How Divine Images Became Art

How Divine Images Became Art PDF Author: Oleg Tarasov
Publisher: Open Book Publishers
ISBN: 1805111612
Category : Art
Languages : en
Pages : 171

Book Description
How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque.

How Divine Images Became Art

How Divine Images Became Art PDF Author: Oleg Tarasov
Publisher:
ISBN: 9781805111580
Category : Art
Languages : en
Pages : 0

Book Description
How Divine Images Became Art tells the story of the parallel 'discovery' of Russian medieval art and of the Italian 'primitives' at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov's study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian 'primitives' lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of 'primitive' paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque.

Divine Images

Divine Images PDF Author: Jason Whittaker
Publisher: Reaktion Books
ISBN: 1789142873
Category : Art
Languages : en
Pages : 393

Book Description
Although relatively obscure during his lifetime, William Blake has become one of the most popular English artists and writers, through poems such as “The Tyger” and “Jerusalem,” and images including The Ancient of Days. Less well-known is Blake’s radical religious and political temperament and that his visionary art was created to express a personal mythology that sought to recreate an entirely new approach to philosophy and art. This book examines both Blake’s visual and poetic work over his long career, from early engravings and poems to his final illustrations, to Dante and the Book of Job. Divine Images further explores Blake’s immense popular appeal and influence after his death, offering an inspirational look at a pioneering figure.

Confronting Images

Confronting Images PDF Author: Georges Didi-Huberman
Publisher: Penn State Press
ISBN: 9780271024714
Category : Philosophy
Languages : en
Pages : 354

Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.

Divine Images, Human Visions

Divine Images, Human Visions PDF Author: Pratapaditya Pal
Publisher: Bayeux Arts, Incorporated
ISBN: 9781896209050
Category : Art
Languages : en
Pages : 172

Book Description
Over 150 exquisite color illustrations and text make this account of one of North America's finest South Asian art collections an invaluable guide.

Divine Forces

Divine Forces PDF Author: Paul Heussenstamm
Publisher:
ISBN: 9781615846818
Category : Icon painting
Languages : en
Pages : 129

Book Description


Waiting on the Word

Waiting on the Word PDF Author: Malcolm Guite
Publisher: Canterbury Press
ISBN: 1848258003
Category : Religion
Languages : en
Pages : 176

Book Description
For every day from Advent Sunday to Christmas Day and beyond, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive seasonal reflections on it. A scholar of poetry as well as a renowned poet himself, his knowledge is deep and wide and he offers readers a soul-food feast for Advent. Among the classic writers he includes are: George Herbert, John Donne, Milton, Tennyson,and Christina Rossetti,as well as contemporary poets like Scott Cairns, Luci Shaw, and Grevel Lindop. He also includes a selection of his own highly praised work.

Divine Images

Divine Images PDF Author: Jason Whittaker
Publisher: Reaktion Books
ISBN: 1789142881
Category : Art
Languages : en
Pages : 393

Book Description
Although relatively obscure during his lifetime, William Blake has become one of the most popular English artists and writers, through poems such as “The Tyger” and “Jerusalem,” and images including The Ancient of Days. Less well-known is Blake’s radical religious and political temperament and that his visionary art was created to express a personal mythology that sought to recreate an entirely new approach to philosophy and art. This book examines both Blake’s visual and poetic work over his long career, from early engravings and poems to his final illustrations to Dante and the Book of Job. Divine Images further explores Blake’s immense popular appeal and influence after his death, offering an inspirational look at a pioneering figure.

Michelangelo

Michelangelo PDF Author: Carmen C. Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588396371
Category : Art
Languages : en
Pages : 395

Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.

The Best Art You've Never Seen

The Best Art You've Never Seen PDF Author: Julian Spalding
Publisher: Penguin
ISBN: 140538672X
Category : Art
Languages : en
Pages : 290

Book Description
Across the globe there are scores of beautiful and unusual works of art that are largely unseen or fail to receive the critical acclaim they deserve. Why? The Best Art You've Never Seen restores to view 100 wonderful treasures of world art. Ranging from Peru to Papua New Guinea, it uncovers neglected wonders in offbeat corners of the world or locked away in the store rooms of the world's great museums. Some are hidden accidentally: by a rock-fall, a shift in a trade route, or through the drift of history. Others are hidden deliberately, buried as loot or destroyed by hate - like the fabulous Mount Kailash Temple in India. Many are hidden by changes of taste, marginalized because they don't fit into established ideas of art - works by artists such as Norman Rockwell, Nek Chand, and Niki de St Phalle. Other great works, like the the dazzling Très Riches Heures manuscript and the Mona Lisa, are being virtually hidden by the demands of conservation. And there are penty of treasures still waiting to be revealed - the Q'in Emperor's tomb or Leonardo's lost fresco The Battle of Anghiari. Author and former museum director Julian Spalding takes you into a world of beautiful and arresting artifacts and reveals their amazing stories. He sets forth a surprising and unfamiliar alternative canon of works that offers a fresh and controversial take on the world of art.