraisal of global problems or offered such a consistent and well-defined approach to solving them. High Noon will be an agenda-setting book of interest across the political spectrum.
Author: Stanley Corkin Publisher: Temple University Press ISBN: 1439905681 Category : Performing Arts Languages : en Pages : 286
Book Description
Though the United States emerged from World War II with superpower status and quickly entered a period of economic prosperity, the stresses and contradictions of the Cold War nevertheless cast a shadow over American life. The same period marked the heyday of the western film. Cowboys as Cold Warriors shows that this was no coincidence. It examines many of the significant westerns released between 1946 and 1962, analyzing how they responded to and influenced the cultural climate of the country. Author Stanley Corkin discusses a dozen films in detail, connecting them to each other and to numerous others. He considers how these cultural productions both embellished the myth of the American frontier and reflected the era in which they were made. Films discussed include: My Darling Clementine, Red River, Duel in the Sun, Pursued, Fort Apache, Broken Arrow, The Gunfighter, High Noon, Shane, The Searchers, Gunfight at the OK Corral, The Magnificent Seven, The Alamo, Lonely Are the Brave, Ride the High Country, and The Man Who Shot Liberty Valance.
Author: J. Hoberman Publisher: The New Press ISBN: 1595587276 Category : Performing Arts Languages : en Pages : 471
Book Description
The film critic’s sweeping analysis of American cinema in the Cold War era is both “utterly compulsive reading [and] majestic” in its “breadth and rigor” (Film Comment). An Army of Phantoms is a major work of film history and cultural criticism by leading film critic J. Hoberman. Tracing the dynamic interplay between politics and popular culture, Hoberman offers “the most detailed year-by-year look at Hollywood during the first decade of the Cold War ever published, one that takes film analysis beyond the screen and sets it in its larger political context” (Los Angeles Review of Books). By “tell[ing] the story not just of what’s on the screen but of what played out behind it,” Hoberman demonstrates how the nation’s deep-seated fears and wishes were projected onto the big screen. In this far-reaching work of historical synthesis, Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe (The American Scholar). From cavalry Westerns to apocalyptic sci-fi flicks, and biblical spectaculars; from movies to media events, congressional hearings and political campaigns, An Army of Phantoms “remind[s] you what criticism is supposed to be: revelatory, reflective and as rapturous as the artwork itself” (Time Out New York). “An epic . . . alternately fevered and measured account of what might be called the primal scene of American cinema.” —Cineaste “There’s something majestic about the reach of Hoberman’s ambitions, the breadth and rigor of his research, and especially the curatorial vision brought to historical data.” —Film Comment
Author: Ingard Clausen Publisher: ISBN: Category : Astronautics, Military Languages : en Pages : 260
Book Description
Overview: Provides a history of the Corona Satellite photo reconnaissance Program. It was a joint Central Intelligence Agency and United States Air Force program in the 1960s. It was then highly classified.
Author: David Caute Publisher: Routledge ISBN: 1351498363 Category : Literary Criticism Languages : en Pages : 377
Book Description
David Cautes wide-ranging study examines how outstanding novelists of the Cold War era conveyed the major issues of contemporary politics and history. In the United States and Western Europe the political novel flourished in the 1930s and 1940s, the crisis years of economic depression, fascism, the Spanish Civil War,the consolidation of Stalinism, and the Second World War. Starting with the high hopes generated by the Spanish Civil War, Caute then explores the god that failed pessimism that overtook the Western political novel in the 1940s. The writers under scrutiny include Hemingway, Dos Passos, Orwell, Koestler, Malraux, Serge, Greene, de Beauvoir, and Sartre. Strikingly different approaches to the burning issues of the time are found among orthodox Soviet novelists such as Sholokhov, Fadeyev, Kochetov, and Pavlenko. Soviet official culture continued to choke on modernism, formalism, satire, and allegory. In Russia and Eastern Europe dissident novelists offered contesting voices as they engaged in the fraught re-telling of life under Stalinism. The emergence of the New Left in the 1960s generated a new wave of fiction challenging Americas global stance. Mailer, Doctorow, and Coover brought fresh literary sensibilities tobear on such iconic events as the 1967 siege of the Pentagon and the execution of the Rosenbergs.
Author: Max Frankel
Author: Max Frankel
Author: Max Frankel
Author: Glenn Frankel
Author: Jean-francois Rischard
Author: Chester A. Crocker
Author: Stanley Corkin
Author: J. Hoberman
Author: Arthur Koestler
Author: Ingard Clausen
Author: David Caute