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Author: Michael Brim Beckerman Publisher: Princeton University Press ISBN: 0691116768 Category : Biography & Autobiography Languages : en Pages : 330
Book Description
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Author: Michael Brim Beckerman Publisher: Princeton University Press ISBN: 0691116768 Category : Biography & Autobiography Languages : en Pages : 330
Book Description
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Author: Michael Beckerman Publisher: Princeton University Press ISBN: 9781400832095 Category : Music Languages : en Pages : 320
Book Description
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Author: Leos Janácek Publisher: Princeton University Press ISBN: 1400863686 Category : Music Languages : en Pages : 432
Book Description
These are the letters of a great love story. In 1917, the Czech composer Leos Janáçek met Kamila Stösslová while on holiday at Luhaçovice, a spa resort in Moravia. He was sixty-three and locked in a loveless marriage; she was twenty-six, the wife of an antique dealer frequently away from home. After the holiday, Janáçek began writing to Stösslová. Undeterred by her lack of interest in his work and her spasmodic replies, he continued to send her letters until his death eleven years later. An extraordinarily self-revealing portrait emerges of an isolated artist at the height of his creative powers and the beginning of his international fame. It is also a portrait of a lonely man who, as the years went by, came to fantasize about Stösslová as his true "wife"--the inspiration for many of the works of his old age. Most of these letters were suppressed until changing conditions in Czechoslovakia allowed their full publication in 1990. John Tyrrell has edited and translated a comprehensive selection, concentrating on the almost daily letters of the final eighteen months. Supported by a diary of meetings between Janáçek and Stösslová, a decoding of the erotic references in the letters, and a selection of mostly unknown photographs, this remarkable book breathes life into the story one of the greatest of operatic composers and provides vital clues to the nature of his creative genius. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Derek Katz Publisher: University Rochester Press ISBN: 1580463096 Category : Music Languages : en Pages : 192
Book Description
This contextual study of Janácek's operas reveals the composer's creative responses to a wide range of Czech and non-Czech traditions.
Author: Leos Janacek Publisher: Alma Books ISBN: 0714545104 Category : Music Languages : en Pages : 131
Book Description
This double volume contains two masterpieces of the Czech composer Leos Janacek. Jenufa was the opera which finally brought him international recognition - and, with it, fame at home. Based on Ostrovsky's The Storm, Katya Kabanova contains wonderful music inspired by the composer's love for a much younger woman. The scores are discussed by Arnold Whittall, and the background sources are variously introduced by social and literary historians. John Tyrell comments on an important letter about the genesis of Katya; Sir Charles Mackerras describes his work as an interpreter and advocate of this brilliantly original and dramatic music.Contents: A National Composer Jaroslav Krejci; Drama into Libretto, Karel Brusak; The Challenge from Within: Janacek's Musico-dramatic Mastery, Arnold Whittall; Janacek and Czech Realism, Jan Smaczny; JenAfa: Libretto by Leos Janacek; JenAfa: English translation by Otakar Kraus and Edward Downes; A Russian Heart of Darkness, Alex de Jonge; Janacek's forgotten commentary on 'Katya Kabanova', John Tyrrell; Katya Kabanova: Libretto by Leos Janacek; Katya Kabanova: English translation by Norman Tucker; Janacek's Operas - Preparation and Performance, Charles Mackerras
Author: Michael Brim Beckerman Publisher: Pendragon Press ISBN: 9780945193364 Category : Juvenile Nonfiction Languages : en Pages : 420
Book Description
In the first week of May 1988, more than seventy scholars and musicians from five countries gathered at Washington University in St. Louis to participate in the first conference and festival ever to take place in the United States on the Moravian composer Leos Janácek. This volume, arranged in seven parts, is a collection of thirty-five of the papers presented at the conference. It is the first large collection of essays in English concerning Janácek's music, and the only collection of proceedings from a Janácek symposium to be published in the last twenty-five years... most of its essays deal with Janácek's music, while some with other Czech music, mostly from before the time of Bedrich Smetana. This breadth of scope is not a weakness of either the conference or the volume, since it places Janácek in historical perspective, and since the articles that deal with the earlier music are among the best in the volume and are deserving of a forum. John K. Novak, Notes June 1996
Author: George M. Cummins III Publisher: iUniverse ISBN: 1491758112 Category : Biography & Autobiography Languages : en Pages : 560
Book Description
In the last decade of his life, starting when he was a sixty-two-year old curmudgeon in a backwater Slavic country, Czech composer Leo Jancek produced operas and chamber music that would stun the music world, one masterpiece on top of another. In Janceks Eternal Love, author George M. Cummins III presents a biography focusing on the life of Jancek (1854-1928) based on original Czech sources, with special attention to detailed analysis of the last four operas and biographical focus on the composers relationship with his muse, Kamila Stsslov. In 1916, Jancek was known only as a local ethnographer specializing in folk music, but he acquired international fame with the operas and chamber pieces he composed after the age of sixty-two until his death at seventy-four. Cumminswith both a personal and scholarly knowledge of Czech language, history, and culturenarrates a personal biography that includes detailed, insightful descriptions of Janceks compositions.
Author: Michael Brim Beckerman
Author: Michael Brim Beckerman
Author: Michael Beckerman
Author: 
Author: Mirka Zemanová
Author: Leos Janácek
Author: Derek Katz
Author: Leos Janacek
Author: Leos Janacek
Author: Michael Brim Beckerman
Author: George M. Cummins III