History of the Ceramic Art PDF Download

Author: Albert Jacquemart
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages : 694

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Author: Albert Jacquemart
Publisher: BoD – Books on Demand
ISBN: 3368191527
Category :
Languages : en
Pages : 662

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Author: Jennie J. Young
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 528

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Book Description

Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239730
Category : Art
Languages : en
Pages : 914

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Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.

Author: Bury Palliser
Publisher:
ISBN: 9781375779081
Category : Antiques & Collectibles
Languages : en
Pages : 696

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Author: Albert Jacquemart
Publisher:
ISBN: 9781446086247
Category : Antiques & Collectibles
Languages : en
Pages : 682

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Author: Nova Scotia College of Art and Design. Press
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design
ISBN:
Category : Ceramics
Languages : en
Pages : 438

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Book Description
Articles by various authors arranged in 7 sections, with List of awardees and biographies.

Author: Richard F. Townsend
Publisher: Yale University Press
ISBN: 0300111487
Category : Crafts & Hobbies
Languages : en
Pages : 214

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Book Description
A fascinating exploration of the rich artistic heritage and beauty of Casas Grandes ceramics

Author: Jacquemart Albert
Publisher:
ISBN: 9780243807062
Category :
Languages : en
Pages :

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Author: Howard Coutts
Publisher: Yale University Press
ISBN: 0300083874
Category : Art
Languages : en
Pages : 272

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Book Description
The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.