James Joyce's Aesthetic Theory PDF Download

Author: Dolf Sörensen
Publisher: Rodopi
ISBN: 9789062032006
Category : Aesthetics, Modern
Languages : en
Pages : 104

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Author: James Joyce
Publisher: The Floating Press
ISBN: 1775417891
Category : Fiction
Languages : en
Pages : 395

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A Portrait of the Artist as a Young Man is semi-autobiographical, following Joyce's fictional alter-ego through his artistic awakening. The young artist Steven Dedelus begins to rebel against the Irish Catholic dogma of his childhood and discover the great philosophers and artists. He follows his artistic calling to the continent.

Author: Thomas Michael Joyce
Publisher:
ISBN:
Category : Naturalism in literature
Languages : en
Pages : 0

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Joyce's early fiction embodies two finally incompatible ideals: naturalism and romanticism. Joyce's naturalism confirmed his allegiance to ordinary life amongst the lower classes. More importantly, the naturalistic tenet that environment determines character supported Joyce's bitter resentment of a social milieu that threatened to destroy his promise as an artist. His youthful response was to tailor Dubliners to serve his thesis that Dublin was the centre of spiritual paralysis that eventually afflicted all who remained there. Concurrently, Joyce believed art served life, a central expression of his aesthetic. In Chamber Music , Dubliners , Stephen Hero , and A Portrait of the Artist as a Young Man , Joyce identifies life with an idealistic romanticism devoted to adventurous freedom, to a consuming worship of the Virgin, but most importantly, to epiphany, the free artist's realisation of the threat posed to his soul and vocation by family, church, and nation. In upholding the ideals of naturalism and romanticism, Joyce embodies their incompatibilities. On the one hand, he attempts to establish his naturalistic thesis that all Dubliners succumb to Dublin's hemiplegia; on the other hand, his main fictive technique of epiphany implies the Dublin born narrator's freedom. In later works, Joyce criticised the naturalism and romanticism Dubliners expressed, though he never abandons romanticism entirely, as he never abandons his naturalistic interest in the ''here and now." In Portrait , the narrator's irony undermines Stephen's romanticism, but is not synonymous with Joyce's rejection of the aesthetic as some critics contend. Joyce consistently practised Stephen's aesthetic theory developed in Portrait 's fifth chapter. Joyce's tailoring his life to demonstrate the aesthetic resembles the application of his naturalism previously. These demonstrations of theory support the conjecture that the application of naturalism and of the aesthetic stem from a personal need for a standard of order and knowledge that precedes the novelist's full and disinterested response to life when and where he finds it. This need is a major theme of Portrait . Though Joyce in Ulysses modifies the aesthetic of Portrait , its central terms remain unchallenged throughout his works. In the Nausicaa episode of Ulysses , Bloom's equanimity challenges Stephen's romanticism and assists in Bloom's general redefinition of stasis as equanimity and sympathy rather than romantic and mercurial flight as in Portrait . Bloom's responsiveness, his refusal to be bitter or resentful, his refusal to adopt a biased belief or thesis that Dublin is paralysed are vivid testimony to Joyce's consummate achievement as a novelist responsible to life when and where he finds it. Despite the achievement Bloom represents, Ulysses is plagued by problems akin to the application of Joyce's naturalism in Dub liners . In the late revisions of Ulysses , Joyce attempted to move away from the novel into the mode of Finnegans Wake . Such a shift neglects meaning expressed in character and narrative event for the drama of allusions revealed in the ordinary. Joyce's adherence to the plan of Ulysses , to demonstrations of art, colour, technique, etc., resemble his application of naturalism and aesthetic theory. Large sections of Ulysses flesh out such formal matters, often apart from any dramatic considerations of character, event or theme, as we witness in the vast catalogue of opiates in the Lotus Eaters episode, in the catalogue of food in the Lestrygonians, or in the illustrations of blind mechanism in the Wandering Rocks. In Joyce's aesthetic belief that art imitates nature, in the aesthetic theory's stress upon formal relations of part to whole, in the emblematic character of quidditas , wherein the object in its essence becomes a substitute for the object's manifest appearances lies Joyce's justification of his method. Joyce's concentration upon technique as meaning reinforces his shift away from the novel where character and narrative event are the primary vehicles of meaning. In Finnegans Wake , language and technique are the protagonists. Finnegans Wake makes no pretense of being a novel, but use of the term is not solely confined to the literary form of and the painter, to ground his art the novel, for perhap as much as the novel! in the immediacy of s one expects the poet st, to serve life and human experience.

Author: Barbara Laman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640296
Category : Literary Criticism
Languages : en
Pages : 188

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James Joyce's aesthetic theories, as explicated by Stephen Dedalus in A Portrait of the Artist as a Young Man and in the Scylla and Charybdis chapter of Ulysses, have generally been assumed to be grounded in Aristotle and Aquinas. Indeed, Stephen mentions those thinkers especially in Portrait, at the same time as he rejects Romantic notions. This book investigates the extent to which Joyce's theories as well as his practice, beginning with his critical writings and Stephen Hero, are indebted to early German Romanticism. The allusions, affinities, and analogies, as well as differential relationships between the Joycean oeuvre and texts of Johann Wolfgang Goethe, Friedrich Schiller, Friedrich Schiegel, and Novalis are often palpable, sometimes tentative, but clearly present in most of his works, including Finnegans Wake.

Author: James Joyce
Publisher: Read Books Ltd
ISBN: 1473393019
Category : Art
Languages : en
Pages : 243

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Stephen Hero is the early draft of 'A Portrait of the Artist as a Young Man' that James Joyce apparently threw into the fire after growing sick of it being rejected. It was saved from the flames and here it is printed in its original form after his death.

Author: Jacques Aubert
Publisher:
ISBN:
Category : Aesthetics, Modern
Languages : en
Pages : 200

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How did James Joyce see himself in relation to Henrik Ibsen? What were his views of Nietzsche, Hegel, Coleridge, or Ruskin? When did the youthful Joyce begin to devote serious attention to aesthetics and poetics? In The Aesthetics of James Joyce Jacques Aubert examines Joyce's ideas on the function of art and literature against the background of late-nineteenth--and early-twentieth-century British and European intellectual history. Aubert focuses on Joyce's critical writings, A Portrait of the Artist as a Young Man, and Ulysses as well as on the literary and philosophical texts--from Aristotle to Nietzsche--with which he was most closely concerned. Aubert is less interested in tracing specific intellectual antecedents, however, than in assessing the role Joyce assigned himself in relation to his literary and philosophical contemporaries and predecessors. First published in French in 1973, The Aesthetics of James Joyce is the first full-length treatment of James Joyce's aesthetic ideas. Substantially revised and expanded and translated by the author, it gives a coherent unity to Joyce's scattered writings on aesthetics while placing them in a rich historical context.

Author: Hans Walter Gabler
Publisher: Open Book Publishers
ISBN: 1783743662
Category : Literary Criticism
Languages : en
Pages : 410

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This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent exploring textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature and music; and traces the cultural implications discernible in book design, and in the canonisation of works of literature and their authors. Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age. Written in Gabler’s fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities.

Author: Thomas Connolly
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 356

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Author: Leonard Lisi
Publisher: Fordham Univ Press
ISBN: 0823245322
Category : Literary Criticism
Languages : en
Pages : 353

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Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modern experience. Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Kierkegaard and Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced James, Hofmannsthal, Rilke, and Joyce. Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive our relation to the modern world.

Author: Marguerite Harkness
Publisher: Bucknell University Press
ISBN: 9780838750506
Category : Literary Collections
Languages : en
Pages : 230

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This study explores James Joyce's struggle to come to terms with the aesthetic outlooks current at the beginning of the century by examining his portrayal of their dangers and attractions in his two most fully realized characters, Stephen Dedalus in Portrait of the Artist as a Young Man and Leopold Bloom in Ulysses.