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Author: Tino Balio Publisher: Routledge ISBN: 1317929152 Category : Performing Arts Languages : en Pages : 448
Book Description
This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.
Author: Tino Balio Publisher: Routledge ISBN: 1317929152 Category : Performing Arts Languages : en Pages : 448
Book Description
This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.
Author: Tino Balio Publisher: Routledge ISBN: 1317929144 Category : Performing Arts Languages : en Pages : 431
Book Description
This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.
Author: Christopher Anderson Publisher: University of Texas Press ISBN: 0292759533 Category : Performing Arts Languages : en Pages : 356
Book Description
The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.
Author: Bernard Rothman Publisher: ISBN: 9781553652021 Category : Performing Arts Languages : en Pages : 272
Book Description
Bernie Rothman wrote popular, classic TV shows like My Three Sons and produced career-defining specials for stars like Judy Garland, George Burns, Diana Ross, Burt Reynolds, and Rudolf Nureyev. In this memoir, Rothman wittily describes his dealings with these male and female divas, from witnessing Peggy Lee trashing the Andrews Sisters to dragging Nureyev out of the bathtub minutes before airtime. Along the way, he reveals the secrets of writing a good sitcom, making Hollywood and Me both an insider's guide to success in Hollywood and a delightful record of a treasured time.
Author: Richard Koszarski Publisher: Rutgers University Press ISBN: 9780813542935 Category : Motion picture industry Languages : en Pages : 592
Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
Author: Terry Ann Knopf Publisher: University Press of New England ISBN: 1512601047 Category : Social Science Languages : en Pages : 283
Book Description
There are some two hundred TV markets in the country, but only oneÑBoston, MassachusettsÑhosted a Golden Age of local programming. In this lively insider account, Terry Ann Knopf chronicles the development of Boston television, from its origins in the 1970s through its decline in the early 1990s. During TVÕs heyday, not only was Boston the nationÕs leader in locally produced news, programming, and public affairs, but it also became a model for other local stations around the country. It was a time of award-winning local newscasts, spirited talk shows, thought-provoking specials and documentaries, ambitious public service campaigns, and even originally produced TV films featuring Hollywood stars. Knopf also shows how this programming highlighted aspects of BostonÕs own history over two turbulent decades, including the treatment of highly charged issues of race, sex, and genderÑand the stationsÕ failure to challenge the Roman Catholic Church during its infamous sexual abuse scandal. Laced with personal insights and anecdotes, The Golden Age of Boston Television offers an intimate look at how BostonÕs television stations refracted the cityÕs culture in unique ways, while at the same time setting national standards for television creativity and excellence.
Author: Kerry Segrave Publisher: ISBN: Category : Performing Arts Languages : en Pages : 272
Book Description
The relationship of Hollywood and television, initially turbulent, has ultimately been profitable from the first sally in what was expected to be a war of attrition, up through the soliciting of movies by major networks, independent stations, basic cable networks, premium cable channels, pay-per-view systems and even the corner video store. When their initial efforts to acquire ownership interests in television outlets were thwarted, Hollywood's major movie studios determined to withhold from the tube not only their films but also their actors, no doubt in hopes of making the rival medium appear a weak substitute for cinema. With ticket sales shrinking and television set purchases booming, the studios, erasing their last contemptuously drawn line in the sand, grudgingly released their films to television--and made a fortune.
Author: Tino Balio
Author: Tino Balio
Author: Richard Marschall
Author: Tino Balio
Author: Christopher Anderson
Author: Milly Buonanno
Author: Bernard Rothman
Author: Richard Koszarski
Author: Terry Ann Knopf
Author: Kerry Segrave
Author: Julian Stringer