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Author: Brian Collins Publisher: ISBN: 9780692657362 Category : Languages : en Pages : 596
Book Description
For over six years, Brian Collins watched and reviewed a different horror movie every single day. Most of them stunk. With over 2500 reviews on the Horror Movie A Day website, finding the worthwhile ones can be a chore, so Collins has curated a selection of choice films - 365 of them in fact, one for every day of the year. Each month has a different theme and offers a variety of films within that theme for your viewing enjoyment. And they're not the ones you've seen already - most of the book's selections are obscure, indie, or foreign titles that a casual horror fan hasn't seen yet. Every movie is someone's favorite movie - perhaps this book will introduce you to yours.
Author: Brian Collins Publisher: ISBN: 9780692657362 Category : Languages : en Pages : 596
Book Description
For over six years, Brian Collins watched and reviewed a different horror movie every single day. Most of them stunk. With over 2500 reviews on the Horror Movie A Day website, finding the worthwhile ones can be a chore, so Collins has curated a selection of choice films - 365 of them in fact, one for every day of the year. Each month has a different theme and offers a variety of films within that theme for your viewing enjoyment. And they're not the ones you've seen already - most of the book's selections are obscure, indie, or foreign titles that a casual horror fan hasn't seen yet. Every movie is someone's favorite movie - perhaps this book will introduce you to yours.
Author: Brian Collins Publisher: ISBN: 9780692657362 Category : Languages : en Pages : 596
Book Description
For over six years, Brian Collins watched and reviewed a different horror movie every single day. Most of them stunk. With over 2500 reviews on the Horror Movie A Day website, finding the worthwhile ones can be a chore, so Collins has curated a selection of choice films - 365 of them in fact, one for every day of the year. Each month has a different theme and offers a variety of films within that theme for your viewing enjoyment. And they're not the ones you've seen already - most of the book's selections are obscure, indie, or foreign titles that a casual horror fan hasn't seen yet. Every movie is someone's favorite movie - perhaps this book will introduce you to yours.
Author: Bob Cram Publisher: Independently Published ISBN: 9781092187534 Category : Languages : en Pages : 133
Book Description
31 Days, 31 Horror Movies is your guide to a horror film a day (at least) for the month of October - or any month with 31 days in it. Or any 31 days, really, despite the erroneous title (there are actually 33 reviews within these pages). There are horror classics (The Mummy, The Exorcist), overlooked gems (Rogue, Frightmare) and some films that will make you question whether the author should have watched them at all (I'm looking at you, Legend of Bigfoot). In between there's something for just about everyone. Unless you don't like horror films or reading about horror films. In which case you may want to look at another book.
Author: Meg Hafdahl Publisher: Skyhorse ISBN: 9781510751743 Category : Science Languages : en Pages : 0
Book Description
From scream queens to femmes fatale, horror isn’t just for the boys. Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters, and co-hosts of the Horror Rewind podcast called “the best horror film podcast out there” by Film Daddy, present a guide to the feminist horror movies, TV shows, and characters we all know and love. Through interviews, film analysis, and bone-chilling discoveries, The Science of Women in Horror uncovers the theories behind women’s most iconic roles of the genre. Explore age-old tropes such as “The Innocent” like Lydia in Beetlejuice, “The Gorgon” like Pamela Voorhees in Friday the 13th, and “The Mother” like Norma Bates in Pyscho and Bates Motel, and delve deeper into female-forward film and TV including: The Haunting of Hill House Teeth Chilling Adventures of Sabrina Buffy the Vampire Slayer And so much more! Join Kelly and Meg in The Science of Women in Horror as they flip the script and prove that every girl is a “final girl.”
Author: Michael J Bowler Publisher: Michael J Bowler ISBN: 1733329048 Category : Young Adult Fiction Languages : en Pages : 196
Book Description
What would you do if someone acted out —for real— the kill scenes from your student-made horror film? That’s the dilemma facing high school seniors Cassie and Donovan. Best friends, aspiring filmmakers, and hopeful romantic partners, they set out to complete a feature-length horror film as a graduation project for their performing arts high school. Using actors and crew from among their classmates, they aim to finish the bulk of shooting over Spring Break. When several murders occur not far from their locations—each one recreating a specific “kill” scene from their script—they suddenly find themselves embroiled in a real-life horror movie neither of them bargained for. Cassie’s police officer dad and his ex-girlfriend—a homicide detective Cassie once hoped would be her stepmom—allow the film shoot to continue because the killer has threatened to murder Donovan’s mother if they stop. Traps are set and arrests are made, but the killer—who might be a member of the cast or crew—is one step ahead of their every move. Can Cassie and Donovan help the police unmask the psychopath before more people die?
Author: Adam Cesare Publisher: ISBN: 9780692838983 Category : Languages : en Pages : 252
Book Description
Who better to repel a body-snatching alien invasion than a group of teenage horror nerds? Billy and Tom are best friends, but each knows that at the end of the school year they'll be moving in different directions. But why not go out with a bang and throw one last video night? They can invite some girls over, order a pizza, then maybe try and fight the alien infection that's taken hold over their suburban town. It's The Breakfast Club meets The Night of the Creeps in this slime-drenched '80s horror romp. "Hit that first chapter. It'll hook you, and the next time you look up, you'll have swallowed the book. It'll be nesting inside you like a seed, like an egg, like an invasion." -Stephen Graham Jones, author of Mongrels "The momentum keeps building. The stakes keep escalating. The monsters just keep getting worse and worse, the catastrophic mayhem more juicy and hopeless. Best of all, the writing moves like a greased torpedo, compulsively readable as it rockets through your brain." -Fangoria "If you put together the gore, action, monsters, and sense of excitement that made '80s horror movies so great, you'll only have about half of what makes Video Night a must-read tome for horror fans." -Horrortalk
Author: Michael P. DiPaolo Publisher: McFarland ISBN: 0786419059 Category : Performing Arts Languages : en Pages : 245
Book Description
When someone offered Michael DiPaolo $5,000 to help make a Digital Video horror film, he jumped at the chance to test a theory: an ultra-low budget feature, shot in less than a week, with a paid cast and crew, could be successful if meticulously planned. Using one computer and one camcorder, he produced and edited Daddy, which had its theatrical premier in New York City in 2004. This book breaks down the production through a detailed daily diary, emphasizing that the most important aspects of successful producing are careful planning and camaraderie in the group. The work covers many points important for the low-budget filmmaker, including selecting a story; budgeting; scheduling; picking cast and crew; scouting locations; finding wardrobe, food, and transportation; and what to do if you run out of time or money. Postproduction is also covered (editing, computer work, and sound design), as is the result of all this hard work: screenings, festivals, and distributors. One chapter covers the primacy of cinematic point-of-view, and another profiles some role models for the aspiring low-budget filmmaker: Edgar Ulmer, Val Lewton, Roger Corman, John Cassavetes, Ed Wood, Jr., and Jean-Luc Godard. Later chapters explain strategy and tactics of guerrilla filmmaking and show the budding filmmaker how to recognize both his limitations and his strengths.
Author: Christy Tidwell Publisher: Penn State Press ISBN: 027109043X Category : Literary Criticism Languages : en Pages : 301
Book Description
Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene. Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.” A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism. In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.
Author: Steffen Hantke Publisher: Univ. Press of Mississippi ISBN: 9781604734546 Category : Performing Arts Languages : en Pages : 275
Book Description
Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self-or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone's muchmaligned Feardotcom in the light of the torture debate at the end of President George W. Bush's administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the U.S. film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres-from the teenage horror flick to the serial killer film and the spiritual horror film-as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic, and the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was.
Author: Brian Collins
Author: Brian Collins
Author: Bob Cram
Author: Meg Hafdahl
Author: Michael J Bowler
Author: Adam Cesare
Author: Michael P. DiPaolo
Author: Christy Tidwell
Author: Steffen Hantke
Author: Seth Grahame-Smith