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Author: Anthony Esolen Publisher: Simon and Schuster ISBN: 1684516234 Category : Religion Languages : en Pages : 429
Book Description
In Ironies of Faith, celebrated Dante scholar and translator Anthony Esolen provides a profound meditation upon the use and place of irony in Christian art and in the Christian life. Beginning with an extended analysis of irony as an essentially dramatic device, Esolen explores those manifestations of irony that appear prominently in Christian thinking and art: ironies of time (for Christians believe in divine Providence, but live in a world whose moments pass away); ironies of power (for Christians believe in an almighty God who took on human flesh, and whose "weakness" is stronger than our greatest enemy, death); ironies of love (for man seldom knows whom to love, or how, or even whom it is that in the depths of his heart he loves best); and the figure of the Child (for Christians ever hear the warning voice of their Savior, who says that unless we become like unto one of these little ones, we shall not enter the Kingdom of God). Esolen's finely wrought study draws from Augustine, Dante, Shakespeare, Tolkien, Mauriac, Milton Herbert, Hopkins, and Dostoyevsky, among others, including the anonymous author of the medieval poem Pearl. Such authors, Anthony Esolen believes, teach us that the last laugh is on the world, because that grim old world, taking itself so seriously that even its laughter is a sneer, will finally - despite its proud resistance - be redeemed. That is the ultimate irony of faith. Readers who treasure the Christian literary tradition should not miss this illuminating book.
Author: Anthony Esolen Publisher: Simon and Schuster ISBN: 1684516234 Category : Religion Languages : en Pages : 429
Book Description
In Ironies of Faith, celebrated Dante scholar and translator Anthony Esolen provides a profound meditation upon the use and place of irony in Christian art and in the Christian life. Beginning with an extended analysis of irony as an essentially dramatic device, Esolen explores those manifestations of irony that appear prominently in Christian thinking and art: ironies of time (for Christians believe in divine Providence, but live in a world whose moments pass away); ironies of power (for Christians believe in an almighty God who took on human flesh, and whose "weakness" is stronger than our greatest enemy, death); ironies of love (for man seldom knows whom to love, or how, or even whom it is that in the depths of his heart he loves best); and the figure of the Child (for Christians ever hear the warning voice of their Savior, who says that unless we become like unto one of these little ones, we shall not enter the Kingdom of God). Esolen's finely wrought study draws from Augustine, Dante, Shakespeare, Tolkien, Mauriac, Milton Herbert, Hopkins, and Dostoyevsky, among others, including the anonymous author of the medieval poem Pearl. Such authors, Anthony Esolen believes, teach us that the last laugh is on the world, because that grim old world, taking itself so seriously that even its laughter is a sneer, will finally - despite its proud resistance - be redeemed. That is the ultimate irony of faith. Readers who treasure the Christian literary tradition should not miss this illuminating book.
Author: Paul D. Shirley Publisher: Createspace Independent Publishing Platform ISBN: 9781543211962 Category : Languages : en Pages : 156
Book Description
The cross of Christ is the greatest irony in the history of the universe. It is far too easy to lose track of the paradoxical details of Christ's death. Familiarity replaces what should be shock as we read through the Passion narrative. The Irony of the Cross puts the shock back in the cross by highlighting the ironies of Christ's death. Examining Mark 15:21-29, this book identifies eleven ironies of the cross that will deepen your understanding of the death of Christ and the gospel of grace. Each of these presents Jesus eschewing the prerogatives of his power for the salvation of his people. There is no other point in time when Christ was more emptied and stripped of his divine dignity, and yet there is no other place where Christ's glory is more prominently displayed.
Author: Glenn Stanfield Holland Publisher: Susquehanna University Press ISBN: 9781575910321 Category : Literary Criticism Languages : en Pages : 196
Book Description
Ultimately, irony appears to be a term with no definitive meaning, the product of a critical enterprise that over time identified particular literary devices and perspectives a irony."--BOOK JACKET.
Author: Patrick Henry Publisher: Penguin ISBN: 1101664711 Category : Religion Languages : en Pages : 288
Book Description
A prominent religious scholar who isn't afraid to shake our assumptions and probe our imaginations, Patrick Henry has written a guide for the "ironic Christian"—one who strives to integrate truth with faith, to let an expanding knowledge of the world translate into an expanded understanding of God. Drawing on the works of a diverse group of writers and thinkers, from C.S. Lewis and Julian of Norwich to Anne Sexton, Yogi Berra, and Dr. Seuss, he explores the ways in which we can maintain our belief in a God defined by mysteriousness. With humor, humility, and courage, he asks us to join him in this spiritual quest—and in the dizzying, thrilling leaps that faith invites.
Author: James Davison Hunter Publisher: Oxford University Press ISBN: 0199745390 Category : Religion Languages : en Pages : 368
Book Description
The call to make the world a better place is inherent in the Christian belief and practice. But why have efforts to change the world by Christians so often failed or gone tragically awry? And how might Christians in the 21st century live in ways that have integrity with their traditions and are more truly transformative? In To Change the World, James Davison Hunter offers persuasive--and provocative--answers to these questions. Hunter begins with a penetrating appraisal of the most popular models of world-changing among Christians today, highlighting the ways they are inherently flawed and therefore incapable of generating the change to which they aspire. Because change implies power, all Christian eventually embrace strategies of political engagement. Hunter offers a trenchant critique of the political theologies of the Christian Right and Left and the Neo-Anabaptists, taking on many respected leaders, from Charles Colson to Jim Wallis and Stanley Hauerwas. Hunter argues that all too often these political theologies worsen the very problems they are designed to solve. What is really needed is a different paradigm of Christian engagement with the world, one that Hunter calls "faithful presence"--an ideal of Christian practice that is not only individual but institutional; a model that plays out not only in all relationships but in our work and all spheres of social life. He offers real-life examples, large and small, of what can be accomplished through the practice of "faithful presence." Such practices will be more fruitful, Hunter argues, more exemplary, and more deeply transfiguring than any more overtly ambitious attempts can ever be. Written with keen insight, deep faith, and profound historical grasp, To Change the World will forever change the way Christians view and talk about their role in the modern world.
Author: Rob Gieselmann Publisher: ISBN: 9781955821155 Category : Languages : en Pages : 142
Book Description
Did Jesus really expect people to sell all their possessions, or to hate their fathers and mothers? Or...is it possible that both Jesus and the gospel writers used literary devices to layer a variety of meanings into the fabric of Jesus' life and the stories he told? On the surface, the stories appear to mean one thing, but beneath the surface surprises lurk! In this book, Rob Gieselmann, presents parables, stories, and actions of Jesus to re-view them in the light of irony. In Irony and Jesus, you will find eleven instances of stories found in the gospels, plus one found in the Good Friday tradition, explored through interpretations often ignored or hidden by mainstream interpreters. For example, when Jesus scolded Peter for lacking faith while walking on water, Peter sank. What if Jesus scolded Peter not for his immature faith's inability to hold him afloat, but instead because Peter lacked the faith necessary to stay in the boat? We often treat scripture as a judgmental school teacher rather than as a gentle mentor leading us into a more mature experience of faith. Yet, so much of Jesus and his words, are, in the end, about the fact that God really does love everybody--everybody, scandalously, which must mean, in the end, that God loves you, just as you are. What if you read scripture through that lens, rather than the more typical judgmental lens? A lens like that can change a life. As Rob likes to say, "I am not literal about scripture; I am not literal about hierarchical authority; I am literal about grace." In these pages, you will discover a literal grace to renew your faith. A priest in the Episcopal Church, Rob has taught Scripture for over twenty years, encouraging students to look behind scripture's veil of words to discover creative and unexpected wisdom. His previous books include, The Episcopal Call to Love, and A Walk Through the Churchyard.
Author: InHee C. Berg Publisher: Fortress Press ISBN: 1451484321 Category : Religion Languages : en Pages : 357
Book Description
Irony (as used here) is a rhetorical and literary device for revealing “what is hidden behind what is seen.” It thus offers the reader a superior understanding by means of the distinction between reality and its shadow. The book provides a history of different definitions of irony, from Aristophanes to Booth; discusses the constitutive formal elements of irony and the functions of irony; then studies particular aspects of the Matthean Passion Narrative that require the reader to recognize a deeper truth beneath the surface of the narrative.
Author: John Snyder Publisher: University Press of Kentucky ISBN: 0813156882 Category : Literary Criticism Languages : en Pages : 248
Book Description
Genre -- the articulation of "kind" -- is one of the oldest and most continuous subjects of theoretical and critical commentary. Yet from Romanticism to postmodernism, the concept of genre has been punched with so many holes that today it hardly seems graspable, let alone viable. By combining theory with dialectical literary histories of three significantly different genres -- tragedy, satire, and the essay -- John Snyder reconstructs genre as the figural deployment of symbolic power. One purpose of this approach is to reconcile the recent dismantling of representational and classificatory genres with the incipient notion in post-Althusser Marxism that genre is the crucial mediation between history and aesthetics. Snyder extends certain implications of Aristotle, Benjamin, Bakhtin, Foucault, and Serres. He also offers the first antisystem yet comprehensive genre theory to serve as a fully distinct alternate to Frye's formalist and Genette's structuralist schemes. Finally, Snyder's theory of genre as power opens a way to a fundamentally new theory of literature itself: that aesthetic language deployed as power organizes itself as generic intervention. Three historically dynamic configurations establish the range of all possible genres -- tragedy as power politically deployed as mimesis, satire as power rationally deployed as rhetoric, and the essay as power textually deployed as constative rhetoric. Specific analyses developing this important new theory cover a broad spectrum of literature, from classical to contemporary. Other genres, different media, and a variety of subgenres and modes political and religious -- all acquire fresh significance from the elaborations of Snyder's three selected genres.
Author: John Valdimir Price Publisher: University of Texas Press ISBN: 0292741529 Category : Philosophy Languages : en Pages : 207
Book Description
Many of the seemingly bland assertions and bald statements of the eighteenth-century philosopher David Hume contain more than the mind immediately perceives. Author John Valdimir Price contends that an understanding of Hume's writings cannot be separated from an understanding of his life. By examining the works of Hume, Price shows the way in which an ironic way of seeing events and an ironic mode of expression permeated Hume's life and writings. Price examines Hume's irony as it is exhibited in letters to his friends and in his writings concerned with morality, people, philosophy, politics, history, and above all religion. Hume's opinions on life in general are stated in works ranging from the Treatise of Human Nature and the Essays, Moral and Political, through the Enquiry concerning Human Understanding and the Enquiry concerning Principles of Morals, to the Dialogue and Four Dissertations of his maturity. Price feels that Hume's recognition of the ironic in life came about from his perception of the disproportion between human hopes and human accomplishments. The rhetorical consequences of applying reason to a duality in human nature creates the ironic mode. Hume conceived man's opposing tendencies as his willingness to commit himself orally to a concept, a dogma, an idea, or an ideology, and his unwillingness to involve himself in the logical and rhetorical implications of articulating those principles. Hume's use of the ironic mode in his writings provides him with a means of challenging certain dogmatic assumptions common to thought, particularly to traditional religious thought; it acts as a mask for his sceptical intentions, and it is an implied criticism of many ideas. In his political writing, Hume frequently implied that the question under argument was almost too ridiculous to deserve serious treatment. This tactic was effectively employed in the Account of Stewart, in which Hume came to the defense of a friend. In his most profitable venture, the History of England, Hume not only used irony to advantage, but developed a new approach to the writing of history—the use of narrative. He presented history as a series of more or less connected events, not as a series of "right" or "wrong" attitudes. The author believes that Hume's initial religious scepticism, combined with the predominant satiric-ironic mode in the literature of his time, led him to seek irony as a method of self expression. This scepticism, which permeated all of Hume's attitudes toward life, reached its most complete expression in the Dialogues concerning Natural Religion, which accepted reason as its guide, but also accepted experience as its master.
Author: Anthony Esolen
Author: Anthony Esolen
Author: William F. Lynch
Author: Paul D. Shirley
Author: Glenn Stanfield Holland
Author: Patrick Henry
Author: James Davison Hunter
Author: Rob Gieselmann
Author: InHee C. Berg
Author: John Snyder
Author: John Valdimir Price